Scott Hanson Bronze Dolphin Revolving Sculpture

Jack Hanson Brutalist torch cut metal sculpture of Napoleon wearing exaggerated hat, mounted to ebonized base. Overall: 18" H x 5.25" square.

Victor Salmones (Mexican, 1937-1989) Brutalist bronze sculpture depicting a seated figure, signed "M-31 V-SALMONES" to base and numbered "6/10", raised on an acrylic base. Measures: ...

Rosan (Costa Rican/American, b. 1940), "Bacchanal", Bronze Sculpture, 1987, signed to verso "c. Rosan 1987" and numbered to base " RFA". 19.75" H x 14" W x 8.5" D.

Maison Alphonse Giroux patinated bronze sculpture depicting a bulldog raised on a marble base, apparently unsigned, circa nineteenth century. Overall: 4" H x 6" W x 3.25" D.

Victor Salmones (Mexican, 1937-1989), Female Bust, bronze sculpture, depicting the bust of a woman contemplating, edition 2/10, marked "M - 28," signed. Measures: 17.5" H x 12" W x 9...

Esther Fuhrman, modern contemporary abstract bronze sculpture, with cut-out shapes and designs, unsigned. 13" H x 5.5" W x 3.75" D. . IN very good condi...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Bronze dolphin sculpture. Bronze dolphin in a baroque Venetian sea serpent style mounted on black marble base; a very sculptural bookend. Un...

Hand built ceramic box sculpture. JB Hanson is a Baltimore, Md artist and published writer. Award winner at The Baltimore museum of Art Bienn...

20th Century bronze Sculpture of a Dolphin with her calf.

A nice small bronze dolphins sculpture on a green marble base, circa 1990s. The piece has a wonderful patina and measures 4"W x 3"D x 5.75"H;...

The bronze figurative group on a cylindrical marble base with the mythological god Amor encircled by a large dolphin, signed 'Poirier'. This bronze model is based on the design of an original ancient Roman marble fountain, which was discovered in the city of Pompeii. In 79 AD, the volcano Versuvius erupted, causing the neighboring cities of Pompeii and Herculaneum to become submerged under layers of molten lava and ash. Although the volcanic eruption caused devastation for the people of these ancient cities, the thick layers of ash and pumice preserved many ancient objects and architecture. One of these was the ancient marble fountain that provided the model for this bronze. The original marble was found in the remains of an aristocratic family's garden, where it had stood as an ornamental garden fountain that featured the dolphin's open mouth as a waterspout. The ancient fountain...