Steve Tobin Sculptures

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

"Up Side Down" Bronze Sculpture Edition 3/8 by Huang Yulong Up Side Down 2018 Bronze sculpture 24" × 4" × 4" in 60 × 10 × 10 cm Edition of 3/8 ABOUT TH...

"Leader 3" Bronze Sculpture 26" x 9.5" x 7.5" inch Edition 3/8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a B...

"YoBro!! 1" Bronze Sculpture 39" x 12" x 19" inch Edition 4/8 by Huang Yulong YoBro!! 2018 Bronze sculpture 38 3/5 × 11 4/5 × 18 9/10 in 98 × 30 × 48 c...

"YoBro!! 2" Bronze Sculpture 90" x 20" x 16" inch Edition 3/3 by Huang Yulong YoBro!!2 2015 Bronze sculpture 92 1/2 × 19 7/10 × 15 7/10 in 235 × 50 × 40 cm Edition of 3 + 2AP Wei...

The sculpture, Banquet I - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Yi,...

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

Born in Nice in 1928, Armand Pierre Fernandez (1928 - 2005) showed a precocious talent for painting and drawing as a child. (Inspired by Vincent van Gogh, he signed his early work wi...

The sculpture, Banquet IV - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White" , a casting project by Shizico Yi, who is making her family and personal belongings into time capsule in transparency Epoxy. This ipod (2008) casted in rice, glass and Epoxy was her last ipod before iphone was invented; the ipod is still operable ( see pictures) even after pouring into the resin in 2016. As long the battery kept charged from time to time, you still can touch the screen and see images on the touch screen. ( ipod charger and the display stand are included) ​**Guarantee Delivery Worldwide Free end to end tracking Shipping The Time Capsule sculpture...

Piero Manzoni Merda d'Artista - Merde d'Artiste - Artist's Shit, 2013 Sealed tin can in special offset lithograph paper and shrink wrapped sealed with a fingerprint The artist's sign...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...