Renwick Taylor Art

Oil on board Board Size: 16 x 20 in. Frame Size: 22 x 26.5 in. Signed, bottom right. In this oil painting Jose Vives-Atsara captures the rugged, sun-drenched essence of the Spanish ...

May Hill by Eleanor Woolley [May 2021] original Oil Painting on Gesso Board Image size: H:15.2 cm x W:15.2 cm Complete Size of Unframed Work: H:15.2 cm x W:15.2 cm x D:2cm Sold U...

Bright winter landscape of an old mill in the snow by E. Harrison (American, 20th Century). Signed "E. H." lower left. Unframed. Image, 16"H x 20"L.

Horse & Figure in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Proven...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood DeForest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the DeForests made frequent trips abroad. Excursions to the great museums, which were prominent on the DeForests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old DeForest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. DeForest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, DeForest took a studio at the Tenth Street Studio Building in New York. During these formative years DeForest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade DeForest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Francisco Tammaro (Italian, Contemporary) Parisian Café Scene Circa 2000 Oil on board Signed lower right and inscribed on the reverse A charming and highly atmospheric depiction of ...

The painting you described is a beautifully textured artwork that captures a tranquil lakeside scene. In the background, a charming cabin with a blue roof is nestled within a dense f...

Charles Bertie Hall (British, Contemporary) Norfolk Rural Landscape Circa 2020 Oil on board Signed lower left Presented in a Whistler-style frame A beautifully observed landscape by...

Adolphus Knell (1795–1875) Boats at Anchor off the English Coast Oil on artist’s board, signed verso Circa 1870 A refined and beautifully atmospheric nineteenth-century marine paint...

Adolphus Knell (1795–1875) Beached Fishing Vessel at Low Tide Oil on artist’s board, signed verso Circa 1870 A beautifully restrained and atmospheric Victorian coastal scene by the ...

A wonderful impressionist Autumn pastoral scene of a glistening waterfall by the countryside. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed m...

Dimensions with frame: 47 x 34 x 3,5 cm. Signed "A Carducci" in the lower right corner. A vibrant and expressive depiction of a Parisian street scene, animated by pedestrians, shopfronts, and early automobiles under a lively urban atmosphere. The composition captures the dynamic rhythm of city life, with figures moving through a bustling intersection framed by Haussmannian architecture. Executed with bold, gestural brushwork and a richly textured surface, the painting emphasizes movement, light, and immediacy over fine detail. The artist employs a dynamic palette of warm browns, greys, and ochres, punctuated by vivid accents of red, yellow, and blue, bringing energy and depth to the scene. The wet pavement and reflections suggest recent rain, enhancing the sense of atmosphere and modernity. The buildings are rendered with a semi-abstract approach, their forms slightly distorted through expressive handling, aligning the work with Post-Impressionist and early Expressionist tendencies. This painting reflects the vitality of early 20th century Paris, appealing to collectors of modernist cityscapes, Parisian subjects, and expressive urban painting. paris street scene painting, scène de rue à paris, paris cityscape oil painting...