Reisig and Taylor Art

This a very intense and dynamic triptych of lenticular prints that creates a rotating effect on an axe as you walk pass it. Francois Wunschel's work is about light, geometry, movements and most generally about perception of space and volume. His body of work includes immersive performances using new technology and most specifically video mapping projection, stereoscopic renderings and lenticular prints. François Wunschel is a French artist born in Strasbourg in 1978, currently living in Paris (FR). He graduated in architecture and urbanism, and became a founding member of the EXYZT group, whom was commissioned to design and build an installation for the Venice Architecture Biennale in 2006. Founder of 1024 Architecture in 2008, with associate Pier Schneider, Wunschel creates hybrid spaces and physical geometric structures animated by digital projections and dynamic lighting. A frequent collaborator on musical projects and world music tours, he has worked with composers and musicians including Etienne de Crecy...

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with an emphasis on text, is consistently provocative and occasionally frightening, manipulating the language of both pop culture and government slogan to produce commentary on global issues notably power structures and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York and other cities. Composed of anonymous statements, printed on friendly or calm colored papers, the statements were influenced by writings of major political figures such as Emma Goldman...

Jenny Holzer, Ten for Ten: Celebrating Printed Matter, 10th-anniversary reading, New York, 1986, Announcement Card Rare, Jenny Holzer 1980s announcement card published on the occasion of Ten for Ten: Celebrating Printed Matter - the 10th-anniversary reading. The event was held at The Great Hall of Cooper Union on November 19, 1986. It featured John Giorno, Eric Bogosian, Constance DeJong, Richard Prince, Cookie Mueller, Roz Chast, Richard Nonas...

Jenny Holzer, Barbara Gladstone Gallery, New York, 1986: Rare vintage original 1980s announcement card published on the occasion of Jenny Holzer's exhibition, "Under a Rock," at Bar...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

N. Levi (signed in Hebrew and English) Menorah Done in a brutalist design with the Hebrew words "Seek the peace of jerusalem" Dimensions: 8 X 9 X 2.5 inches This appears to be silver plated as I do not see a silver standard mark or hallmark. There has been a resurgence of fine artists making Judaica, There was initial generation of the Bezalel School in Jerusalem and later Ludwig Wolpert at the Jewish Museum in New York City, whose spare, geometric, functionalist style was influenced by the Bauhaus school in particular and modernism in general, Moshe Zabari, Maxwell Chayat, in New York, Menachem Berman...

Russell Young (1959) Ali, (2023) Acrylic and enamel screenprint on linen with diamond dust 36 x 27.5 in (91.4 x 69.8 cm) Signed, dated, and marked with the artist's archive number o...

Verve 29/30 Author: Picasso, Michael Leris Year: 1956 Publisher: Harcourt Brace & Company, New York Title: Verve 29/30. Suite de 180 Dessins de Picasso...

This a dynamic lenticular print that creates a mirroring and shadow changes as you walk pass it. Francois Wunschel's work is about light, geometry, movements and most generally abou...

Marilyn Minter RESIST T-Shirt (Hand signed and dated by Marilyn Minter), 2018 Silkscreened Cotton T-Shirt (XL), hand signed in indelible marker Boldly signed and dated 2018 in indeli...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...