Salvator Rosa Prints and Multiples
Italian, 1615-1673
Rosa was an Italian painter of the Baroque period, as well as a printmaker, poet and author of satires. He was active in Naples, Rome and Florence, and best known for his unconventional and romantic landscapes, as well as his rebellious nature. Rosa was indisputably a leader in that tendency towards the romantic and picturesque, called a proto-romantic. His landscapes avoided the idyllic and pastoral calm in the landscapes of Claude Lorrain (1600 – 1682) and Paul Bril (1554 – 1626), and created brooding, melancholic fantasies, awash in ruins and brigands. As a writer, Rosa was equally romantic in his descriptions and rebellious in his attitude towards convention.
Rosa began his training in Naples, notably with his future brother-in-law, Francesco Francanzano (1612 – 1657), who trained under the influential Spanish painter, Jusepe de Ribera (1591 – 1652), who Rosa may have trained with as well. It is also said that Rosa may have trained with the Naples painter, Aniello Falcone (1600 – 1665), who was also an apprentice to Ribera. After a brief trip to Rome, he returned to Naples and began painting his wildly romantic landscapes, eventually returning to Rome after 1638 painting one of his only altarpieces, Incredulity of Thomas.
Something of a Baroque polymath, Rosa pursued his talents in music, poetry, writing, etching and acting. He wrote and often acted in his own Satires, which in turn gained him the reputation of a rebel, pitting him against powerful people, such as the prominent Roman sculptor, Bernini (1598 – 1680). This partially drove him away from Rome to sanctuary in Florence, patronized by a Medici Cardinal; he started his Accademia dei Percossi, or Academy of the Stricken, were artists, playwrights and poets gathered, among them the poet-painter, Lorenzo Lippi (1606 – 1664). He then returned to Naples, where it is said he engaged in the Spanish revolt of Masaniello (1622 – 1647), with some works produced showing this influence.
He finally returned to Rome around 1649, painting historical works such as, Democritus amid Tombs, Death of Socrates, Regulus in the Spiked Cask, Justice Quitting the Earth and the Wheel of Fortune. The latter satirical work raised a storm of controversy, from which Rosa, endeavoring at conciliation, published a description of its meaning, but was nearly arrested. It was about this time that Rosa wrote his satire named Babylon, under which name Rome was of course his target. Among the pictures of his last years were the admired Battlepiece and Saul and the Witch of Endor, a work painted in 40 days, full of longdrawn carnage, with ships burning in the offing; Pythagoras and the Fishermen; and the Oath of Catiline.
His output in painting and satirical writing was large, and both respected and contested in its time. Rosa, the man, is romanticized in several fictional works, including novels and fully scored ballets.to
1
1
Overall Width
to
Overall Height
to
1
4
1,172
925
884
814
2
2
2
1
1
1
1
1
1
1
1
1
1
Artist: Salvator Rosa
The Academy of Plato Plato and His Disciples
By Salvator Rosa
Located in Fairlawn, OH
The Academy of Plato
Plato and His Disciples
Etching and drypoint
c. 1662, printed c. 1710
Signed in the plate lower left
Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category
1660s Old Masters Salvator Rosa Prints and Multiples
Materials
Etching
Salvator Rosa. Original etching: Warrior with Mace and Shield. 17th century.
By Salvator Rosa
Located in Firenze, IT
Salvator Rosa (Naples, July 20, 1615 - Rome, March 15, 1673)
Warrior with Mace and Shield
Etching and engraving, ca. 1650-1652
Second state (final)
Plate: 14 × 9.5 cm - Sheet: approx...
Category
17th Century Baroque Salvator Rosa Prints and Multiples
Materials
Engraving, Drypoint
Related Items
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Meridies; Der Mittag (Noon; The Midday)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.32"
Image size: 18.13" x 14.32"
Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Salvator Rosa Prints and Multiples
Materials
Laid Paper, Engraving, Etching
$900
H 22.5 in W 16.32 in
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Salvator Rosa Prints and Multiples
Materials
Laid Paper, Engraving, Etching
$900
H 22.57 in W 16.38 in
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Salvator Rosa Prints and Multiples
Materials
Laid Paper, Engraving, Etching
$900
H 22.5 in W 16.63 in
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
Very rare
Notes:
Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
Biography:
Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category
16th Century Old Masters Salvator Rosa Prints and Multiples
Materials
Etching, Laid Paper
Nacktes Liegendes Mädchen auf Diwan
By Ernst Ludwig Kirchner
Located in New York, NY
Drypoint printed in dark brown on heavy cream wove paper with wide margins. This is the third state (of four) from a small edition of only several. Signed and inscribed "II Zustand" ...
Category
1920s Expressionist Salvator Rosa Prints and Multiples
Materials
Color, Drypoint
The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Mid-18th Century Old Masters Salvator Rosa Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
1730s Baroque Salvator Rosa Prints and Multiples
Materials
Engraving
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
1730s Baroque Salvator Rosa Prints and Multiples
Materials
Engraving
$375
H 14.5 in W 10.07 in
Le Colosse
By Salvador Dalí
Located in New York, NY
Color drypoint. Signed by the artist in pencil lower right. Numbered 44/100 in pencil lower left. Published by Editions d'Art de Francony, Paris.
Catalogue raisonne reference: Fi...
Category
1970s Surrealist Salvator Rosa Prints and Multiples
Materials
Drypoint
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
18th Century Old Masters Salvator Rosa Prints and Multiples
Materials
Handmade Paper, Etching, Laid Paper
$1,500
H 4.75 in W 4.13 in
Crab, Plaice and Prawns
By Colin Self
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...
Category
Early 2000s Expressionist Salvator Rosa Prints and Multiples
Materials
Drypoint
Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling.
[Björklund's second state ...
Category
18th Century Old Masters Salvator Rosa Prints and Multiples
Materials
Etching
$1,200
H 3.75 in W 3.25 in
Previously Available Items
Saint Alexander - Original Etching by Salvator Rosa - Mid 17th Century
By Salvator Rosa
Located in Roma, IT
Saint Alexander is an original etching hand-watercolored, Image Dim: cm 44.5x27, Sheet Dim:cm 70x50
Interesting Artist's Proof, signed on plate lower into the cartouche with the ca...
Category
Mid-17th Century Old Masters Salvator Rosa Prints and Multiples
Materials
Etching
H 27.56 in W 19.69 in D 0.04 in
Seated Soldier Framed
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1730. Signed in the plate with the SR monogram. An 18th century edition of the print....
Category
Early 18th Century Baroque Salvator Rosa Prints and Multiples
Materials
Etching
Figure
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1710. Signed in the plate with the SR monogram. An 18th century edition of the print....
Category
18th Century and Earlier Baroque Salvator Rosa Prints and Multiples
Materials
Etching
Figure
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1710. Signed in the plate with the SR monogram. An 18th century edition of the print. Matted in 100% cotton rag matt from Holland; this work is frame ready. Image size: 5.5" x 3.75". Matted size: 14" x 12".
Salvator Rosa, (born June 20, 1615, Arenella, Sicily, Spanish Habsburg domain [now in Italy]—died March 15, 1673, Rome, Papal States [Italy]), Italian Baroque painter and etcher of the Neapolitan school remembered for his wildly romantic or “sublime” landscapes, marine paintings, and battle pictures. He was also an accomplished poet, satirist, actor, and musician.
Rosa studied painting in Naples, coming under the influence of the Spanish painter and engraver José de Ribera. Rosa went to Rome in 1635 to study, but he soon contracted malaria. He returned to Naples, where he painted numerous battle and marine pictures...
Category
18th Century and Earlier Baroque Salvator Rosa Prints and Multiples
Materials
Etching
Figure
By Salvator Rosa
Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1710. Signed in the plate with the SR monogram. An 18th century edition of the print....
Category
18th Century and Earlier Baroque Salvator Rosa Prints and Multiples
Materials
Etching
Salvator Rosa prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Salvator Rosa prints and multiples available for sale on 1stDibs.




