Rörstrand Platters and Serveware

A rare monumental Swedish Rörstrand porcelain (established in 1726) heavy high quality decorative serving tray. Exquisitely hand-crafted in Sweden in the early 20th century, the dished and molded palatial rectangular shaped tray features exceptionally executed period Art Nouveau hand-painted polychrome decoration, adorned with neoclassical motif of florals, foliage, acanthus leaves, and urn with flowers. Signed, marked Rorstrand with three crowns to verso, dated 1913, and lower right impressed HD Rorstrand CO 1/2. Provenance / Acquisition: Hailing from the estate of a former supermodel and actress, Kathy Speirs-Puccio, who spared no expense in the decorating of her massive, curated to perfection Weston home. Kathy Speirs-Puccio, who throughout her acting and modeling career (she graced multiple magazine covers in the 1970s including Cosmopolitan. She collected, wore, and kept only the finest in designer fashion and accessories. Her passion for high design continued through until the end of her life. Acquired from the reputable auction house Blackrock Galleries...

Large Platter, design Birger Kaipiainen, manufactured by Rörstrand limited edition 103/500, Mid 20th Century, porcelain, good vintage condition, minor patina consistent with age and ...

Product Description: This serving platter has been designed by the Swedish firm Rörstrand. Christina Campbell was responsible for the design (form as well as pattern) of this item. C...

Swedish ceramic artist Carl-Harry Stålhane (1920- 1990) played a major role in popularizing Swedish pottery during the 20th century, working for more than three decades at Rörstrand, one of the oldest ceramics manufacturers in Europe. During his long tenure at Rörstrand, Stålhane was responsible for small-batch studio pieces, mass-produced tableware , and all manner of decorative accessories . Born in 1920 in Mariestad, Sweden, Stålhane began working at Rörstrand in 1939 as a decorative painter, assisting Danish-Finnish ceramic artist, designer, and sculptor Gunnar Nylund (1904-1997). During this time, Stålhane decorated various ceramic pieces, most notably Nylund’s Flambé range (1939s), quickly establishing himself as a talented ceramic artist. Inspired by the desire for new products during the postwar economic boom, Stålhane went from being a talented decorator to an exceptional ceramic artist. In 1943, Stålhane caught the eye of Swedish artist Isaac Grünewald (1889-1946), who was visiting Rörstrand. Grünewald was so impressed with Stålhane’s work that he took him on as a student, and from 1943 to 1946, Stålhane studied art at Grünewald's Art School in Stockholm. Subsequently from 1947 until 1948, he studied sculpture at Académie Colarossi in Paris. During the 1950s, Stålhane’s work appeared in several solo exhibitions in Sweden, the United Kingdom, and the United States. His Blanca Tableware range (c. 1955) won numerous international prizes and was in high-demand. In 1958, Stålhane succeeded Nylund as Artistic Director and Chief Designer at Rörstrand. In 1960, Stålhane unveiled a new collection at Stockholm’s Galerie Blanche. Featuring dark stoneware pieces made from local clays, this collection represented a bold departure from the soft, restrained shapes of the 1950s. It has since been praised for its precient aesthetic that would influence the look of ceramics for more than a decade. From 1963 until 1971, Stålhane taught ceramics at the Art Industrial School in Gothenburg. For a short time, he also was the Design Director at the Swedish factory Upsala Ekeby, which in addition to porcelain, produced tile, brick, and glass. Stålhane eventually left Rörstrand in 1973 in order to establish his own ceramic company, Designhuset, in Lidköping, where he further experimented with local clays and minerals. Stålhane continued to work until his death in 1990. Today, Designhuset is a school for ceramists and model-makers. Over the course of his career, Stålhane created several public works for The Commerce Trust Company in Kansas City, Missouri, and for Volvo in Gothenburg, Sweden. His work is represented at several international museums, including Stockholm’s Nationalmuseum and New York’s MoMA. Rörstrand is the second oldest brand of ceramics in Europe and can be found in homes all across Sweden and Europe. Rörstrand’s long legacy includes some of Europe’s most iconic ceramics collections including Swedish Grace, Mon Amie, Ostindia, Filippa...