Somnath Hore Figurative Paintings

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

Figurative Ink on Cotton paper Painting N.1 'Vessels II' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...

Figurative Ink on Cotton paper Painting N.1 'Vessels' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

A modern Chinese watercolor painting depicting birds soaring under a red sun.

The original painting on paper, Indian Chief, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is in the artist's series on indigenous Indian chiefs. 30 x 22in, a...

Hand signed by artist "The Party (Study)". Figurative, Human figure, Realism, oil on panel

The occupant of the room was in the middle of writing a note and has been interrupted. Return is assured as the glass of wine has not been consumed. Acrylic on panel. Signed bottom...

A fantastic example of Marsh’s renowned depictions of ladies walking in downtown Manhattan. This richly worked ink and wash composition captures a sidewalk populated by stylish women...

Hiroshi Honda Hatatatedai Signed upper right Ink on paper laid on canvas 35 x 92 inches Hiroshi Honda was an American painter who was born in Hilo, Hawaii, to Japanese parents who ...

Title: Paris Café Terrace Scene Medium: Oil on canvas Dimensions: 38 × 46 cm (14.96 × 18.11 in) Framing: Unframed Signature: Hand-signed lower right Period: Second half of the 20th century Condition: Very good. Firm canvas, stable paint layer, visible impasto, no apparent restorations. Origin: Spain Original oil painting depicting a lively Parisian café terrace scene, rendered with a luminous and expressive brushstroke. The composition captures a moment of everyday urban life: seated figures, soft conversation, café signage and filtered daylight dissolving into architectural shadows. The artist prioritizes atmosphere over strict detail, allowing the scene to breathe through fluid impasto and subtle tonal transitions. The chromatic palette balances cool bluish greys and whites with warmer accents, creating depth and visual rhythm. The treatment of figures and light evokes European post-impressionist tradition, combining figurative clarity with painterly spontaneity. A refined decorative piece with strong interior presence, ideal for collectors of European figurative art, lovers of Parisian imagery, or elegant contemporary interiors seeking warmth and narrative. Àngel Badia i Camps (Puig-reig, Barcelona, 1929 – Barcelona, 2019) was a Catalan painter, illustrator and comic artist trained at the Barcelona School of Fine Arts. During the 1950s and 1960s he worked extensively as an illustrator for European and British publishers, developing a strong command of the human figure and narrative composition. From the 1970s onward he focused primarily on fine art painting, producing figurative works centered on urban scenes, landscapes and everyday life. His work was exhibited in Spanish and international galleries, consolidating his position within the Catalan figurative tradition of the second half of the 20th century. Paris café painting...

A 1954 Surrealist depiction of a Summer symphony by notable Chicago Modern artist Harold Haydon. Executed in the artist's innovative, abstract "Binocular Vision" technique for which...