Steven Sles

19th Century English Equestrian Scene Oil on Canvas Painting by Elizabeth Shelly. Painting features riders in formal riding attire with three riders and a dog in a wooded area. The f...

For your consideration, a 1960s mid-century modern abstract painting Mexico City. Signed in lower left corner hard to read. In the style of Leonardo Nierman. Oil on Masonite Dimensi...

A large scale abstract expressinist oil painting on canvas by Dutch artist, Fedde de Jong, circa mid-1960s. Purchased by prior owner while traveling in Denmark in the mid-1960s.

Beautiful Swedish abstract oil on canvas artwork with a pine wooden frame by Bertil Berntsson from the 1962. In good vintage condition with patina from aging. Signed and dated lowe...

A striking, energetic piece of original abstract artwork dating from the 1960s/70s. Acrylic and oil have been used to create bold lines and brushwork on the canvas giving the piece a...

Midcentury abstract oil painting framed in simple wood frame.

Vintage Lee Reynolds, Vanguard Studios original signed textured abstract oil painting. Large Lee Reynolds abstract oil painting by Vanguard Studios. Gorgeous large-scale Lee Reynolds abstract painting, Mid-Century Modern. A vintage abstract painting composed of angled brush strokes in white, beige, blue, orange hues in varying intensities. The piece is signed Lee Reynolds in the lower right corner and is a production of his well known Vanguard Studios. Measures: Height: 48 inches; width: 60 inches. Circa 1960s. Lee Reynolds Lee Reynolds Burr (1936–2017) opened his Vanguard Studios in Beverly Hills, California, in 1964 to make oil paintings an attainable decoration for any American household. With seascapes, nautical scenes, still lifes, bullfights, cowboys, pastoral views, hot-air balloons, horse races and abstractions, there was a Vanguard Studios creation to match any taste and interior. Born in Los Angeles, Burr studied art at the University of Southern California. After graduating and a stint in the U.S. Army, he worked in a local studio as a painter before becoming a home decor entrepreneur with financial support from his mother. Only a fraction of the alleged hundreds of thousands of oil paintings produced by Vanguard were actually painted by Burr, even though they were signed “Lee Reynolds,” “Lee Burr...

Italian harbor scene by Giuseppe Salvati (1900-1968) in oil on canvas. Beautiful warm colors and an original 1960's frame. Signed in the lower left. Overall 41 1/2 x 30 1/2. Image si...

Mid century abstract texture painting This painting measures: 48 wide x 0.3 deep x 36 inches high Great vintage condition We take our photos...

Intriguing midcentury abstract oil painting on board painted with passion using a palette knife and brush in a tight layered composit...

Infuse your space with free-spirited energy and artistic flair with this mesmerizing original abstract oil painting on board. Created during the height of the boho-chic movement, thi...

An oil painting of two rustic dogs fighting over a piece of food. It is painted on an oak panel. Signed top left. The signature is a bit faded, it's a monogram J.S. by Joseph Stevens. He often signed with a monogram. In a gilded frame frame with gesso moldings. Dimensions frame: 41 x 47 cm Dimensions painting: 17 x 23 cm. Joseph Stevens is the older brother of the very well-known artist Alfred Stevens. In the book 'The Belgian Art Book' by J. de Geest, it is written that Joseph Stevens has given a new dimension to painting animals. Joseph Stevens is an early representative of realism and social art. While Eugene Verboeckhoven has royal dogs pose on a beautifully embroidered cushion, Joseph Stevens already has an eye for the dark side of animal existence: exploitation by man, who in turn is a victim of society. His first successful painting, Brussels in the morning, shows how miserable dogs and poor people suffer the same fate. In the Sandman, Stevens shows a joint effort of man and dog, in which the viewer cannot ignore the social conditions: exhausting labor at dawn in some suburb. The gray sky and monochromy of the suburb add to the sinister atmosphere. Joseph Stevens was one of the first artists to take the urban proletariat as his subject. Stevens enjoys a very high reputation in his Parisian years. His brother Alfred writes: 'I am of this time, but you, Joseph, you are of the race, and thus you are of all times.' French critics agree. Stevens' works are a source of inspiration for the literature of the time. For example, Beaudelaire writes a poem about Stevens' dogs. Joseph Edouard STEVENS. Belgium, 1819-1892 Stevens was a painter, etcher and engraver. Brother of the gifted painter Afred Stevens. Education at the Academy in Brussels (1834-1835). Debuted at the Salon in Brussels in 1842. Continued his career in Paris in 1852. He was primarily the painter of canvases depicting domestic animals (dogs, monkeys, horses), sometimes in curious, even idiosyncratic situations, and far from romanticism. This realism, of which he was one of the pioneers, earned him the interest of critics and intellectuals. His approach was defined by this contemporary realism that eschewed idealized depictions of animals as heroic emblems of nobility. Rather, Stevens emphasized the ordinary animals of everyday life, with a particular focus on working dogs, stray dogs and all of the mutts that wandered the streets of Brussels. Museums and public collections, including' Royal Museum of Fine Arts Brussels, Ghent, Hamburg, Paris, Musée du Louvre, Rouen, Musee des Beaux-Arts. Stuttgart, State Gallery. King Leopold...