Roy Ahlgren Paintings

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Art Deco Pastel...

This series of paintings by Natalia Roman gathers its inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco...

The series "Frost and Decimals" explores the marriage of color Fields with exacting geometry. Built upon a multilayered convergence of aerosol painting and hard-edge techniques on wo...

Pieces Falling into Place - Geometric Op-Art in Acrylic on Canvas (Triptych) This geometric triptych by Ralph Berko (American, b. 1950) features vividly colored prisms suspended ove...

Horizon Original Op Art Painting 1978 Artist signed and dated. Marko Spalatin (American, Born 1945). An original Modern Abstract Op-Art oil painting on canvas. Titled "Horizon". Featuring colors of white, yellow, orange, green, purple, and blue. Signed and dated 1978 with title on verso. Mounted on wood stretcher. Provenance: 11/10/2007 Ivey-Selkirk Auction, LOT 775. PERMANENT COLLECTIONS Musée d'Art Moderne — Paris, France Museum of Modern Art — New York, New York Tate Gallery — London, England Bibliothèque National — Paris, France Victoria & Albert Museum — London, England Library of Congress — Washington, D.C. Museum of Contemporary Art — Chicago, Illinois Metropolitan Museum — Manila, Philippines Philadelphia Museum of Art — Philadelphia, Pennsylvania The Butler Institute of American Art — Youngstown, Ohio Museum of Modern Art — Belgrade, Yugoslavia Milwaukee Art Museum...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Original painting on circular shaped wood. Hand signed on front and verso by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable of...

Edwin Mieczkowski (American, 1929-2017) Curved Dimensions, 1965 Acrylic on board Signed, dated and titled verso 30 x 29.75 inches Edwin Mieczkowski, born in Pittsburgh, was a leader of geometric and perceptual abstraction during the latter part of the 20th century. Mieczkowski's work first came to prominence in "The Responsive Eye" exhibition, the nation's first major exhibition of perceptual art, held at the Museum of Modern Art in New York in 1965. Mieczkowski was also featured in the 1964 article in Timemagazine that first used the term "Op Art" to describe paintings that manipulated visual cues in order to reorder and excite viewers' perceptual responses. With a complex aesthetic that over time has transcended mere tricks of optical art, Mieczkowski has spent nearly four decades producing geometrically paintings, drawings and sculptures, a genre of modern art that is known broadly as perceptual abstraction. His output of static and dynamic forms create a body of work, still largely intact, that uses visually disorienting, meticulously arranged lines, dazzling kaleidoscopic colors, and alluring juxtapositions of hue and tone, to playfully and seductively present new challenges for the viewer's eyes. The desired result is an optical effect of perpetual motion, harmonics and rhythm. . . . Along with Frank Hewitt and Ernst Benkert, Mieczkowski was a co-founder in 1959 of the Anonima* group that worked together in Cleveland and New York and declared itself free from the pressures of the art market and the pursuit of personal fame. Members of Anonima often left their works unsigned and vowed to shun the usual art market venues such as commercial galleries, biennials and competitions. Instead, they engaged in a rigorous, self-imposed program of painting exercises to explore the effects of geometry and color on visual perception. Although Mieczkowski's work hung side-by-side in the MOMA "Responsive Eye" exhibition with such colleagues as Josef Albers, Victor Vasarely, Richard Anuszkiewicz, Morris Louis, Kenneth Noland, Carlos Cruz...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex on canvas. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the ver...

Original painting on canvas. Hand signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reas...

Original dimensional hand painted, custom cut and mounted wood. Hand signed on verso. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...