Raúl Anguiano was born in Guadalajara, Jalisco, in 1915. He started drawing Cubist pictures at the age of 5, taking as his first model movie stars, like Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano’s first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928–33, he studied with the master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organized the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models, workmen, employees and a few intellectuals like Pita Amor. In 1934, Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda Academy and the UNAM School of Art.
Anguiano was a member of the Mexican Artistic Renaissance movement, which started in the 1920s by the Mexican School of Art to which he belonged. This renaissance began with the San Carlos Academy movement, among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco. It emerged out of the students' and teachers’ discontent with the traditional painting methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, which explains the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 230-foot fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936, he moved into his Surrealist period, which lasted almost a decade. He painted circus performers and sex workers. The most notable among his works of the time are “The Madame” (gouache, 1936), “The Clown's Daughter” (oil, 1940), the “Pink Circus Artist” and the “Grey Circus Artist” (oil, 1941). Also, during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating.
In 1937, Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practiced a graphic style based on Mexico's folk traditions. This was due to the powerful influence of José Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce, Jesús Guerrero Galván and Julio Castellanos, all known for being unorthodox, associated in politics and art, while at the same time, holding to certain traditional canons. Anguiano's work is viewed as an expression of its time because of its undeniably Mexican flavor, and the link to his people is clear, not only in his murals but also on canvas, etchings, pencil and ink drawings, lithographs and illustrations, and additionally, in sculpture and ceramics. Without compromising his personality or ethnic roots, and at the same time not allowing them to limit him, Anguiano has vindicated and taken advantage of the principles of modern art, giving him a universal and transcending character of his boundary work.
Anguiano held his first solo exhibition, entitled "Raúl Anguiano and Máximo Pacheco," at the Palace of Fine Arts in Mexico City, in 1935. In 1940, he took part in his first collective exhibition "Twenty Centuries of Mexican Art.” These were followed by more than 100 shows in many countries such as Cuba, Chile, Colombia, Brazil, the United States, France, Italy, the former Soviet Union, Israel, Germany and Japan. His exhibitions include the presentation of a series of four-color lithographs, held at the Hall of Graphic Arts SAGA 88, from 1989–90, in Paris; and the retrospective look at Anguiano's work in graphics (1938–40), held at the National Print Museum in Mexico City in 1990. In 1982, Anguiano became a member of Mexico City's Academy of Arts, and since 1993, he was also the Creator Emeritus of the National System to the Creators of Art.
(Biography provided by Robert Azensky Fine Art)
Mexican signed limited edition original art print aquatint 22x14.8 in
By Raul Anguiano
Located in Miami, FL
Raul Anguiano (Mexico, 1915-2006) 'Ninfa y fauno', 2003 sugarlift on paper Guarro Super Alpha 250g. 22.1 x 14.8 in. (56 x 37.5 cm.) Edition of 100 ID: ANG-101 Unframed
Paper, Etching, Aquatint, Ink
Mujer de Juchitan
By Raul Anguiano
Located in Long Island City, NY
Artist: Raul Anguiano, Mexican (1915 - 2006) Title Mujer de Juchitan Year: 1974 Medium: Oil on Canvas, signed l.l., signed, dated and titled verso Size: 25.5 x 37.25 in. (64.77 x 94...
Oil, Canvas
Ballet
By Raul Anguiano
Located in Middletown, NY
Etching on heavy white wove paper, 12 x 17 1/2 inches (305 x 445 mm); sheet 19 1/2 x 25 inches (508 x 635 mm), full margins. Signed, dated, and numbered 7/50 in orange crayon, and ti...
Etching
$500
"Nymph and Faun" 2003 Last Mexican Muralist Artist original first print proof
By Raul Anguiano
Located in Miami, FL
Raul Anguiano (Mexico, 1915-2006) 'Ninfa y fauno', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) ID: ANG-107 Hand-signed by author
Paper, Ink, Etching, Aquatint
$600
"Salome" 2003 last Mexican Muralist artist original first print proof engraving
By Raul Anguiano
Located in Miami, FL
Raul Anguiano (Mexico, 1915-2006) 'Salomé', 2003 Engraving, sugarlift on Deponte handmade heavy-weight paper of 650 g. 19.3 x 15 in. (49 x 38 cm.) ID: ANG-108 Hand-signed by author
Ink, Etching, Aquatint
La Nina Desnuda, Gouache Painting by Raul Anguiano
By Raul Anguiano
Located in Long Island City, NY
Raúl Anguiano belongs to the “Third Generation” of post-revolutionary painters, with Juan O’Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce...
Tempera, Gouache
"Muchacha de Cuetzalan", 1973, Lithograph by Raul Anguiano
By Raul Anguiano
Located in Long Island City, NY
Artist: Raul Anguiano, Mexican (1915 - 2006) Title: Muchacha de Cuetzalan Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 29 x 22 in. (73.66 x 55.88 cm)
Lithograph
Mid Century Nude Figure Study of a Black Woman
By Raul Anguiano
Located in Soquel, CA
Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W. Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor. In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art. Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating. In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...
Paper, Conté, Charcoal
Contemplative Potter
By Raul Anguiano
Located in Dallas, TX
Contemplative Potter - (Alfarera Pensativa). Technique: Pastel on Paper. Mexico. Signed and Dated 1989.
Pastel
Raul Anguiano, Lime Kilns (Hornos de Cal), Tula, Hidalgo, Mexico
By Raul Anguiano
Located in New York, NY
Raul Anguiano (1915-2006) was an artist associated with the second wave of Mexican Muralists. This lithograph, Lime Kilns, was published in the Mexican Peoples Portfolio in 1947. M...
Lithograph
" Ballet " Raul Anguiano original etching 1970
By Raul Anguiano
Located in Paonia, CO
Ballet is a black and white etching of a ballet dancer performing a modern dance. Raul Anguiano ( 1915 - 2006 ), born in Guadalajara, Mexico was a painter, a muralist , printmake...
Etching
Mexican signed limited edition original art print aquatint 15.6x12.6 in
By Raul Anguiano
Located in Miami, FL
Raul Anguiano (Mexico, 1915-2006) 'Retrato', 2001 aquatint on paper 15.6 x 12.6 in. (39.5 x 32 cm.) Edition of 50 ID: ANG-201 Unframed
Paper, Ink, Etching, Aquatint
Muchacha en una Cueva, Modern Pastel on Paper by Raul Anguiano
By Raul Anguiano
Located in Long Island City, NY
Artist: Raul Anguiano, Mexican (1915 - 2005) Title: Muchacha en una Cueva Year: 1973 Medium: Pastel on Paper, signed and dated l.r. Paper Size: 20 in. x 26 in. (50.8 cm x 66.04 cm)
Paper, Pastel
Itayu, 1988, Lithograph by Raul Anguiano
By Raul Anguiano
Located in Long Island City, NY
Artist: Raul Anguiano, Mexican (1915 - 2006) Title: Itayu Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 150 Image Size: 26 x 20 inches Size: 30.5 x 22.5 in. (...
Screen
UNTITLED
By Raul Anguiano
Located in Dallas, TX
Raul Anguiano. Untitled. Mexico. Signed and dated 1974, Technique: Lithography. Size: 26 x 32 inches. Anguiano is a renowned Mexican painter who was born in Guadalajara on February 26th, 1915, and died in Mexico City on January 13th, 2006. In his works you can see subjects related to rural and indigenous Mexico, festivals, traditions, religion and landscapes. In 1922 he collaborated with Diego Rivera and joined the group of Mexican muralists...
Lithograph
Portrait of a Woman, Pastel Portrait Drawing by Raul Anguiano
By Raul Anguiano
Located in Long Island City, NY
Artist: Raul Anguiano, Mexican (1919 - 2006) Title: Portrait of a Woman Year: 1964 Medium: Pastel on Paper, signed and dated l.r. Size: 31 x 22 inches Frame Size: 39 x 30 inches
Pastel
"Salome" 2003 last Mexican Muralist signed original engraving print aquatint
By Raul Anguiano
Located in Miami, FL
Raul Anguiano (Mexico, 1915-2006) 'Salomé', 2003 Engraving, sugarlift on paper 22.1 x 14.8 in. (56 x 37.5 cm.) Edition of 100 ID: ANG-102
Paper, Ink, Etching, Aquatint
Mexican signed limited edition original art print sugarlift 35x23 in.
By Raul Anguiano
Located in Miami, FL
Raul Anguiano (Mexican, 1915-2006) 'Desnudo doble', 2005 Etching, aquatint and sugarlift 103 x 73 cm. (40.6 x 28.7 in.) Edition of 50 Unframed Pristine condition Hand-signed in penc...
Paper, Ink, Etching
$695
H 32 in W 20 in D 0.25 in
"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition
By Geoffrey Bowman
Located in Soquel, CA
"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...
Paper, Ink, Lithograph, Etching
$2,900
H 32 in W 26 in
"Requiem/Let Them Be, " Etching and Aquatint signed by Joan Snyder
By Joan Snyder
Located in Milwaukee, WI
"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...
Etching, Aquatint
$9,500
H 8.5 in W 11 in
Reefer Madness, Marajuana - Pot - Cannabis - Cover Atlantic Monthly Magazine
By Seymour Chwast
Located in Miami, FL
Gouache, Crayon, Pencil, Film on Paper, not framed Cover Atlantic Monthly Magazine August 1994
Gouache, Paper
$4,796Sale Price|20% Off
H 12.99 in W 9.84 in
Henri Matisse, Three Heads. To Friendship, from Apollinaire, 1952
By Henri Matisse
Located in Southampton, NY
This exquisite aquatint by Henri Matisse (1869–1954), titled Trois têtes. A l'amitié (Three Heads. To Friendship), from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), originates from the 1952 edition published by Editions Raisons d'etre, Paris, and printed by Mourlot Freres, Paris, April 24, 1952. The work captures Matisses lyrical line and expressive minimalism, paying tribute to the French poet Guillaume Apollinaire through a synthesis of portraiture and calligraphic grace. Executed as an aquatint on velin a la forme des papeteries d'Arches paper, this work measures 12.99 x 9.84 inches (33 x 25 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superior craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Henri Matisse (1869–1954) Title: Trois têtes. A l'amitié (Three Heads. To Friendship), from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse) Medium: Aquatint on velin a la forme des papeteries d'Arches paper Dimensions: 12.99 x 9.84 inches (33 x 25 cm) Inscription: Unsigned and unnumbered, as issued Date: 1952 Publisher: Editions Raisons d'etre, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 31. Condition: Well preserved, consistent with age and medium Provenance: From the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), published by Editions Raisons d'etre, Paris; printed by Mourlot Freres, Paris, 1952 Notes: Excerpted from the album (translated from French), Printing of this album was finished on April, Twenty-Four, M.CM.LII for the Editions Raisons d'etre, 2 rue des Beaux-Arts in Paris, was produced by Fernand Mourlot, based on the models of Henri Matisse. The eight original lithographs were shot on the presses of Mourlot Freres who also printed the cover and case composed by the artist. The stones were erased after drawing. The text and letrins engraved by Henri Matisse were drawn by Coulouma S.A., printer in Paris. Justification of the draw— XXX examples on large velin d'Arches a la forme, signed by the author and the artist, accompanied by a series of original lithographs numbered from I to XXX; CCC examples on velin d'Arches a la forme numbered from XXXI to CCCXXX; XX examples of non-commerce collaborators numbered from I to XX and in addition a few nominative examples on Grand Velin. About the Publication: Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), published by Editions Raisons d'etre, Paris, in 1952, stands among Matisses most intimate artist’s albums, conceived as a visual homage to the poet Guillaume Apollinaire, whose friendship and creative influence had profoundly shaped the avant-garde in the early 20th century. The album unites Matisses mastery of line with his reverence for literature, pairing portraits, decorative initials, and typographic designs engraved in his own hand. Printed by the esteemed atelier Mourlot Freres, the volume exemplifies the peak of French postwar printmaking, merging literary refinement with visual purity. Each print reveals Matisses poetic sensibility—his ability to render emotion through the economy of contour and rhythm. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Trois têtes. A l'amitié (Three Heads. To Friendship) Apollinaire, Henri Matisse (Apollinaire, Henri Matisse) 1952, Matisse Editions Raisons d'etre, Matisse Mourlot Freres, Matisse aquatint...
Aquatint
Portrait of James McBey.
By Walter Tittle
Located in Plano, TX
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Drypoint, Etching
$5,200
H 12 in W 15 in
“The Horse Race" #50 A Pierre Bosco (Italy/France, 1909-1993) circa 1950s
By Pierre Bosco
Located in SANTA FE, NM
“The Horse Race" #50 A Pierre Bosco, (1909-1993) Oil n canvas Signed lower right 12 x 15 inches “The savage art of Bosco bears its rudeness and its mystery. It is an art of pure ex...
Canvas, Oil
HEADS UP D.H.
By Red Grooms
Located in Aventura, FL
Etching and aquatint, 1980, on BFK Rives, signed and titled in pencil, numbered 18/26. Published by Brooke Alexander, with full margins. Artwork is in excellent condition. Certificat...
Etching, Aquatint, Paper
$6,500
H 25 in W 31 in
David's Pool at Night (David Hockney's Pool) black white abstract Howard Hodgkin
By Howard Hodgkin
Located in New York, NY
Large scale black and white etching depicting an abstracted pool, at David Hockney’s home in Los Angeles. This hand painted Howard Hodgkin work is i...
Watercolor, Etching, Aquatint
$600
H 25.5 in W 18 in
In The Pink: Contemporary Mixed Media Figurative painting by John Emanuel
By John Emanuel
Located in Brecon, Powys
Another very pretty mixed media from the studio of this well collected British artist. Image 21" x 15" mounted Originally from Bury, in the North of England, John Emanuel works in ...
Gouache
$2,000
H 24.75 in W 17.75 in
The Princess in her tower David Hockney Six Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
One of David Hockney’s Six Fairy Tales from the Brothers Grimm illustrations, taken from the story of ‘The Little Sea Hare’. This tower was likely inspired by Hockney’s travels throu...
Etching, Aquatint
$95,000
H 77.75 in W 57.25 in D 12 in
Jonah Historically Regarded, from the Moby Dick Domes series, Signed, 1992
By Frank Stella
Located in Aventura, FL
From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...
Paper, Acrylic, Engraving, Etching, Aquatint, Screen, Stencil
$3,522
H 20.28 in W 15.28 in
Serpentine (blue) - Contemporary, Abstract, Figure, Women, fragile
By Georg Baselitz
Located in Köln, DE
Aquatint in colours with sugar lift "Serpentine" (blue) by Georg Baselitz from 2022/23. The edition on Somerset White Satin comprises 50 copies in blue / 50 copies in green. The ...
Color, Etching, Aquatint
Portrait of a Girl in Green
By Raul Anguiano
Located in Long Island City, NY
Artist: Raul Anguiano, Mexican (1915 - 2005) Title: Portrait of a Girl in Green Year: 1966 Medium: Oil on Board, signed and dated l.l. Size: 16.5 in....
Oil, Board