Serge Hollerbach Mixed Media

Judith Brenner Sophie Dancing 1 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Sophie Dancing 1 is an original nude drawing by Judith Brenner.The figure is continuously moving and the final work is a composition made in an attempt to capture the rhythm of the dance. This abstract-impressionistic work is evocative of Francis Bacon’s style...

Vyacheslav Shraga Russian, 1953- Homage to Picasso Ink on paper 12 by 17 in. W/frame 22 by 27 in. Painter, graphic artist, sculptor Vyacheslav Sh...

Mark di Suvero Grass Power, 1979-2014 Mixed Media drawing: marker, ink and pencil on paper Hand titled, signed and inscribed to Nadine by Mark di Suvero Frame included: Floated and f...

Italian artist Giuseppe Beddru brings many elements to life through a palette of vigorous colors and rich Mediterranean textures derived from the reminiscences of the former Arabic p...

Ann Graves Tanksley, Untitled (Mother and Child), mixed media on Japan paper, c. 1960s. Signed 'A. Tanksley' in gold in the image, lower right. Linoleum cut in black ink on Japanese paper, with blue and gold brushed ink; cloth batik collage, and metallic gold star laid onto black construction paper. Created as a seasonal greeting. Inscribed on the inside panel is 'Merry Christmas and a Happy New Year. Love, John & Ann.' Archivally matted to museum standards. Unique. Image size 7 3/8 x 4 7/16 inches (187 x 113 mm); front panel size 8 11/16 x 5 3/4 inches (221 x 146 mm). ABOUT THE ARTIST “Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.” —Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993. Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree. Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975. Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist). Tanksley was one of the first members of Where We At: Black Women Artists, Inc., a New York-based women’s art collective founded by artists Kay...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Fela’s Demonstration Of Craze: Nothing has changed since Nigerian Afrobeat music pioneer, Olufela Olusegun Oludotun Ransome-Kuti, known professionally as Fela Anikulapo Kuti, or simply Fela, gave his own epic and hilarious breakdown of Democracy [1980]. As Nigerians all over the world remember and celebrate Democracy Day on June 12, yearly. Fela described Democracy as simply Demonstration of Craze. Looking at it critically, it makes all the sense that there is to be derived from the word. Nigerians have not only been crying from time immemorial, it is not a different scenario today as the same hands are still running the cabal. Nothing has changed, despite the ‘change’ mantrum. Here’s what he said, “Now I mentioned Democracy. In English, an English man...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Oil and oil stick over ink on paper. Neutral limited color, expressionist female nude with active brush strokes.

Polly Apfelbaum Color Circle and Star, 2004 Fabric Marker and Fabric Dye on Velvet Cotton Signed and dated in ink by the artist on the front with artist's inkstamp. Frame Included Si...

Foundational Studies 25(A) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(A) is a deliberate exploration of form and verse. Executed on ha...

Sunday in Lagos is a vibrant tapestry of culture, fashion, and social activity, and for a "baddie girl," it’s the perfect day to showcase her unique style and charisma. The city come...

In creating this piece, I sought to explore the balance between emotional intensity and meditative calm. By using geometric and symbolic forms in bold gouache and colored pencil, eac...