Richard Fishman Prints and Multiples

WE WILL SHIP THIS ARTWORK WORK TO YOU WITH A COURTESY PEDRO FRIEDEBERG STYLE BLACK AND GOLD STRIPED FRAME . . . . Pedro Friedeberg is an Italian-born Mexican artist and designer kn...

"Hombre Blanco" by Rufino Tamayo is a Figurative Abstraction mixografia in color limited edition measuring 30x22 in. The piece is framed beautifully with...

Drypoint etching on Japanese paper, edited in 1969 Limited edition, numbered as 27/75 in lower left corner.
 Hand-signed by artist in pencil in the lower right corner. Plate size: 3...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

Color drypoint etching on BFK Rives paper, edited in 1970.
 Limited edition, numbered XVII/XXV in lower left corner.
 Hand signed by artist in pencil in the lower right corner. Plat...

Drypoint etching on paper, edited in 1945. Limited edition, printed by Galerie Rive Gauche, Paris, as a New Year’s card. The technique (“Pointe sèche d'Asger JORN”) and the date are ...

Monotype completed during his period as Resident Artist at the French Institute of Tangier, 2017. Signed on the reverse. A quiet, architectural, and meditative, built from restraint ...

Signed, titled and numbered in pencil by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physic...

Susan Gorelick ( American, 1924-2000) "Growth 1" A/P, Abstract Etching signed, titled and numbered in Pencil 15.25 x 11.50, Late 20th Century Colors: Gold, Black Shirley Gorelick (1924–2000) was an American artist who evolved a distinctive realist technique that allowed her to create penetrating psychological portraiture, often on a large scale. She described her early work as a contemporary reinterpretation of the figure “within the framework of a personal humanism” and her later work as “psychological portraiture.” She earned her B.A. at Brooklyn College (1944), where she studied under Serge Chermayeff, and her M.A. at Teachers College, Columbia University (1947). She briefly studied with Hans Hofmann in Provincetown and Betty Holliday in Port Washington. Her early work was influenced by Cubism, Surrealism, and Abstract Expressionism, but she became uncomfortable with the distortion of the human figure in modern art. Gorelick emerged as a strong figurative artist with her first solo show, held at the Angeleski Gallery in 1961, where she exhibited an array of truncated nudes in the prevailing abstract expressionist idiom. Several years later, using the visual language of twentieth-century realism, Gorelick reinterpreted Giorgione’s Concert Champêtre, Pablo Picasso’s Les Demoiselles d’Avignon, and the Three Graces. Most notably, Three Graces IV and Three Graces V feature the repeated forms of a nude, middle-aged African-American model. As Gorelick’s work evolved in the 1970s, the direct associations with her artistic forebears lessened, although she continued to be inspired by them. Blending the theme of the Three Graces and the Tahitian nudes of Paul Gauguin, Gorelick created Westchester Gauguin (Three Sisters), a series of paintings that portray suburban adolescents amid an overgrowth of pachysandra. She further recast the Three Graces in Willy, Billy Joe, and Leroy (1973), a compelling portrait of three African-American men in the artist’s studio. Inspired by Paul Cézanne’s Card Players, Gorelick also painted Chess Game (1972), in which she depicted a group of men playing chess...

Artist: Jacques Villon Title: Ajournement I Year: 1959 Medium: Etching Edition: Inscribed Bon A Tirer (Trial Proof) in pencil Paper Wove Image size: 5.5 x 6.5 inches Signature: H...

Artist: Joan Miro Title: Caillou Medium: Etching and aquatint in colors on Rives paper Date: 1978 Edition: 19/115 Framed Size: 15" x 11" Sheet Size: 9 1/4" x 7" Signature: Hand signe...

Signed, titled and numbered in pencil by the artist. Edition size: 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and ...