Scott Meyer Sculptures

Richard Orlinski - Signed sculpture Simba - The Lion King - Disneyland Out of print edition Dimensions : h18xw10xL10cm Price : 490€ for this sculpture

Luminous sculpture by Richard Faure in worked brass. The abdomen is made from a slice of agate concealing the lighting, the eyes are two fossil ammonites. Unique piece. Signed.

Super cool vintage cast iron "Hound Dog" doorstop / sculpture manufactured by Virginia Metalcrafters, circa 1986. The piece is in good vintage condition with a nice patina and a dist...

Amazing eight man assembly line whirligig. Attributed to an auto worker in Detroit. Fantastic original dry paint surface. Crank turns and figures move pe...

Green geometric sculpture by Ken Bentley. Ken Bentley San Antonio architect and sculptor, Bentley is a University of Texas at Austin graduate a...

Whimsical wheeled ceramic and plaster sculptures by artist Scott Rosenthal. The larger sculpture is fired ceramic, and the two smaller car sculptures are pl...

Crane sculpture Bill Scott, USA 1991 Walnut, brass lacquer 17 tall x 15 deep and 7.5 inches wide. From an estate of a collector of art from around the United States. Elegant details such as the method used to cut the brass to impart bird feather tuffs behind the head and at the base of neck coupled with carved walnut feathers to the tail show quality studio attention to detail and a high level of professional craftsmanship. Possibly American School art...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Richard E. Filipowski, graduate of the Chicago Institute of Design, hand-sculpted Marquette. Stylized branch composition out of delicate components...

Richard Walsh freeform sculpture. Tubular metal bent and welded to torch-cut circular base, Brutalist in form and patina. Sturdy stabile sculpture, circa 1975.

This listing features brass Gingko Leaves sculpture that sits on a marble base. Gingko leaves come from a Gingko biloba tree, commonly used as a dietary supplement. Founded in 1980 ...

Handcrafted Brutalist bud vase or sculpture, 1960s, brass, stee. Plastic test tube, signed R. Bitterman.