“Hi’ya Skipper.” Naval Officer Saluting Newborn Baby. WWII War Bond Ad
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Original World War II-era advertisement commissioned by Republic Steel to promote War Bonds and Stamps, published 1943. Medium: Oil on board Artwork: 2...
Oil, Board
Up at Bat, The Saturday Evening Post Cover, August 10, 1940
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Price on Request. The Saturday Evening Post cover, August 10, 1940
Masonite, Oil
After a Day on the Slopes, Beer Advertisement
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Signature: Signed Lower Left Following World War II, the United States Brewers Foundation (USBF) wanted beer to be seen in a more positive light, as an integral part of the American...
Masonite, Oil
Three Boys, Woman's Day Magazine Cover
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Three young boys talking. One of the boys is playing with a military jacket on the chair. Signed lower center. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Board, Oil
$58,000
Boy with Molotov Cocktail, Soviet troops on Hungarian Revolution
By Spencer Douglass Crockwell
Located in Miami, FL
This work sells itself. Just look at it, and an elaborate explanation is not required. There is virtually no one alive who can paint a picture like Crockwell. Crockwell offers the viewer a complex and inventive composition by showing two wonderful portraits in the foreground and, beyond a broken wall...
Masonite, Oil
Father and Son, Women's Day Magazine Cover, January 1945
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed Lower Right Father and Son, Women's Day Magazine Cover, January 1945 The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Oil, Board
The Family Gathering, Beer Belongs Advertisment
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Beer Belongs advertisement. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Board, Oil
Red & White Food Stores Calendar Illustration
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Signature: Initialed Lower Left
Canvas, Oil
Grand Mother and Grand Son Read Emotional Letter
By Spencer Douglass Crockwell
Located in Miami, FL
Crockwell is as good as Rockwell. Many would agree with that statement including the editors of the Saturday Evening Post in which both artists were frequent contributors. In fact, ...
Mixed Media, Oil
$850
H 15 in W 13.5 in D 1 in
An Elegant 1940s Modernist Portrait of a Young Woman in Red Dress
By Francis Chapin
Located in Chicago, IL
An Elegant 1940s Modernist Portrait of a Young Woman a Red Dress by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A beautifully executed studio portrait, the painting is oil...
Masonite, Oil
$1,248Sale Price|20% Off
H 11.82 in W 11.82 in D 0.99 in
Film Still #4 (portrait, western movie, cowboy, Hat, shadow, monochrome art)
By Rudolf Kosow
Located in Quebec, Quebec
With eyes obscured and hat lowered, this figure is both iconic and unknowable—a faceless cowboy adrift in a pale, open void. Kosow distills the visual codes of Americana and cinemati...
Canvas, Oil
$2,350
H 20.625 in W 25.625 in D 1 in
Mid-20th Century Oil on Board Abstract Impressionist Maritime Scene, René Genis
By René Genis
Located in Berlin, MD
Step into the bustling energy of a portside moment with René Genis’ “Les Grues” (The Cranes)”, a captivating oil-on-mat-board painting that transforms the in...
Oil, Illustration Board
$850
H 17.75 in W 16.75 in D 1 in
A Captivating 1930s Modern Portrait of a Young Woman by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...
Oil, Masonite
$489
H 16 in W 12 in
America impressionist portrait young boy 1937 Modern Figurative Oil Painting
Located in Buffalo, NY
A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...
Oil, Board
Untitled
By André Cottavoz
Located in Berlin, MD
Andre Cottavoz (French, 1922-2012) Untitled, Paris scene with multitude of French flags. Canvas on board, framed. Frame: 20 1/2" x 22" x 1 1/4, Board 13 3/4" x 15"
Oil, Board
$2,400
H 49 in W 33 in D 1 in
A Large, Compelling 1950s Mid-Century Modern Portrait of a Standing Male Model
Located in Chicago, IL
A Large, Compelling 1950s Mid-Century Modern Portrait of a Standing Male Nude Model by John Warren Ekstrom (Am. 1929-2020). A unique and well executed studio figurative painting by ...
Oil, Masonite
$1,600
H 21 in W 8.5 in
"Don't Cry Long" Abstracted and Distorted Self-Portrait, One Crying Eye
Located in Detroit, MI
"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...
Oil, Masonite
$1,950
H 19.5 in W 23.5 in D 1 in
“Bermuda Coast” Henrietta Dunn Mears American Impressionist Oil on Board Signed
By Henrietta Dunn Mears
Located in Yardley, PA
A vibrant Bermuda seascape depicting the rocky shoreline with turquoise waters breaking against sunlit boulders beneath a sweeping tree. Mears uses bold, textured brushstrokes and a ...
Oil, Board
$3,950
H 20 in W 18 in D 2 in
"Georgia Moonshiner, c. 1935" by Athos Menaboni (1895-1990) American WPA Era Oil
Located in Yardley, PA
A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...
Masonite, Oil
Amercan Merchant Ship in Philadelphia Harbor
By Thomas Birch
Located in Costa Mesa, CA
Thomas Birch is considered one of the earliest American Marine painters of importance both in his own time and historically, forming the foundation of what would become a great American Maritime movement in the successive years of the 19th century. Born in England, Birch started as a landscape painter but after the War of 1812 he turned to marine subjects, taking inspiration from the best of both English and Dutch maritime traditions but refining these techniques into a very recognizable style all his own. The work featured here is a classic of Birch's later period, when he focused specifically on maritime subjects, mainly the busy waterways of Philadelphia Harbor. Here we see one of those scenes- a series of ships plying their trade, all framed by the city as it sits across the Delaware River, with the tall, white spire of what is either Independence Hall or Christ Church to the left of the main vessel. The details of the city are particularly good in this painting, with the wharf building to the left and the long line of buildings all along the shore. The American Merchant Bark at the center of this painting is rendered in excellent detail, from her house flag and pennant, to her rigging and sails, and down to her deck filled with the activity of crewmembers readying the ship to head out, her gilt billet...
Canvas, Oil, Board
$299
H 13.19 in W 8.67 in
A nude - Realistic oil painting, Warm tones, Young Polish artist
Located in Warsaw, PL
AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...
Oil, Cardboard
Sold
H 23.75 in W 18.5 in
Hanging Upside Down, Saturday Evening Post Cover
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Saturday Evening Post Cover, April 20th 1940 Young boy hanging upside down. Signed lower left. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Oil, Wood