Spode Furniture

This charming small creamware tureen showcases the "Brown Grapes" pattern, a refined Neoclassical design. Crafted at the Spode factory in Stoke-upon-Trent, Staffordshire, England, ci...

This is an early 19th century stone china (Ironstone pottery) desert dish with a fluted shell shape, produced by Spode and dating from the George 111...

This is a fine example of an English George III period, porcelain, coffee can (cup), made by Spode in the early 19th century, circa 1810. The can is nominally straight sided and h...

This is a fine example of an English George III period, porcelain serving platter or large oval dish, made by Spode and hand painted in candlelight Pattern 967, during the early 19t...

This is a good stone China (Ironstone) coffee can made by the SPODE factory in the early 19th Century, circa 1820. The coffee can is well potted with cylindrical shape and a loop handle with the distinctive Spode kink to it. The piece is beautifully decorated with hand painted enamels in the chinoiserie Kakiemon style, pattern number 2117. It has the Spode Stone China blue printed...

This is a good stone China (Ironstone) Pen Tray or Box with lid, made by the SPODE factory in the early 19th Century, circa 1810. This piece comprises a base and a lid both made fro...

SPODE - PRESENTATION LIMITED EDITION #24/250 - Vintage gilt decorated bone china bon-bon dish with lid - stamped on the base - original retail presentation box - original Spode numbe...

A very beautiful English Spode porcelain 'jewelry' dish, Chinoiserie design style, circa early to mid-20th century, England. Piece has a beautiful design including its elevated footed form 'tazza'-like design. A great piece to hold jewelry (as demonstrated) or other small items on a desk, nightstand...

Antique Spode porcelain blue and white flower cross pattern chestnut basket.

Set of five Spode Flower Cross pearlware plates. Set includes five matching plates.

This is a very good stone China (Ironstone) coffee can hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century, English Georgian pe...

A fine antique English Georgian hand painted porcelain cup & saucer. By Spode. Pattern no. 1803. Both cup and saucer with wide cobalt blue bands on a white ground, hand painted scenes with ducks in round cartouches, and gilt embellishments throughout. The cup with a 'Diver' duck in a stream and the saucer with a 'Red Headed Merganser' on a bank. The reverses marked for Spode, 1803, 'Diver', and 'Red Headed Merganser'. Simply a wonderful antique Spode cup...

This is a very good coffee can and saucer/dish DUO made from stone China ( ironstone) by SPODE in the English Georgian period, circa 1820. Both pieces are beautifully hand decorat...

Made circa 1810, this pair of neoclassical Spode porcelain plates is distinguished by its saturated cobalt blue ground, sharply scalloped outlines, and confident use of burnished gil...

Imari Brilliance: Spode Porcelain "Pattern 967" Chamberstick, Circa 1806–10 A luxurious Spode porcelain chamberstick, dating to the Regency period (circa 1806–1810), decorated in t...

An 1870s Spode Aesthetic Movement comport in cream-colored earthenware with a beautiful transfer-printed pattern of birds and butterflies. After Japan was forcibly opened to Western...

This is a very good stone China (Ironstone) coffee can hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century, English Georgian period, circa 1820. This coffee can or cup made from Ironstone China is beautifully decorated with hand painted enamels in the very distinctive tobacco leaf pattern, pattern number 2061. The decoration also has very good hand gilded detailing. The upper rim has a dark ochre brown hand painted finish in the manner of 18th C...

Antique - SPODE - Georgian period - exceptional and rare - twin handled gilded porcelain large 'Low Scent Jar' - decorated with pattern number 671 - unsigned - illustrated on page 28...

A good Spode dessert service comprised of a round sauce tureen on flaring foot with cover and stand (7.5" x 6.25" x 6.5" high); a pair of fluted,...

Antique Spode Ornithological Miniature Chamberstick With rich apple green background, with gilt ring handle, painted with a vignette of a Whinchat in l...

Exceedingly rare antique English Spode ironstone Kakiemon decor warming dish. A/F slight clips to leaf near handle. Pattern number as recorded o...

A very Fine pair of Spode porcelain shrimp bowls. With rich gilding, underglaze cobalt blue borders, and hand painted topographical scenes at their centers. One scene depicts f...

Set of five pieces in Spode earthenware. English; 20th century decoration in shades of blue depicting a landscape marked “Spode Blue Italian”. Comprising: serving plate; small dish; ...

Set of twelve Spode earthenware plates. English; 20th century, blue-toned decoration from the SPODE 'THE BLUE ROOM COLLECTION'. Diameter: 26 cm.

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

** There are five (5) available, each sold separately, as per listing. A beautiful English Spode white porcelain 'jewelry' dish with a gold line-edged ri...

Pair of English Spode porcelain botanical shell-shape dishes, circa 1820. Specimens are titled on the reverse.

Spode (English, founded 1770), circa 1820. An extremely fine quality and rare personal tea service in rust and gold. The surfaces are decorated in an imari style pallet - laurel leaf...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Set of 12 English porcelain botanical plates, Spode, circa 1900.

Signed Spode with the pattern number '2575'.

This set of 8 Spode Copelands dessert plates are perfect for a dessert course at an intimate dinner and also likely to be used as display or cabinet p...