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Josef LeviOp Art 1971 Kinetic Oil Painting Pop Art Artist1971
1971
About the Item
Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources.
Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997.
Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves.
In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York.
From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel.
In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas.
By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history.
Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work.
Most of the figures in his contemporary pieces are not paired with any others.
SELECTED COLLECTIONS
MUSEUM OF MODERN ART, NEW YORK, NY
ALBRIGHT- KNOX GALLERY, BUFFALO, NY
ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT
NATIONAL GALLERY OF ART, WASHINGTON, DC
BROOKLYN MUSEUM OF ART, BROOKLYN, NY
SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC
CORCORAN GALLERY, WASHINGTON, DC
UNIVERSITY OF NOTRE DAME ART GALLERY, NOTRE DAME, IN
ARKANSAS ART CENTER, LITTLE ROCK, AR
HOOD MUSEUM OF ART, DARTMOUTH COLLEGE, HANOVER, NH
BANK OF NEW YORK, NEW YORK, NY
CHRYSLER CORPORATION, DETROIT, MI
EXXON CORPORATION, NEW YORK, NY
AT&T CORPORATION, NEW YORK, NY
BOWDOIN COLLEGE MUSEUM OF ART, BRUNSWICK, ME
NEW BRITAIN MUSEUM OF AMERICAN ART, NEW BRITAIN, CN
STORM KING ART CENTER, MOUNTAINVILLE, NY
YALE UNIVERSITY ART MUSEUM, NEW HAVEN, CT
- Creator:Josef Levi (1938, American)
- Creation Year:1971
- Dimensions:Height: 23.75 in (60.33 cm)Width: 23.75 in (60.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212980262
Josef Levi
Josef Alan Levi (1938 – Present) Josef Alan Levi is an American artist, his works in the 1960s and early ‘70s were highly abstract and very modernist. He transitioned to painting and drawing still lifes. Mainly his work consisted of traditional, mundane subjects, then depicting images from art history, even including pieces originally created by the Old Masters. Levi has since shifted to creating highly precise, with subtly altered reproductions by other artists. This work is what is he most known for. The important themes seen throughout Levis work are the female form and the similarities in visual aesthetics. His works can be seen at the Museum of Modern Art, National Gallery of Art, among many others.
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Large John Hultberg SF Bay Area Artist Abstract Expressionist Oil Painting
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Located in Surfside, FL
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Panorama of pictures. 1998
Hand signed lower right, J. Hultberg ‘98.
Artist, date, and title written on verso.
Canvas 25.5”H x 35”W, Frame 26”H x 35.5”W.
Oil painting depicting a mosaic of photographs overlooking an abstract geometric landscape.
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Naturaleza Muerta,
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Dimensions: 64 1/8 W: 64 1/4 in.
Provenance: The Cleveland Museum of Art (bears label verso);
Galerie Juana de Aizpuru Gallery (bears label verso).
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Exhibition
2008
Primavera, verano, otoño, invierno. Galería Egam. Madrid. (solo)
2006
Dibujando las distancias/Retratos. Obras reciente 99/05”. Galería Rafael Ortiz. Sevilla. (solo)
2004
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. Sevilla. (solo)
2003
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. El Puerto de Santa María, Cádiz. (solo)
2003
VITA I, VOL. VI. Galería Milagros Delicado. El Puerto de Santa María, Cádiz. (solo)
2001
VITA I, VOL. IV. Galería Carmen de la Calle. Jerez de la Frontera, Cádiz. (solo)VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
2001
VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
1999
VITA I. VOL. III Galería Senda. Barcelona. (solo)
1995
Sobre Papel. El juego de la Pasión. Galería Juana de Aizpuru. Sevilla. (solo)
1994
A Passion Play - Los libros del reposo. Galería Magda Bellotti. Algeciras, Cádiz. (solo)
1991
Pinturas. Salas Nicanor Piñolé. Diputación. Gijón. (solo)
1990
Pinturas. Galería Juana de Aizpuru. Sevilla. (solo)
1988
Pinturas. Galería Michael Dunev. San Francisco. U.S.A. (solo)
1987
Pinturas y Esculturas. Galería Juana de Aizpuru. Madrid. (solo)
1987
Mirada, Memoria, Engaño 1980 1987. Museo Arte Contemporáneo. Sevilla. (solo)
1986
Pinturas y Esculturas. Galería Juana de Aizpuru. Sevilla. (solo)
1986
Pinturas. Galería Temple. Valencia. (solo)
1986
Muestra personal. Festivales de Navarra. Castillo de la Maya. Pamplona. (solo)
1986
Pinturas. Galería Fúcares. Almagro, Ciudad Real. (solo)
1983
Pinturas. Galería Juana de Aizpuru. Madrid. (solo)
1982
ARCO ‘82. Stand Galería Juana de Aizpuru. Madrid. (solo
1981
La Suerte de Pintar. Galería Juana de Aizpuru. Sevilla. (solo)
1979
Pinturas de Barcelona. Galería Ciento. Barcelona. (solo)
1978
191 x 63. Galería Juana de Aizpuru. Sevilla. (solo)
1977
191 x 63. Galería Juana Mordó. Madrid. (solo)
1974
Sobre el Paisaje de fondo del Tránsito de la Virgen de Mantenga. Galería Juana de Aizpuru. Sevilla. (solo)
1974
Paisajes Imaginarios. Salas de Cultura CAN. Pamplona. (solo)
1970
Apócrifos-Cajas. Galería de Arte La Pasarela. Sevilla. (solo)
EXHIBITIONS ONLY
1970
Apocrypha-Boxes. The Catwalk Art Gallery. Seville. Spain.
1974
On the background Landscape of the Transit of the Virgin of Maintenance. Juana de Aizpuru Gallery. Seville. Spain.
Imaginary Landscapes. Halls of CAN Culture. Pamplona. Spain.
1977
191 x 63. Juana Mordó Gallery. Madrid, Spain.
191 x 63. Juana de Aizpuru Gallery. Seville. Spain.
1979
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Title: “Composition”
Signature: Signed upper right
Medium: Oil on original canvas
Provenance: Private french collection
Size: c. 24 x 29 inches unframed
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