Robert Goldstrom Art

Justin Wheatley's "Good Morning" is an original, handmade acrylic painting depicting a city scene with a basketball hoop. Justin Wheatley was born and raised in Clinton, Utah. He ho...

Judson A. Perkins (American, 1914-1982) 'California Coast' Oil on canvas Signed lower left Overall (with vintage frame): 17.5"h x 21.5"w

Felix Campean's work presents a hyper-realistic human body, displaying every muscle and texture with astonishing precision. The intense colors and slightly distorted shape of the bod...

Zion Mor (Israeli, born 1958) "The Station" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed in the middle right of the painting. "The Station" offers the viewer a sense of ...

Colorful and dynamic fauvist figurative abstract with two figures and a cat in a vivacious and bright palette by California artist Don Klopfer (1920-2009)....

Felix Campean's artwork presents a scene of a human body emerging with astonishing anatomical precision, capturing every detail of musculature and skin with hyper-realistic fidelity....

Brightly colored nude by California artist Don Klopfer (1920-2009). Signed and dated "Klopfer 93" upper left corner. Presented in a white slat frame. Canva...

Threshold A solitary male figure sits at the edge of illumination, his body poised between tension and stillness. The composition suggests a psychological crossing—an interior threshold rather than a physical one. The dramatic light sculpts the torso with almost classical clarity, while the surrounding darkness destabilizes any sense of place. This work exemplifies Hall’s interest in moments of becoming, where identity feels provisional and unresolved. Nathan Brad Hall...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Brian Blood (American, born 1962) County Farmhouse Provence, 2002 Oil on canvas Initial signed lower right Titled, dated, and signed inscribed on stretcher bar verso Canvas: 20in H...

"Blue Light Nude, Bea" is a contemporary impressionist oil painting of Fenske's muse, Bea. The first painting of the "Bea Nudes Series" is a loose presentation of brushstrokes that ...

Honfleur Normandy Harbor Painting with Boats and Historic Architecture Artist: Josep Maria Vayreda Canadell (Olot, 1932 – Girona, 2001) Title: Honfleur Medium: Oil on canvas Subject: Harbor scene / Coastal cityscape / Historic architecture Artwork dimensions: 60 × 73 cm / 23.62 × 28.74 in Framed dimensions: 90 × 103 cm / 35.43 × 40.55 in Signature: Signed lower right Provenance: Sala Nonell, Barcelona; acquired by Ramon Moreu, as indicated on the original label on the reverse Frame: Yes, decorative frame included Condition: Very good overall condition, with minor signs consistent with age DESCRIPTION Elegant oil on canvas depicting the historic harbor of Honfleur, one of the most iconic coastal subjects in European modern painting. The composition presents a serene view of the Norman port, with fishing boats and sailing vessels arranged along the waterfront, set before a rhythmic façade of historic houses, slate rooftops and a church spire rising in the background. The calm reflections on the water create a refined atmospheric depth, giving the painting a quiet, sophisticated presence. The work is especially attractive for its cool chromatic range, dominated by grey-blues, misty whites, soft greens and muted marine tones. This restrained palette gives the scene a poetic northern light, very different from the warmer Mediterranean views usually associated with Catalan painting. Here, Vayreda captures the stillness of the Atlantic coast with remarkable elegance. The brushwork is controlled yet atmospheric, combining architectural precision with soft pictorial vibration. The reflections in the water, the quiet boats and the compact urban skyline create a balanced, decorative and highly collectible harbor scene. Honfleur has long been associated with major European artists and remains one of the most desirable subjects for collectors of French coastal painting, Normandy harbor views, architectural landscapes and European post-impressionist-inspired works. The painting retains its original Sala Nonell gallery label on the reverse, identifying the work as Honfleur and documenting that it was acquired by Ramon Moreu. A refined European harbor painting with strong decorative presence, ideal for collectors of Normandy views, French coastal scenes, Catalan modern painting and elegant mid-century European art. European art with a Mediterranean soul. ARTIST BIO Josep Maria Vayreda Canadell was a Catalan painter born in Olot in 1932 and active throughout the second half of the 20th century. He belonged to the distinguished landscape tradition of the School of Olot, one of the most important artistic centers in Catalan painting. He trained at the School of Fine Arts in Olot and later expanded his artistic education in Paris, where he attended the Académie de la Grande Chaumière. His career developed between Spain, France and other international settings, producing a body of work focused on landscapes, harbors, urban views and architectural compositions. Vayreda’s painting combines the sensitivity of Catalan landscape tradition with a modern European sense of structure, atmosphere and chromatic harmony. His works are particularly appreciated for their balanced compositions, refined light and timeless decorative quality. ARTISTIC CONTEXT / PICTORIAL INSPIRATION This work connects visually with the great tradition of European harbor painting, especially the views of Normandy and the French Atlantic coast. Honfleur was an essential subject for painters interested in marine light, architectural rhythm and atmospheric reflection. The painting dialogues with the legacy of artists such as Eugène Boudin, Albert Marquet, Raoul Dufy, Maurice Utrillo and Paul Signac, while maintaining the quiet compositional elegance associated with Catalan postwar figuration. Its cool palette, structured architecture and reflective harbor atmosphere make it especially appealing for collectors seeking a sophisticated European coastal cityscape with both decorative strength and art-historical resonance. Honfleur painting Normandy harbor French harbor painting European harbor scene Coastal cityscape Harbor oil painting Post impressionist harbor Modern figurative painting Mid century European art Architectural painting Fishing boats painting...

This contemporary painting "In the moment " featuring a woman lying on the beach makes part of my series dedicated to "Women". This art piece is all about a committed life of engag...

Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...

Reclining Nude Figure in Oil on Linen This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California art...