Rolfe Horn Photography

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

Edition of 45 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mou...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

HIROSHI SUGIMOTO (*1948, Japan) 310 Sea of Japan, Oki 1987 Gelatin silver print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25; Ed. no 15/25 For over 40 years, the Japanese artist...

HIROSHI SUGIMOTO (*1948, Japan) 401 Tyrrhenian Sea, C. Vaticano 1993 Gelatin silver print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25; Ed. no 2/25 For over 40 years, the Japane...

Ansel Adams, Autumn Storm, Las Trampas, Near Penasco, New Mexico, 1958. Printed 1981. Gelatin silver print. Southwest landscape photography. Signed on mount recto by the artist.

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark...

Line of Trees features 13 trees standing in a row against a white background. Most of the trees are smaller, with dense branches, creating a silhouette against the snowy landscape. O...

Paul Caponigro. Reflecting Stream, 1968. Gelatin silver print. Edition 41 of 100 (special edition created in the 1970's). Mounted and matted 23.5 x 29". Signed and editioned on print...

Edition of 45 Signed, titled, negative date, print date, and numbered by Michael Kenna Sepia toned gelatin silver print, 8 x 7 3/4 in. Michael Kenna's black and white photographs ar...

This highly important example of one of Adams’ most famous images has an exceptional tonal character. In 1960, Ansel made this image with a Hasselblad camera while driving towards the Ahwahnee Hotel, located within the boundaries of the National Park. As one of Ansel Adams’ iconic and enduring masterpieces, “Moon and Half Dome...

Onishi Tree Shadow and Clouds, Study 2, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this ...