Richard Smith Art
English, 1931-2016
Charles Richard "Dick" Smith was an English printmaker and painter.
He Attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters.
In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent.
In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal.
Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery.
Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry.
By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. First exhibited in New York in 1971, the traditional wooden supports of the canvases were replaced by aluminium rods and strings, allowing them to be hung freely in response to the surrounding architecture. Smith continued in the subsequent decades to construct site-specific works in public and private spaces often hanging from the ceilings or architectural supports. He resettled in Patchogue, New York in around 1977.
Smith was awarded the CBE in 1971.to
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Artist: Richard Smith
Horizon VI (blue, purple, green)
By Richard Smith
Located in London, GB
Edition of 75, Set of 6
33 x 71 cms (13 x 28 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Seven from Logo Suite (Pink Blue) - 3D signed mixed media multiple #65/100
By Richard Smith
Located in New York, NY
Richard Smith
Seven from Logo Suite (Pink Blue), 1971
Silkscreen on 3-D Molded Plastic Over Wood
Pencil signed, dated and numbered 65 from the edition of 75 on the front
23 1/2 × 19 ...
Category
1970s Abstract Geometric Richard Smith Art
Materials
Plastic, Wood, Mixed Media, Screen
Bright Orange Abstract 1970s Print with Pink, Bold Richard Smith Lithograph
By Richard Smith
Located in Kingsclere, GB
Sun Curtain by Richard Smith, 1971
Additional information:
Medium: lithograph on two sheets
64 x 92 cm
25 1/4 x 36 1/4 in
signed and dated in the plate
Charles Richard "Dick" Smith was an English printmaker and painter.
Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters.
In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent.
In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal.
Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery.
After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry.
By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...
Category
20th Century Richard Smith Art
Materials
Lithograph
British Popart abstract work 'Interlocking abstract', Richard Smith, reds whites
By Richard Smith
Located in Petworth, West Sussex
This large, vibrant work exemplifies Richard Smith’s mastery of early British Pop Art, showcasing his iconic interlocking red shapes and joyful use of color and abstract form.
Richa...
Category
20th Century Pop Art Richard Smith Art
Materials
Watercolor, Pencil, Gouache
Three of a Kind C
By Richard Smith
Located in London, GB
Edition of 60
71 x 79 cms (28 x 31 ins)
Category
1970s Abstract Geometric Richard Smith Art
Materials
Lithograph
$750 Sale Price
6% Off
Bramble, 1970 abstract lithograph by British Pop art pioneer Signed/N, Framed
By Richard Smith
Located in New York, NY
Richard Smith
Bramble, 1970
Lithograph on wove paper
Signed, numbered and dated 10/75 in pencil lower left
Frame included: held in original vintage period frame
Pencil signed, dated ...
Category
1970s Abstract Richard Smith Art
Materials
Pencil, Lithograph
Drawing Boards I (red / yellow)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Richard Smith Art
Materials
Etching
Four Knots
By Richard Smith
Located in London, GB
Edition of 50
71 x 76 cm (28 x 30 ins)
RSE023
Category
1970s Abstract Richard Smith Art
Materials
Etching
Small Yellow
By Richard Smith
Located in London, GB
Edition of 50
66 x 57 cms (26 x 22 1/2 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Pieces of Eight (ochre square)
By Richard Smith
Located in London, GB
Edition of 35
48 x 100 cms (19 x 39.5 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Abstract Minimalist Color Silkscreen Print Richard Smith On The Bowery Pop Art
By Richard Smith
Located in Surfside, FL
Richard Smith
On the Bowery, 1969 - 1971
silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P.
25.5 x 25.5 inches, signed, numbered 21/100
Screenprint in color on wove pa...
Category
1960s Pop Art Richard Smith Art
Materials
Lithograph, Screen
"Munich Olympics 1972", Lithograph Collage by Richard Smith
By Richard Smith
Located in Long Island City, NY
Artist: Richard Smith, British (1931 - 2016)
Title: Munich Olympics 1972
Year: 1971
Medium: Lithograph with Collage, Signed and numbered in Pencil
Editi...
Category
1970s Abstract Expressionist Richard Smith Art
Materials
Lithograph
Drawing Boards I (grey / purple)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Richard Smith Art
Materials
Etching
Proscenium II (loose lines around square centre)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Grey
By Richard Smith
Located in London, GB
Edition of 50
60.3 x 61 cms (23 3/4 x 24 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
For John Constable
By Richard Smith
Located in London, GB
Edition of 100
46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Proscenium IV (grid with lines and white patches)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Garden City (green tied square)
By Richard Smith
Located in London, GB
Edition of 50
76 x 76 cms (30 x 30 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Two of a Kind Va (broken blue line on purple)
By Richard Smith
Located in London, GB
71 x 71 cms (28 x 28 ins)
Edition of 50
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Times Square Remembered 2, Abstract Lithograph and Screenprint by Richard Smith
By Richard Smith
Located in Long Island City, NY
Artist: Richard Smith, British (1931 - 2016)
Title: Times Square Remembered 2
Year: 1973
Medium: Lithograph, Screenprint, and Collage, Signed and numbered in pencil
Edition: 42
Size:...
Category
1970s Abstract Expressionist Richard Smith Art
Materials
Mixed Media, Lithograph, Screen
Times Square Remembered 3, Abstract Mixed Media Print by Richard Smith
By Richard Smith
Located in Long Island City, NY
Artist: Richard Smith, British (1931 - 2016)
Title: Times Square Remembered 3
Year: 1973
Medium: Lithograph, Screenprint, and Collage, Signed and numbered in pencil
Edition: 42
Size:...
Category
1970s Abstract Expressionist Richard Smith Art
Materials
Mixed Media, Lithograph, Screen
D from Logo Suite (Magenta) Silkscreen on 3-D Molded Plastic Over Wood Signed/N
By Richard Smith
Located in New York, NY
3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith:
Richard Smith
D from Logo Suite (Magenta), 1971
Silkscreen on 3-D Molded Plastic Over Wood
P...
Category
1970s Pop Art Richard Smith Art
Materials
Plastic, Wood, Mixed Media, Screen, Pencil
Richard Smith, Signature Etching & Aquatint Signed 17/25 British Pop Art pioneer
By Richard Smith
Located in New York, NY
Richard Smith
Signature, 1997
Etching and Aquatint
22 3/4 × 18 inches
Edition 17/25
Signed and numbered 17/25 in graphite on the lower front
RICHARD SMITH BIOGRAPHY
Charles Richard ...
Category
1990s Abstract Geometric Richard Smith Art
Materials
Etching, Aquatint
Colors on Podium - Lithograph (Olympic Games Munich 1972)
By Richard Smith
Located in Paris, IDF
Richard SMITH
Colors on Podium
Lithograph
Signature printed in the plate
On heavy paper 101 x 64 cm (c. 40 x 26 inch)
Made for the Olympic Games in Munich, 1972
Excellent condition
Category
1970s Modern Richard Smith Art
Materials
Lithograph
Two of a Kind IIIa (bright red x on green)
By Richard Smith
Located in London, GB
100.7 x 46.3 cms (40 x 18 1/4 ins)
Edition of 90
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Untitled- Abstract Grid
By Richard Smith
Located in San Francisco, CA
Artist: Richard Smith, CBE (1931-2016) British
Title: Untitled Abstract Grid
Date: 1972
Medium: Serigraph (screenprint)
Sheet size: 29.5 in x 22 in
Framed size: 36.75 x 28.25 inches
...
Category
1970s Abstract Geometric Richard Smith Art
Materials
Paper, Screen
Original Abstract Collage Painting British American Pop Artist Richard Smith
By Richard Smith
Located in Surfside, FL
Richard Smith, British (1931-2016)
Untitled (Abstract Composition) (1976)
Gouache, crayon, charcoal and metal staples on Arches paper
Hand signed lower center
sheet: 22 x 22 inches
...
Category
1970s Minimalist Richard Smith Art
Materials
Metal
Untitled (lavender green)
By Richard Smith
Located in New York, NY
Richard Smith
Untitled (lavender green), 1992
Acrylic and pastel on paper and foam core
22 1/2 x 22 1/2 inches (sheet)
23 x 23 inches (frame)
Signed and...
Category
1990s Modern Richard Smith Art
Materials
Paper, Pastel, Acrylic, Foam Board
Lawson Set II (purple tied in 3 sections)
By Richard Smith
Located in London, GB
Edition of 50
58.5 x 79 cms (23 x 31 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Interval, Abstract Green Tonal Lithograph Print, 1969
By Richard Smith
Located in Kingsclere, GB
Interval by Richard Smith, 1969
Additional information:
Medium:lithograph in six colours on three sheets
15 3/4 x 15 in
40 x 38 cm
signed and numbered 18/75 in pencil; titled and in...
Category
20th Century Richard Smith Art
Materials
Lithograph
Envelope No. 1
By Richard Smith
Located in Saratoga Springs, NY
Richard Smith (British 1931-2016)
Envelope No.1
1968
Aluminum Wall Sculpture
16 x 16 x 16-inch, triangle shape, by 2 ½ inches wide
Signed and dated ‘68
Numbered edition 10/30
Abo...
Category
1960s Abstract Richard Smith Art
Materials
Metal
Florentine 2, Abstract Yellow and Orange Print on White with Mixed Media, 1973
By Richard Smith
Located in Kingsclere, GB
Florentine 2 by Richard Smith, 1973
Additional information:
Medium: lithograph on heavy wove paper, with carbon tracing paper and plastic strings
19 3/4 x 27 1/2 in
50 x 70 cm
signed, dated and numbered 46/75 in pencil
Charles Richard "Dick" Smith was an English printmaker and painter.
Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters.
In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent.
In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal.
Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery.
After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry.
By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...
Category
20th Century Richard Smith Art
Materials
Lithograph
Two of a Kind IIb (yellow line on green)
By Richard Smith
Located in London, GB
70.5 x 77.5 cms (27 3/4 x 30 1/2 ins)
Edition of 80
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Two of a Kind IVb (red x on lavender)
By Richard Smith
Located in London, GB
70.5 x 70 cms (27 3/4 x 27 1/2 ins)
Edition of 80
Category
1970s Abstract Richard Smith Art
Materials
Color, Etching
Nosegay
By Richard Smith
Located in London, GB
Edition of 25
50.8 x 50.8 cms (20 x 20 ins)
Category
1970s Abstract Richard Smith Art
Materials
Screen
Florentine I (red/orange)
By Richard Smith
Located in London, GB
Edition of 75
51 x 71 cms (20 x 28 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Chocolate Box II
By Richard Smith
Located in London, GB
Richard Smith
Chocolate Box II (blue / pink)
1977
Lithograph, Edition of 70
70 x 70 cms (27 1/2 x 27 1/2 ins)
RSE067
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Proscenium III (hard line grid with border)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30 1/2x 23 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Horizon II (Grey and Orange)
By Richard Smith
Located in London, GB
Edition of 75, Set of 6
33 x 71 cms (13 x 28 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Chocolate Box I (Turquoise)
By Richard Smith
Located in London, GB
Edition of 70
70 x 70 cms (27 1/2 x 27 1/2 ins)
Category
1970s Abstract Geometric Richard Smith Art
Materials
Lithograph
Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25
44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Drawing Boards I (yellow / black)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Richard Smith Art
Materials
Etching
Pieces of Eight (red and green squares)
By Richard Smith
Located in London, GB
Edition of 35
48 x 100 cms (19 x 39.5 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Two of a Kind VIb (dark red x on green)
By Richard Smith
Located in London, GB
70 x 72 cms (27 1/2 x 28 1/2 ins)
Edition of 70
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Two of a Kind Ia (light blue cross)
By Richard Smith
Located in London, GB
70 x 76.2 cms (27 1/2 x 30 ins)
Edition of 80
Category
1970s Abstract Geometric Richard Smith Art
Materials
Color, Lithograph
Two of a Kind IIa
By Richard Smith
Located in London, GB
71 x 71 cms (28 x 28 ins)
Edition of 80
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Two of a Kind IIIb (bright red x on green)
By Richard Smith
Located in London, GB
100.7 x 46.3 cms (40 x 18 1/4 ins)
Edition of 90
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Parterre
By Richard Smith
Located in London, GB
52 x 52 cms (20 1/2 x 20 1/2 ins)
Edition of 75
Category
1970s Abstract Richard Smith Art
Materials
Color, Screen
Drawing Boards II (No.4)
By Richard Smith
Located in London, GB
Edition of 30, Set of 5
74.9 x 59.1 cms (29 1/2 x 23 1/4 ins)
Category
1980s Abstract Richard Smith Art
Materials
Etching
Drawing Boards I (blue and violet)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29 1/2 x 22 1/4 ins)
Category
1980s Abstract Richard Smith Art
Materials
Etching
Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25
44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25
44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Edward Gordon Craig I
By Richard Smith
Located in London, GB
Edition of 95, Set of 2
56 x 76.2 cms (22 x 30 ins)
Category
1960s Abstract Richard Smith Art
Materials
Lithograph
Drawing Boards II (No.1)
By Richard Smith
Located in London, GB
Edition of 30, Set of 5
74.9 x 59.1 cms (29 1/2 x 23 1/4 ins)
Category
1980s Abstract Richard Smith Art
Materials
Etching
Two of a Kind Ib (yellow line on green)
By Richard Smith
Located in London, GB
70 x 76.2 cms (27 1/2 x 30 ins)
Edition of 50
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Two of a Kind VIa (dark red x on green)
By Richard Smith
Located in London, GB
70 x 70 cms (27 1/2 x 27 ins)
Edition of 70
Category
1970s Abstract Richard Smith Art
Materials
Color, Lithograph
Horizon (Beige, blue, green)
By Richard Smith
Located in London, GB
Edition of 75, Set of 6
33 x 71 cms (13 x 28 ins)
Category
1970s Abstract Richard Smith Art
Materials
Lithograph
Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25
44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Two of a Kind IVa (red x on lavender)
By Richard Smith
Located in London, GB
70.5 x 70 cms (27 3/4 x 27 1/2 ins)
Edition of 80
Category
1970s Abstract Richard Smith Art
Materials
Color, Etching
GREEN (folded green square with 'wings')
By Richard Smith
Located in London, GB
Edition of 40
76 x 75 cms (30 x 29.5 ins)
Category
1970s Abstract Richard Smith Art
Materials
Etching
Richard Smith art for sale on 1stDibs.
Find a wide variety of authentic Richard Smith art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange, green, blue and other colors. You can also browse by medium to find art by Richard Smith in etching, lithograph, screen print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Richard Smith art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Antoni Clavé, Risaburo Kimura, and Pierre Muckensturm. Richard Smith art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $216 and tops out at $11,500, while the average work can sell for $1,002.