Russell Sambrook Art

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Artist/ School: French Impressionist early 1900's, most likely an unfinished sketch hence not signed. Title: Dreamy garden view, looking out of the window over a deep green and vib...

Original oil painting by P. Valetti (French, second half 20th century) oil on canvas, unframed size: 19.75 x 28.75 inches condition: very good provenance: from the artists estate, Fr...

A beautiful pointillist oil on canvas depicting figures waiting for a train at Zevgolatio, Greece. Exhibited at the Royal Academy Summer Exhibition 1987. Original exhibition label on the reverse. Artist: Malcolm John Hitchcock (1929–1998) Title: Zevgolatio Medium: Oil on canvas Size: 26cm x 35cm including frame Malcolm John Hitchcock (1929–1998) was born in Salisbury, Wiltshire. He studied at Andover School of Art, then did “a variety of work to keep the wolf from the door,” becoming a full-time artist in mid-1980s. His main works were Pointillist railway paintings...

Vintage Italian nude figure painting. Oil on board. Framed. Measuring: 18 by 14 inches overall and 13 by 9 inches painting alone. Excellent condition, ready to hang and enjoy.

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Herman Saftleven the Elder (Rotterdam 1609 - Utrecht 1685) workshop Winter Landscape with the City of Utrecht Oil on canvas 81 x 65 cm. - framed 105 x 91 cm. The painting depicts a...

Unidentified Artist Schoolboy, Early 1900s century signed lower left oil on canvas unframed 24 × 29 cm (9.4 × 11.4 in) framed 41 × 47 cm (16.1 × 18.5 in) This intimate genre pain...

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...

Danny McCaw's (US based) "Patterned Rug" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure. Bio/artist statement: Danny McCaw is...

Pierre-Victor Galland (1822 - 1892) Young woman in profile Oil on canvas laying on cardboard 39.3 x 31.9 cm 65.2 x 55 x 7 cm with frame Artist's sale's stamp (monogram) top ...

Charles Constantine Hoffbauer (1875 - 1957) Day at the Beach (Mother and Child) Oil on paper 10 x 8 inches Hoffbauer was born in Paris in 1875, the son of an Alsatian architect, artist and archaeologist who published Paris through the Ages. He studied at the Ecole des Beaux-Arts under Fernand Cormon and Gustave Moreau, rubbing shoulders with Matisse, Rouault, and Marquet, then won an Honorable Mention in the Salon of 1896 and academic prizes in 1898-99. At the Paris Universal Exposition he won a bronze medal. On a French government traveling scholarship called the Prix National du Salon, Hoffbauer discovered Italy, Greece and Egypt. Then the government purchased Champs de bataille in 1904 (Musée du Luxembourg). On a second scholarship in late 1909, Hoffbauer visited New York where he was greeted by his friend Charles Dana Gibson (1867-1944), the creator of the "Gibson Girl." Hoffbauer was given two solo shows in 1911 and 1912 at Knoedler's, where his work would be handled in America In the introduction to the 1912 exhibition catalogue, art writer Arthur Hoeber...