Rudolf Grossmann Prints and Multiples

JOAN MIRO untitled from Tracé sur l'Eau, 1963 This one signed etching and aquatint in colors Edition 88 of 100 lower left Hand signed lower right Image size 21 x 58 cm Frame size ...

Il ya a des Soldats (There are Some Soldiers) is an original etching and drypoint realized by Salvador Dalì in 1973. It belongs to the series "Poi, Je t'Attends à Babylone", a suite ...

Lucio Fontana Untitled from The International Avant-Garde (volume I), 1962 Hand signed and numbered ‘XIV/XXV L. Fontana’. This work is number 14 of 25 examples numbered X to XXV giv...

Salvador Dalí­ L’Apothéose from La Vida es Sueno, 1971 Etching and Aquatint Numbered 104/250 lower left Hand signed lower right Image size: 33 x 26 cm Sheet size: 66.5 x 50.5 cm Re...

Salvador Dalí­ Sorcière au Balai from the Series "Faust" (La Nuit de Walpurgis), 1968 Etching and Drypoint Hand signed lower right Numbered. Edition of LXXIIX/C Image size 32 x 24 c...

This is an exclusive handprinted limited edition cyanotype. "Fireworks Lights" is a minimal cyanotype diptych that shows path of the fireworks over the sky. Details: + Title: Firew...

Salvador Dali Caballero, 1968 Lithograph Hand signed lower right Numbered 53/125 Sheet size: 101 x 81 cm Printer: Christopher Erikson and Joseph Petruzelli at Sienna Stu...

Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

Signed by the artist and numbered 49/50 lower left in pencil. Color lithograph on mauve Wookey Hole handmade waterleaf paper. This print features the encounter between an alluring ...

hand-coloured drypoint etching, edited in 1969. Limited edition, numbered 94/145 Signed in pencil by artist in lower right corner. Very good conditions. Framed size: 79 x 65 cm Paper...

Bernard Buffet (1928-1999) - A Japanese woman Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent c...

Put Out More Flags by Howard Hodgkin, 1992 Additional information: Medium: etching with aquatint, printed to the edges 42 x 52.5 cm 16 1/2 x 20 5/8 in signed with initials, dated and inscribed 'For Dave' in pencil Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...