Terry Haass Art

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

Hand Signed. Edition of 50 copies plus 15 artist's proofs. Aquatint and drypoint. Image dimensions: 32 x 46 cm Reference: Bloch 1219; Baer 1201.

George Dannatt (1915-2009) Line Drawing No.1 1996 Etching Editions available: Artists Proof, Horizontal signed by George Dannatt Image measures: 12.5 x 16.5 cm George Dannatt’s lon...

George Dannatt (1915-2009) Line Drawing No.1 1996 Etching Editions available: 10/16, 14/16, 16/16 signed by George Dannatt Image measures: 12.5 x 16.5 cm Unframed George Dannatt’s...

Engraving Handsigned by the artist in pencil Edition : 13/95 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper) 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (image) Arches paper A...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Applause is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in chi...

Conrad Marca Relli - Composition XV Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 47/75 Size: 56 x 76 cm Condition: In very good conditions and ...

Hommage by Johnny Friedlaenderm German (1912–1992) Date: circa 1965 Aquatint, signed in pencil Edition of EA Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Frame Size: 36 x 28.5 inches

Zao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking. "Reflections I" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of crimson and translucent rose and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...