Ruby Rumie Art

RUBY RUMIE FAMILIA 1 (FAMILY), 2025 Photograph on Pearl paper with UV finish, mounted in aluminum 79.53 x 47.24 in. 202 x 120 cm. Edition of 8

RUBY RUMIE GENESIS 1, 2025 Photograph on Pearl paper with UV finish, mounted in aluminum 47.25 x 47.25 x 1 in. 120 x 120 x 2.5 cm. Edition of 5 mounted on aluminum

RUBY RUMIE TOTUMO Y NINOS 1 (TOTUMO AND CHILDREN), 2025 Photograph on Pearl paper with UV finish, mounted in aluminum 19.75 x 13.25 in. 50.2 x 33.7 cm. Edition of 25

inkjet print on satin paper, laminated in luster matte. Edition of 5 from the portrait series titled WEAVING STREETS printed upon order

inkjet print on satin paper, laminted in luster matte. Edition of 5 This body of work was born from a chance encounter between the artist, Ruby Rumié, and Dominga Torres Tehran, a woman who for more than 45 years has walked the city streets selling fish. Dominga caught the attention of the artist for her unique and natural beauty. For nearly half a century this woman worked unnoticed, but at that moment, she completely captivated Rumié. Weaving Streets is an attempt to rescue women like Dominga from oblivion and invisibility - women who have spent valuable years of their lives as ambulant street vendors, permanently wandering the neighborhoods of the city. Aptly named, “Weaving Streets” references the phrase used by grandmothers to describe those who walked the city streets often. Rumié’s goal is to present new views on the vendors and their environment. The viewer’s encounter with these women will be different for the exhibition – it will be special. Viewers will see for the first time what has always been there, like running a thin veil between the visible and the invisible, a veil of old and constant stereotypes that keep us numb, or blind, so we ignore the marvelous and different realities. “Problems such as gender violence, gentrification, social barriers and discrimination constitute a constant concern which I attempt to uncover through my work, by means of large installations where I use repetition as a platform for protest; bodies as objects of mass consumption that reveal the disappearance of our intangible heritage, and photographs to suggest the enigma of social stratification, all of these intend to stimulate reflection, playfulness, visual pleasure, emotion and inquiry” explains Rumié. Rumié condenses the collected material into a Corpus, a historical archival manner, comprised of five volumes that unfold spatially in the gallery. Photo albums picturing each participant, stamp albums...

ceramic vessel with semi-matte silver plated brass and matte acrylic crown

photograph from exhibition "Weaving Streets". Framed in minimal black metal frame. Edition of 5.

postage stamps from exhibition "Weaving Streets". Edition of 20. each sheet is 7 1/2 x 6 inches.