Richard Amsel Art

'The Family', gouache on fine art paper (1984), by Raymond Dèbieve. In a clear nod to Picasso's influence both stylistically and in terms of subject matter ...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. ...

A striking and very intimate work created by the renowned Fauvist artist Raoul Dufy in the early 20th century, depicting his wife in 1915. This artwork is a rare and very precious ge...

Echoes of the Atelier IV, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

Echoes of the Atelier I, acrylic on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor fro...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

Echoes of the Atelier III, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...

'Prisms of Identity: A Portrait Series V', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flor...

'Mother and Child II', watercolour on fine art paper (1970), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso pain...

Pink Dress by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on card, unframed paper: 10 x 6.5 inches double sided very good condition provenance: from the artists...