Wave Sculpture Arden Scott

Richard Orlinski - Signed sculpture Simba - The Lion King - Disneyland Out of print edition Dimensions : h18xw10xL10cm Price : 490€ for this sculpture

Sculpture Rooster Painted wood Dimensions : h58xl56xl30cm Ref : 1009 circa 1980 price 750€

Angelo Brotto light sculpture Murano glass Signed Dimensions ; 78x78cm Ref: Price : 3900€ (€) Esperia edition 1975 Square glass light panel with bubbles of blown glass and ...

Terracotta sculpture of elephants circa 1960 dimensions : 47x12x24cm ref : price : 390€.

Tribute to Tim Burton by LIBECQ metal sculpture h 85cm x d 35 cm x w 35 cm 2020 work signed by the artist Price : 3700€ for the artist.

Serge Mansau - Sculpture " Bitter gourd" - 1990 For Rochas Alchimie Terracotta Measures: H 36 x L 30 x P 30 cm A part of the sculpture is fragil.  

c. 2010, signed and in excellent condition

Scott Hanson (American, XX-XXI), Bronze Dolphin Sculpture, signed and numbered edition "60/450" near base of wave, mounted on a revolving marble base. Overall: 13.75" H x 6" Diameter.

2019 sculpture by Industrial metal and iron artist, Scott Behr (Brooklyn, NY). Semi-circular 'orb' form composed of welded steel circles, powder coated in a metallic teal finish. Sig...

Kinetic wall sculpture designed by Curtis Jere for Artisan House in the United States in 1983. This astonishing sculpture is made with a solid brass curved rod which holds several “V...

Green Vessel, 2022 (Glass, C. 9.1 in. h x 17.7 in. w x 17.7 in. d, Object No.: 4002) Geir Nustad’s work is often inspired by his experience growing up in the contrasting natural su...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...