Katie Hallam

Connect, Katie Hallam, Blue Art, Tree Art, Nature Prints, Limited Edition Print

2019

The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections within currency what some might say the s...

Katie Hallam Red Sea Digital Photograph A dramatic view of the oceans surface creating warmth and heat from a beautiful sunset. This direct photographic prin...

Katie Hallam Dollar Digital Photograph The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections...

Muralla – Limited Edition Contemporary Abstract Landscape Photograph by Gina Parr [2016] limited_edition and hand signed by the artist Photograph printed on 310gsm Hahnemuhele Germa...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...

Wallscape VI (Il Famoso) by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes in Italy 48 x 60 inches / 122cm x 152cm edi...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2016 Lambda print Sheet 120 x 180 cm (47 1/4 x 70 7/8 in.) Frame 122.5 x 182.6 x 4.5 cm (48 1/4 x 71 7/8 x 1 3/4 in.) ...

'Sunday's Tulips (II)' 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching sof...

'Spring Couplet' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

'Cicatrices (3)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Scars of birthing in the unfolding leaf pattern of the giant graceful Agave. The sensual contradictions of silken flesh and the protective spines are a contemplation of motherhood's journey, the unfolding narrative impressed eternally upon the skin. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in joy and pain; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work with time, and the immeasurable spaces of experience within... tangible traces, evidence left behind, records; process in action, stilled'. 40 x 60 inches Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. ________________________________ About The Artist Sophia Milligan...