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Rex Whistler Art

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Artist: Rex Whistler
Rex Whistler Designed "Post Office c1937 Greetings Telegram"
Rex Whistler Designed "Post Office c1937 Greetings Telegram"

Rex Whistler Designed "Post Office c1937 Greetings Telegram"

Located in Bristol, CT

Image Sz: 6 3/8"H x 8 1/2"W Frame Sz: 10 1/4"H x 12 1/4"W w/ envelope laid-in on verso St. Valentine's Day greetings telegram, issued by the GPO 12 February 1937. Colour half-tone and letterpress, designed by Rex Whistler...

Category

20th Century Rex Whistler Art

Materials

Color

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Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'". Minor browning, collection stamp on the reverse. - In the shadow of betrayal - About the artwork This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376). Hermann Prell, Betrayal of Judas, 1886 The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner. In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk. As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting. About the artist In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions. Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904). From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...

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Original pen & ink drawing by Rex Whistler (1905-1944) Acquired from The BP Shell Collection Lot #12 at Sotheby's Olympia London Sept 10, 2003 Art Sz: 11"H x 7-3/4"W Frame Sz: 19"H x 15-1/2"W Artist Bio: Reginald John Whistler was born in Britain on 24 June 1905, at Eltham, greater London, the son of architect and estate agent Henry Whistler and Helen Frances Mary, daughter of Rev. Charles Slegg Ward, vicar of Wootton St Lawrence, near Basingstoke, Hampshire. In May 1919 he was sent to boarding school at Haileybury, where he showed a precocious talent for art, providing set designs for play productions and giving away sketches to prefects in lieu of "dates" (a punishment at Haileybury, similar to "lines" whereby offenders are required to write out set lists of historical dates). After Haileybury the young Whistler was accepted at the Royal Academy, but disliked the regime there and was "sacked for incompetence". He then proceeded to study at the Slade School of Art, where he met Stephen Tennant, soon to become one of his best friends and a model for some of the figures in his works. Through Tennant, he later met the poet Siegfried Sassoon and his wife Hester, to both of whom Whistler became close. Upon leaving the Slade he burst into a dazzling career as a professional artist. His work encompassed all areas of art and design – from the West End theatre to book illustration (including works by Evelyn Waugh and Walter de la Mare, and Jonathan Swift's Gulliver's Travels) and mural and trompe-l'oeil painting. Paintings at Port Lympne Mansion (within Port Lympne Wild Animal Park), Plas Newydd, Mottisfont Abbey and Dorneywood among others, show his outstanding talent in this genre. During his time at Plas Newydd he may well have become the lover of the daughter of the 6th Marquess of Anglesey, the owner of the house, who had commissioned him to undertake the decorative scheme. Whistler and Lady Caroline Paget are known to have become very close friends and he painted numerous portraits of her, including a startling nude. Whether this painting was actually posed for or whether it was how Whistler imagined her naked is a matter of debate. His most noted work during the early part of his career was for the café at the Tate Gallery, completed in 1927 when he was only 22. He was commissioned to produce posters and illustrations for Shell Petroleum and the Radio Times. He also created designs for Wedgwood china based on drawings he made of the Devon village of Clovelly. Whistler's elegance and wit ensured his success as a portrait artist among the fashionable; he painted many members of London society, including Edith Sitwell, Cecil Beaton and other members of the set to which he belonged that became known as the "Bright Young Things". His murals for Edwina Mountbatten...

Category

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Materials

Ink

"The Duke of Sussex" by Rex Whistler 1937 Ink & Coloured Wash Drawing
"The Duke of Sussex" by Rex Whistler 1937 Ink & Coloured Wash Drawing

"The Duke of Sussex" by Rex Whistler 1937 Ink & Coloured Wash Drawing

Located in Bristol, CT

An original ink & coloured wash drawing by the Rex Whistler (1905-1944) depicting "The Duke of Sussex" tipsily approaching The Queen 'Victoria' & to the left, The Prince Consort playing chess, all assembled in a state room in a rococo cartouche manner topped by upper 'L&R' corner gouache crowns on pearl grey paper then published by Nash Magazine February/ March 1937 as illustrations to 'The Court Circle' by Laurence Housman Thence our original work on paper on offer being the 2nd in the series of four Provenance: The Estate of John Teed Esq~ description featured on pg 91 in: 'The Works of Rex Whistler' by Laurence Whistler (his brother) & Ronald Fuller pub. 1960 by Batsford Press Since birdseye maple framed in a lavender mat. Frame Sz: 16"Sq Image Sz: 9-1/8"Sq Artist Bio: Reginald John Whistler was born in Britain on 24 June 1905, at Eltham, greater London, the son of architect and estate agent Henry Whistler and Helen Frances Mary, daughter of Rev. Charles Slegg Ward, vicar of Wootton St Lawrence, near Basingstoke, Hampshire.[1] In May 1919 he was sent to boarding school at Haileybury, where he showed a precocious talent for art, providing set designs for play productions and giving away sketches to prefects in lieu of "dates" (a punishment at Haileybury, similar to "lines" whereby offenders are required to write out set lists of historical dates). After Haileybury the young Whistler was accepted at the Royal Academy, but disliked the regime there and was "sacked for incompetence". He then proceeded to study at the Slade School of Art, where he met Stephen Tennant, soon to become one of his best friends and a model for some of the figures in his works. Through Tennant, he later met the poet Siegfried Sassoon and his wife Hester, to both of whom Whistler became close. Upon leaving the Slade he burst into a dazzling career as a professional artist. His work encompassed all areas of art and design – from the West End theatre to book illustration (including works by Evelyn Waugh and Walter de la Mare, and Jonathan Swift's Gulliver's Travels) and mural and trompe-l'oeil painting. Paintings at Port Lympne Mansion (within Port Lympne Wild Animal Park), Plas Newydd, Mottisfont Abbey and Dorneywood among others, show his outstanding talent in this genre. During his time at Plas Newydd he may well have become the lover of the daughter of the 6th Marquess of Anglesey, the owner of the house, who had commissioned him to undertake the decorative scheme. Whistler and Lady Caroline Paget are known to have become very close friends and he painted numerous portraits of her, including a startling nude. Whether this painting was actually posed for or whether it was how Whistler imagined her naked is a matter of debate. His most noted work during the early part of his career was for the café at the Tate Gallery, completed in 1927 when he was only 22. He was commissioned to produce posters and illustrations for Shell Petroleum and the Radio Times. He also created designs for Wedgwood china based on drawings he made of the Devon village of Clovelly. Whistler's elegance and wit ensured his success as a portrait artist among the fashionable; he painted many members of London society, including Edith Sitwell, Cecil Beaton and other members of the set to which he belonged that became known as the "Bright Young Things". His murals for Edwina...

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Rex Whistler art for sale on 1stDibs.

Find a wide variety of authentic Rex Whistler art available for sale on 1stDibs. You can also browse by medium to find art by Rex Whistler in ink and more. Not every interior allows for large Rex Whistler art, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Oliver Messel, Reginald Hallward, and John Sergeant. Rex Whistler art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $950 and tops out at $2,327, while the average work can sell for $1,638.

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