Christopher Anderson

Untitled from "Pia"

2014 - Ongoing

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso titled "Mougins". Jacqueline et Pablo Picasso écoutant Manitas de Plata, circa 1968. Hand signed by the artist with hand written description. Titled and dated lower left. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 9" height x 11 1/2" width to sight. Framed measures approx. 14 3/4" height x 17 1/4" width. Lucien Clergue (French: 1934 – 2014) was a French photographer. He was Chairman of the Academy of Fine Arts, Paris for 2013. Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory. In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the Saltimbanques. He also worked on a series whose subject was carrion. On 4 November 1955 Lucien Clergue visited Picasso in Cannes, France. Their friendship lasted nearly 30 years until Picasso's death. Clergue's autobiographical book, Picasso My Friend, looks back on important moments of their relationship. In 1968, and with his friend Michel Tournier, Clergue founded the Rencontres d’Arles photography festival which is held annually in July in Arles. He exhibited his work at the festival during the years 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003 and 2007. Clergue also illustrated books, among them a book by writer Yves Navarre. Clergue took many photographs of the gypsies of southern France, and was instrumental in propelling the guitarist Manitas de Plata to fame. Clergue is perhaps most remembered and respected for his vintage black-and-white studies of light, shadow, and form, featuring sinuous nude female bodies, zebra stripes of light, dynamic sand dunes, and seascapes extracted from the coast of the Camargue. Clergue's photographs are in the collections of numerous well-known museums and private collectors. His vintage photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as in 1961, at the Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with large collections of his work include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His work, Fontaines du Grand Palais (Fountains of the Grand Palais), is in Museo cantonale d'arte [de] of Lugano. His photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the U.S., an exhibition of the Cocteau photographs was premiered at Westwood Gallery, New York City. In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 of his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award. He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape...

Paloma Picasso - New York, Untitled #2, 1985 by Horst P. Horst Archival Pigment Print Image size: 23.6 in. H x 23.6 in. W Sheet size: 29.5 in. H x 29.5 in. W Edition of 9 Unframed T...

Rare vintage original limited edition stone lithograph, printed by Mourlot in Paris, France, on vélin du Marais watermarked paper. this is not signed as issued. This is from a signe...

Rare vintage limited edition Stone Lithograph printed at Mourlot in Paris. this is from a signed and numbered portfolio but the individual sheets are not hand signed and numbered. Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons at the same time. In 1943, during her first exhibition in Paris, Gilot (then 21) met Pablo Picasso (who was 61) for the first time. In 1946, Gilot started a 10-year relationship with the notorious womanizer and had two of his children,Claude and Paloma. As a result of her relationship with Picasso, Gilot "became both a witness and a participant in one of the last great periods of the modern art movement in Europe. Their circle included poets, philosophers, writers, and many of the legends of the art world, such as Braque, Chagall, Cocteau and Matisse. In 1953, Gilot left Picasso and the home they shared in Vallauris and moved back to Paris. "Lithographs are printed from stones and each stone is an echo of my artistic voice," said Gilot. "Many artists use their art as a personal catharsis. I have never done that. I am more intellectual. Each artistic process -- oils, lithographs, monotypes -- allows me a different freedom and suits a different mood." While Gilot did her first lithograph in 1950 at the Mourlot Atelier, the same studio used by Picasso, Henri Matisse, Marc Chagall, Jean Miro and Jean Dubuffet, it was in the 1970s that she really began to experiment with the process. "In the beginning I turned to lithography because I wanted to show off my technical skills. Now I am more interested in color," said Gilot. "I also thought that lithographs would make my works more accessible to young collectors." While her oils are priced up to $100,000, her lithographs begin at $2,000 and her monotypes range from $1,000 to $2,500. HONORS Officier de la Legion d'Honneur, Presidence de la Republique, France Chevalier de la Legion d'Honneur, Ministere de la Culture, France SELECTED MUSEUM COLLECTIONS Metropolitan Museum of Art, New York Musee d'Art Moderne, Paris Musee Picasso, Antibes, France National Acadamy of Design, New York Musee de Tel Aviv, Tel Aviv, Israel Museum of Modern Art, New York Bibliotheque Nationale, Paris (complete collection of original prints) SELECTED IMPORTANT EXHIBITION CATALOGUES 2012 Françoise Gilot, Paris - Vallauris, 1943 - 1953, The Gagosian Gallery, New York Essays: John Richardson, Françoise Gilot, Charles Stuckey and Michael Cory 2011 Françoise Gilot, at 90, Drawings 1941 - 2010, Kunstsammlungen Chemnitz, Germany Essays: Françoise Gilot and Louise Tolliver Deutschman (exhibition curator) 2006 Françoise Gilot, Portraits From a Life, The Elkon Gallery Inc., New York 2003 Françoise Gilot Painting...

Rare vintage limited edition Stone Lithograph printed at Mourlot in Paris. this is from a signed and numbered portfolio but the individual sheets are not hand signed and numbered. Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons at the same time. In 1943, during her first exhibition in Paris, Gilot (then 21) met Pablo Picasso (who was 61) for the first time. In 1946, Gilot started a 10-year relationship with the notorious womanizer and had two of his children,Claude and Paloma. As a result of her relationship with Picasso, Gilot "became both a witness and a participant in one of the last great periods of the modern art movement in Europe. Their circle included poets, philosophers, writers, and many of the legends of the art world, such as Braque, Chagall, Cocteau and Matisse. In 1953, Gilot left Picasso and the home they shared in Vallauris and moved back to Paris. "Lithographs are printed from stones and each stone is an echo of my artistic voice," said Gilot. "Many artists use their art as a personal catharsis. I have never done that. I am more intellectual. Each artistic process -- oils, lithographs, monotypes -- allows me a different freedom and suits a different mood." While Gilot did her first lithograph in 1950 at the Mourlot Atelier, the same studio used by Picasso, Henri Matisse, Marc Chagall, Jean Miro and Jean Dubuffet, it was in the 1970s that she really began to experiment with the process. "In the beginning I turned to lithography because I wanted to show off my technical skills. Now I am more interested in color," said Gilot. "I also thought that lithographs would make my works more accessible to young collectors." While her oils are priced up to $100,000, her lithographs begin at $2,000 and her monotypes range from $1,000 to $2,500. HONORS Officier de la Legion d'Honneur, Presidence de la Republique, France Chevalier de la Legion d'Honneur, Ministere de la Culture, France SELECTED MUSEUM COLLECTIONS Metropolitan Museum of Art, New York Musee d'Art Moderne, Paris Musee Picasso, Antibes, France National Acadamy of Design, New York Musee de Tel Aviv, Tel Aviv, Israel Museum of Modern Art, New York Bibliotheque Nationale, Paris (complete collection of original prints) SELECTED IMPORTANT EXHIBITION CATALOGUES 2012 Françoise Gilot, Paris - Vallauris, 1943 - 1953, The Gagosian Gallery, New York Essays: John Richardson, Françoise Gilot, Charles Stuckey and Michael Cory 2011 Françoise Gilot, at 90, Drawings 1941 - 2010, Kunstsammlungen Chemnitz, Germany Essays: Françoise Gilot and Louise Tolliver Deutschman (exhibition curator) 2006 Françoise Gilot, Portraits From a Life, The Elkon Gallery Inc., New York 2003 Françoise Gilot Painting...

Rare vintage limited edition Stone Lithograph printed at Mourlot in Paris. this is from a signed and numbered portfolio but the individual sheets are not hand signed and numbered. Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons at the same time. In 1943, during her first exhibition in Paris, Gilot (then 21) met Pablo Picasso (who was 61) for the first time. In 1946, Gilot started a 10-year relationship with the notorious womanizer and had two of his children,Claude and Paloma. As a result of her relationship with Picasso, Gilot "became both a witness and a participant in one of the last great periods of the modern art movement in Europe. Their circle included poets, philosophers, writers, and many of the legends of the art world, such as Braque, Chagall, Cocteau and Matisse. In 1953, Gilot left Picasso and the home they shared in Vallauris and moved back to Paris. "Lithographs are printed from stones and each stone is an echo of my artistic voice," said Gilot. "Many artists use their art as a personal catharsis. I have never done that. I am more intellectual. Each artistic process -- oils, lithographs, monotypes -- allows me a different freedom and suits a different mood." While Gilot did her first lithograph in 1950 at the Mourlot Atelier, the same studio used by Picasso, Henri Matisse, Marc Chagall, Jean Miro and Jean Dubuffet, it was in the 1970s that she really began to experiment with the process. "In the beginning I turned to lithography because I wanted to show off my technical skills. Now I am more interested in color," said Gilot. "I also thought that lithographs would make my works more accessible to young collectors." While her oils are priced up to $100,000, her lithographs begin at $2,000 and her monotypes range from $1,000 to $2,500. HONORS Officier de la Legion d'Honneur, Presidence de la Republique, France Chevalier de la Legion d'Honneur, Ministere de la Culture, France SELECTED MUSEUM COLLECTIONS Metropolitan Museum of Art, New York Musee d'Art Moderne, Paris Musee Picasso, Antibes, France National Acadamy of Design, New York Musee de Tel Aviv, Tel Aviv, Israel Museum of Modern Art, New York Bibliotheque Nationale, Paris (complete collection of original prints) SELECTED IMPORTANT EXHIBITION CATALOGUES 2012 Françoise Gilot, Paris - Vallauris, 1943 - 1953, The Gagosian Gallery, New York Essays: John Richardson, Françoise Gilot, Charles Stuckey and Michael Cory 2011 Françoise Gilot, at 90, Drawings 1941 - 2010, Kunstsammlungen Chemnitz, Germany Essays: Françoise Gilot and Louise Tolliver Deutschman (exhibition curator) 2006 Françoise Gilot, Portraits From a Life, The Elkon Gallery Inc., New York 2003 Françoise Gilot Painting...

Rare vintage limited edition Stone Lithograph printed at Mourlot in Paris. this is from a signed and numbered portfolio but the individual sheets are not hand signed and numbered. Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons at the same time. In 1943, during her first exhibition in Paris, Gilot (then 21) met Pablo Picasso (who was 61) for the first time. In 1946, Gilot started a 10-year relationship with the notorious womanizer and had two of his children,Claude and Paloma. As a result of her relationship with Picasso, Gilot "became both a witness and a participant in one of the last great periods of the modern art movement in Europe. Their circle included poets, philosophers, writers, and many of the legends of the art world, such as Braque, Chagall, Cocteau and Matisse. In 1953, Gilot left Picasso and the home they shared in Vallauris and moved back to Paris. "Lithographs are printed from stones and each stone is an echo of my artistic voice," said Gilot. "Many artists use their art as a personal catharsis. I have never done that. I am more intellectual. Each artistic process -- oils, lithographs, monotypes -- allows me a different freedom and suits a different mood." While Gilot did her first lithograph in 1950 at the Mourlot Atelier, the same studio used by Picasso, Henri Matisse, Marc Chagall, Jean Miro and Jean Dubuffet, it was in the 1970s that she really began to experiment with the process. "In the beginning I turned to lithography because I wanted to show off my technical skills. Now I am more interested in color," said Gilot. "I also thought that lithographs would make my works more accessible to young collectors." While her oils are priced up to $100,000, her lithographs begin at $2,000 and her monotypes range from $1,000 to $2,500. HONORS Officier de la Legion d'Honneur, Presidence de la Republique, France Chevalier de la Legion d'Honneur, Ministere de la Culture, France SELECTED MUSEUM COLLECTIONS Metropolitan Museum of Art, New York Musee d'Art Moderne, Paris Musee Picasso, Antibes, France National Acadamy of Design, New York Musee de Tel Aviv, Tel Aviv, Israel Museum of Modern Art, New York Bibliotheque Nationale, Paris (complete collection of original prints) SELECTED IMPORTANT EXHIBITION CATALOGUES 2012 Françoise Gilot, Paris - Vallauris, 1943 - 1953, The Gagosian Gallery, New York Essays: John Richardson, Françoise Gilot, Charles Stuckey and Michael Cory 2011 Françoise Gilot, at 90, Drawings 1941 - 2010, Kunstsammlungen Chemnitz, Germany Essays: Françoise Gilot and Louise Tolliver Deutschman (exhibition curator) 2006 Françoise Gilot, Portraits From a Life, The Elkon Gallery Inc., New York 2003 Françoise Gilot Painting...

Rare vintage limited edition Stone Lithograph printed at Mourlot in Paris. this is from a signed and numbered portfolio but the individual sheets are not hand signed and numbered. Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons at the same time. In 1943, during her first exhibition in Paris, Gilot (then 21) met Pablo Picasso (who was 61) for the first time. In 1946, Gilot started a 10-year relationship with the notorious womanizer and had two of his children,Claude and Paloma. As a result of her relationship with Picasso, Gilot "became both a witness and a participant in one of the last great periods of the modern art movement in Europe. Their circle included poets, philosophers, writers, and many of the legends of the art world, such as Braque, Chagall, Cocteau and Matisse. In 1953, Gilot left Picasso and the home they shared in Vallauris and moved back to Paris. "Lithographs are printed from stones and each stone is an echo of my artistic voice," said Gilot. "Many artists use their art as a personal catharsis. I have never done that. I am more intellectual. Each artistic process -- oils, lithographs, monotypes -- allows me a different freedom and suits a different mood." While Gilot did her first lithograph in 1950 at the Mourlot Atelier, the same studio used by Picasso, Henri Matisse, Marc Chagall, Jean Miro and Jean Dubuffet, it was in the 1970s that she really began to experiment with the process. "In the beginning I turned to lithography because I wanted to show off my technical skills. Now I am more interested in color," said Gilot. "I also thought that lithographs would make my works more accessible to young collectors." While her oils are priced up to $100,000, her lithographs begin at $2,000 and her monotypes range from $1,000 to $2,500. HONORS Officier de la Legion d'Honneur, Presidence de la Republique, France Chevalier de la Legion d'Honneur, Ministere de la Culture, France SELECTED MUSEUM COLLECTIONS Metropolitan Museum of Art, New York Musee d'Art Moderne, Paris Musee Picasso, Antibes, France National Acadamy of Design, New York Musee de Tel Aviv, Tel Aviv, Israel Museum of Modern Art, New York Bibliotheque Nationale, Paris (complete collection of original prints) SELECTED IMPORTANT EXHIBITION CATALOGUES 2012 Françoise Gilot, Paris - Vallauris, 1943 - 1953, The Gagosian Gallery, New York Essays: John Richardson, Françoise Gilot, Charles Stuckey and Michael Cory 2011 Françoise Gilot, at 90, Drawings 1941 - 2010, Kunstsammlungen Chemnitz, Germany Essays: Françoise Gilot and Louise Tolliver Deutschman (exhibition curator) 2006 Françoise Gilot, Portraits From a Life, The Elkon Gallery Inc., New York 2003 Françoise Gilot Painting...

Rare vintage limited edition stone lithograph printed at Mourlot in Paris. This edition was signed in the portfolio and is not individually pencil signed or numbered. Francois Gilot,...

Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons at the same time. In 1943, during her first exhibition in Paris, Gilot (then 21) met Pablo Picasso (who was 61) for the first time. In 1946, Gilot started a 10-year relationship with the notorious womanizer and had two of his children,Claude and Paloma. As a result of her relationship with Picasso, Gilot "became both a witness and a participant in one of the last great periods of the modern art movement in Europe. Their circle included poets, philosophers, writers, and many of the legends of the art world, such as Braque, Chagall, Cocteau and Matisse. In 1953, Gilot left Picasso and the home they shared in Vallauris and moved back to Paris. "Lithographs are printed from stones and each stone is an echo of my artistic voice," said Gilot. "Many artists use their art as a personal catharsis. I have never done that. I am more intellectual. Each artistic process -- oils, lithographs, monotypes -- allows me a different freedom and suits a different mood." While Gilot did her first lithograph in 1950 at the Mourlot Atelier, the same studio used by Picasso, Henri Matisse, Marc Chagall, Jean Miro and Jean Dubuffet, it was in the 1970s that she really began to experiment with the process. "In the beginning I turned to lithography because I wanted to show off my technical skills. Now I am more interested in color," said Gilot. "I also thought that lithographs would make my works more accessible to young collectors." While her oils are priced up to $100,000, her lithographs begin at $2,000 and her monotypes range from $1,000 to $2,500. HONORS Officier de la Legion d'Honneur, Presidence de la Republique, France Chevalier de la Legion d'Honneur, Ministere de la Culture, France SELECTED MUSEUM COLLECTIONS Metropolitan Museum of Art, New York Musee d'Art Moderne, Paris Musee Picasso, Antibes, France National Acadamy of Design, New York Musee de Tel Aviv, Tel Aviv, Israel Museum of Modern Art, New York Bibliotheque Nationale, Paris (complete collection of original prints) SELECTED IMPORTANT EXHIBITION CATALOGUES 2012 Françoise Gilot, Paris - Vallauris, 1943 - 1953, The Gagosian Gallery, New York Essays: John Richardson, Françoise Gilot, Charles Stuckey and Michael Cory 2011 Françoise Gilot, at 90, Drawings 1941 - 2010, Kunstsammlungen Chemnitz, Germany Essays: Françoise Gilot and Louise Tolliver Deutschman (exhibition curator) 2006 Françoise Gilot, Portraits From a Life, The Elkon Gallery Inc., New York 2003 Françoise Gilot Painting...

Running Dog with Long Shadows is an image filled with moving forms and patterns frozen in time. The flatness of the image is accentuated by the dog and his enlarged cast shadow, whi...

Limited edition fine art photograph by Romina Ressia

In 1969, Bethesda Fountain on weekends was a gathering place for the radical and hip people of the time. Abbie Hoffman and Jerry Rubin were regul...

Weirdness is not just restricted to people in San Francisco's notorious Tenderloin district. A proud and eccentric-looking dog hams it up for the lens of photographer Mitchell F...

A hip young black woman in Central Park pauses for a moment of reflection after her roller skate dance. Street photographer, Mithcell Funk, captures her in an off moment of introspe...

Archival Pigment Print Edition of 25 Print size: 19 H x 14 W inches Frame size: 26 H x 22 W inches Matted and framed in a beautiful tiger wood frame<...