Renaud Allirand Art

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

This striking large hand painted limited Edition is No. 2 of only 10 in existence. 90% of the painting is hand-painted in oil and gesso on giclee by Shizico Yi, the edition featuring...

“Water Blooms 8” — Oil, Acrylic, and Ink on Canvas, 48 x 72 inches "Water Blooms 8" is a monotone abstract painting with richly layered tones of black, greys and bright whites, inks...

Nick Thomm CHROMATIC - 4 Print Set (XL SIZE 36" x 48" PER PRINT). Limited Edition #43 of 50. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. ...

"Micro Mini Token I" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included

Etching and aquatint, 1964 Publisher : La Rose des Vents, Paris Printer : Jean Signovert Catalog : [Schneider XXV] 37.00 cm. x 27.00 cm. 14.57 in. x 10.63 in. (paper) 32.50 cm. x 23...

Monoprint on paper Unique Signed, dated and titled in pencil on the front with publisher's blindstamp on the front (shown) Significance of the title - Barocco (Baroque): The French p...

Aquatint, monoprint with chine collé 85.7 x 68.6 cms (33 3/4 x 27 ins) Edition of 19 variants

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

This etching is hand signed and dated '1970' by the artist in the lower rgiht margin in ink. The work is hand inscribed in ink "Epreuve d'atelier - Face Cachée" at the lower left mar...

This etching is hand signed and dated '1961' by the artist in the lower rgiht margin in ink. The work is hand numbered 14 from the edition of 75 impressions at the lower left margin....