Scott Meyer Furniture

The Wave Sculpture en marbre et socle en bois Arden Scott Dimensions de l'oeuvre en elle même ( uniquement le marbre ): H 93 x L 70 x P 60 Dimensions...

Solid bronze bell with a wood wind catcher. Years of nice patina. Could be used as a doorbell. It has a beautiful pitch.

Freestanding cast and hand-collaged sculpture of sulphur bronze and silver by Boston-area artist Richard Filipowski. A densely textured, naturalistic form in the shape of a footed cu...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Beautiful collection of 22 solid brass leaf sculptures by Virginia Metalcrafters. Each piece signed on the backside with the VMC logo and embossed with item number and type of leaf. ...

Black geometric sculpture by Ursula Meyers conceptual Artist. Ursula Meyer (1915-2003) American sculpture signed and dated. This monumental geometric form sculpture is one the first work of art ever offered for sale, only at Greenwich Living, by renowned artist Ursula Meyer. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the Artist Studio. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...

Palatial bust of Henri Robert-Marcel Duchamp by Ursula Meyer. The sculpture itself measures 47" in height, 27.5" in width, and 21.5" depth acquired from the home of the most prolific American conceptual artist. Signed and dated. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the artist. Henri-Robert-Marcel Duchamp French: (28 July 1887-2 October 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art He was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...

Whimsical wheeled ceramic and plaster sculptures by artist Scott Rosenthal. The larger sculpture is fired ceramic, and the two smaller car sculptures are pl...

Figurative Bronze Sculpture by California Artist Ken Vares, 1968. One of a kind signed 1/1 sculpture on base with artist signature and date of 4/68. Bronze on walnut base. Measures 2...

A "Glamour Cat" sculpture in enamelled gold ceramic designed by Scott Musgrove and produced by Superego Editions. Limited edition of 50 pieces signed and numbered. Biography Born in 1966, Scott Musgrove received a BFA from Columbus College of Art and Design in Columbus, Ohio. He currently lives and works in Seattle, Washington. Musgrove’s style of figural surrealism carries themes of environmental issues and endangered wildlife concerns with unique humor, depicting anomalous extinct (and fictitious) animal species. His influences include historical artists such as Hudson River School painters Frederic Church, Albert Bierstadt and Thomas Moran, as well as naturalist artists including John James Audubon. The artist’s paintings and sculptures have been exhibited in galleries and museums across the United States and Europe. His new book The Late Fauna of Early North America features lush, highly detailed landscapes and close encounters with many of his strange and beautiful creatures. Musgrove’s carved wooden and bronze sculptures, oil paintings, watercolors, ink drawings and pencil renderings...

This sculpture and table lamp is called "Projecting ourselves", totally handmade by the artist using white porcelain characters attached by magnets, on the top of a burnished natural...

Amazing eight man assembly line whirligig. Attributed to an auto worker in Detroit. Fantastic original dry paint surface. Crank turns and figures move pe...