Slav Nedev Art

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.

The painting “Rostro nº4” is an oil on linen that depicts a male Roman bust. The work reinterprets the classical sculpture in a more personal way, playing with colors and textures th...

This artwork, part of the "Classical Series," is composed of two vertical canvases that engage in a dialogue through their shared symbolism and subtle narrative differences. At the t...

Josep Navarro Vives (1931-2023) - Still life - Oil on canvas Oil measures 92x60 cm. Frame measures 117x75 cm. Josep Navarro Vives (Castelsarrasin,...

This 2019 painting is from Patrick Faure’s Agnoiaphobia series. The painting is unframed, oil on canvas. About the Artwork: “For ever and ever” is part of the doxology that falls...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on canvas. About the Artwork: Wings of Fascism is a perfect example of Faurism, a styl...

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

Karen Shahverdyan „Encounter“ 140 X 190cm, oil on canvas

The work "Emblem 2" stands as a sequel to its predecessor, "Emblem I". In this small-format piece, a rampant lion's head is placed within a circle. This emblem not only identifies t...

"Emblem I" is a small format work that captivates with its intensity and visual symbolism. At the heart of the composition, a rampant lion's head emerges majestically, framed by a ci...

At the heart of this clearly surrealist painting is a window, a portal to the outside world that holds multiple meanings and suggests a profound reflection on the human condition. On...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on paper. About the Artwork: ‘In this subtle instant when man looks back on his life, Sisyphus going back toward his rock, contemplates this chain of actions without links that has become his destiny’ Albert Camus tells us. Vir Absurdus captures this moment, when Sisyphus let the rock roll back down the hill and has the time to look at the Mediterranean shore. We can imagine that it is his love for the sea, for the world of the Mediterranean that he incurs the wrath of the gods. He looks on that shore that is forever forbidden to him and over which hand the clouds of Hades. He is turning into a rock himself. Having been so close to a rock for such a long time, one cannot but imagine that he is becoming rock himself, suggests Camus. The objects lose their meaning. The rock has turned into the five ball of a billiard set...