Raymond Besse Paintings

Large Catalan Harvest Landscape Painting Pyrenees Olot School Figures Oil SPECIFICATIONS Artist: Salvador Corriols i Pagès (Olot, 1907 – 1975) Medium: Oil on canvas Date: Mid-20th ...

HERVE Jules René (1887-1981) Pond of the Tuileries Garden in Paris Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 46 X 55 cm Dim frame : 67 X 76 cm HERVE J...

This atmospheric Western scene may be just what a themed room or collection needs. Listed American artist Frederic Burnett is known for his depictions of the American West and this ...

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

"Canyon River" (2025) is a beautiful original impasto oil painting, created on linen panel by American artist Sandra Pratt, which depicts a vast forest, captured in an expressionisti...

Catalan Harbor Mediterranean Boats Post Impressionist Oil Painting Artist: Josep Marfa Guarro (1928–2014) Technique: Oil on canvas Signature: Signed lower left Dimensions: Height 27...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed Grau Sala (lower right) oil on canvas 25-1/2 X 32 inches (65 X 81 cm.) framed: 36-1/4 X 42-1/2 inches (92 X 108 cm.) PROVENANCE Sale: Sotheby´s Olympia London, 20 October 2006 Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

EMILIO GRAU SALA Spanish, 1911 - 1975 PLAGE DE TROUVILLE signed Grau Sala (lower left) signed again, located & dated "Grau Sala, Trouville, 1953" on the reverse oil on canvas 15 X 24 inches (38 X 61 cm.) framed: 24-1/2 X 33-3/4 inches (62.5 X 85.5 cm.) PROVENANCE Private French Collection Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Grau Sala lived and absorbed all the avant-garde movements that broke through in Paris, but never adhered to any. Creating your personal style. His pictorial lyricism and naturalism superimposed the evotative and sensitive quality of the image to any other concern. In 1953 Grau Sala spends his first summer in Honfleur becoming one of the most active Honflerian painters. Honfleur forms a coast triangle next to Deauville and Trouville, and in that August of 53, Grau Sala pinto is an elegant beach, which at that time met French and European high society. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

"Funchal, le Port (Port of Funchal, Portugal)" Raymond Thibesart (France, 1874-1968) Pastel on paper 12 x 9 (18 3/4 x 15 5/8 frame) inches Stamp of studio on reserve INV Nbr. 821RT...

CELSO LAGAR Spanish, 1891 - 1966 FAIRGOERS IN FRONT OF ROULOTTES signed "Lagar" (lower right) oil on canvas 18-1/4 x 15 inches (46 x 38 cm.) framed: 29-1/4 x 26 inches (74 x 66 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

CHARLES - CLÉMENT CALDERON French, 1870 - 1906 VENICE TWILIGHT signed "C. Calderon" (lower right) oil on canvas 15-1/4 x 21-3/4 inches (38.5 x 55 cm.) ...