Trevor Waugh Abstract Paintings

Bert Van Bork (German-American, 1928–2014) Walpi #4, 2001 Watercolor, ink, and charcoal on paper Image: 4¾ × 7 inches Framed: 8½ × 10½ × ½ inches Walpi #4 is an original mixed media watercolor by renowned German-American modernist Bert Van Bork, whose celebrated depictions of the Hopi mesas and pueblos rank among the most distinctive interpretations of the American Southwest. Executed in 2001, this intimate yet visually powerful work captures the timeless beauty of Walpi, the historic Hopi village perched atop First Mesa in northern Arizona. Working in watercolor, ink, and charcoal, Van Bork transforms the village's iconic adobe architecture into an expressive arrangement of luminous blues, warm yellows, vibrant oranges, and brilliant pinks. Loose gestural brushwork and confident linear drawing create a compelling balance between abstraction and representation, conveying not only the physical landscape but also the spiritual atmosphere and enduring cultural significance of Walpi. Throughout his later career, Van Bork returned repeatedly to the Hopi mesas, creating an important series of paintings and works on paper inspired by the region's remarkable architecture, dramatic desert light, and rich Indigenous heritage. His Walpi compositions are especially prized for their fusion of European Expressionism with the visual language of the American Southwest, making them appealing to collectors of Southwestern art, American Modernism, and Expressionist landscape painting. Born in Germany, Van Bork studied under Karl Schmidt-Rottluff, co-founder of the influential German Expressionist movement Die Brücke, before immigrating to the United States in 1954. In addition to his distinguished career as a painter and printmaker, he gained international recognition as a filmmaker, earning an Academy Award nomination for EyeWitness: The Legacy of Death Camp Art...

Spring Duet is part of Shizico Yi’s ongoing exploration of the diptych format—a project that began in 2024. Painted en plein air, every canvas captures both the landscape outside her studio and the intimate interior surrounding it. This duality unfolds across two paintings, creating a visual dialogue that shifts and harmonises like a musical duet. The work belongs to Shizico’s long-running Memory Landscape Series (est. 2015), in which she moves fluidly between mediums—installation, sculpture, painting—and across visual languages from impressionism and expressionism into abstraction. In this spring chapter, she turns to the gentle hues of the Northern European early spring: soft greens, creamy whites, pink-apricot light—tones that hold the tender, awakening atmosphere of the season. Each canvas functions like a musical note; together, the pair forms a coherent visual phrase. Their relationship is harmonious yet flexible, offering multiple ways of living with the work in your home. -Artist's Lifetime Warranty for the original artwork Details Diptych (set of 2 paintings) Medium: oil, acrylic, mixed media on canvas Size: • Each canvas: 50 × 39.5 cm • Total combined size: 50 × 79 × 1.5 cm (Unframed measurements) -Versatile Display: The diptych may be hung: • Side by side as a traditional diptych set • Separated across different walls to create visual punctuation and subtle connection between spaces This flexibility allows the work to adapt to a variety of homes and interior styles. -Guarantee End to end tracking Delivery Worldwide by Royal Mail Worldwide at lowest flat Rate £22. About the artist: Dr. Shizico Yi is a London-based artist working across installation, film, and painting. Her practice explores themes of loss, repetition, the everyday, and the significance of memory. Drawing on a background in design and film, she creates works that weave personal experience into wider social and human narratives. Yi holds a PhD in Fine Art from the University of East London (2017), an MFA, and a BA in Womenswear from the University of the Arts London. ​ Her practice also includes plein air painting from spring to autumn and studio-based work in winter, allowing place and season to inform the energy, scale, and materiality of her pieces. Her work has been exhibited internationally in the UK, Korea, and Italy, and is held in private collections across the USA, Canada, Australia, Japan, Taiwan, and the UK. Notably, Shizico Yi secured the title of Winner of the Women Film Makers: Best Shorts Competition in 2013 in Los Angeles, USA. She also serves as a guest jury member at the 14th-16th Annual New York City Independent Film Festival from 2022 to 2024 and is a curator and founder of no barking aRt...

Untitled 01, 2017 Black adhesive and black oil on canvas (Signed on reverse) 31 1/2 H x 23 5/8 H in. 80 H x 60 W cm Zsolt Berszán treats the first layer of the drawing as a substrat...

This piece, "Saffron Clearing", is a 36x36 oil painting on board by artist Carol Young featuring a vibrant barn in the midst of a yellow golden field and deep blue sky. The barn is a bluish violet with a scarlet red roof. A line of dark green trees are on the horizon. Young's use of complimentary colors make this painting jump out towards the viewer. About the artist: “I've always been an artist. At a young age I painted rocks...

Unusual Seascape is a striking mixed-media diptych that reimagines the ocean as an abstract cartography of color, texture, and movement. Layers of vibrant blues and orange tones coll...

This contemporary abstract landscape by French artist Sophie Dumont is an oil on canvas measuring 50 x 50 cm (19.68 x 19.68 in), presented in a natural wood floater frame measuring 5...

Romana Milutin Fabris (b.1941) Dubrovnik Cityscape with Nude Women, ca. 1970. Gouache on illustration board, 23 x 32.5 inches; 25 x 34.5 inches framed. Signed lower right. Foil frame label on verso from 1960's with 5 digit telephone number, dating this piece to ca. 1970. Romana Milutin Fabris, born in 1941 in Dubrovnik, is one such artist: unwavering, devoted, and endlessly inspired. Her artistic education began at the School of Applied Arts in Split and Zagreb, and continued at the Academy of Applied Arts in Belgrade, where she laid the foundations of her distinctive visual language. A pivotal moment in her formation came with an international scholarship from the Austrian government, which enabled her to study in Salzburg under the great master Oskar Kokoschka-a painter of profound expressionist vision, whose spirit echoes in Romana’s work without ever being immitated. From the outset, she forged her own path-intimate but consistent, deeply personal and unmistakably her own. In 1964, she opened her first solo exhibition at the Sponza Palace in Dubrovnik, marking the beginning of a presence on the art scene that has now spanned more than six decades. Dubrovnik occupies a special place in her work. It is not merely the city of her birth, but the city of her soul-an eternal source of inspiration. Its stone walls, austere Mediterranean light, and the lush branches of bougainvillea reappear time and again on her canvases. Through these motifs, we sense belonging, but also poetic distance-for Romana does not paint the landscape as an external scene, but as an inner experience. Her colours speak in silence, her forms exude tranquillity, and the figures in her portraits radiate a depth that reaches beyond the visible. Each painting is a page from the diary of a strong and sensitive spirit, a woman who has preserved a childlike wonder, a profound reverence for beauty, and a lifelong belief in the power of artistic expression. Romana Milutin Fabris reminds us that art is not a fleeting moment, but a lasting presence. / 1965 / FIRST SOLO EXHIBITION, SPONZA PALACE ATRIUM, DUBROVNIK · ATELIER FOR INTERIOR DESIGN MASLINA - WORK COMPLETED UNDER THE FAMOUS PAINTER MILOVAN STANIĆ...

Title: Golden Thread Golden Thread - Painting Abstract Expression Gilding Calm Ocean Blue Abundance Gold In this piece, I've embraced the dance of harmony and flow. With featherli...

"Moon 2", a bold contemporary small-scale abstract landscape scene by California artist Cheryl Petty (American, b. 1949). A nocturnal color palette of dar...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20 inches. Signed lower margin. Tape residue marks on back. James Floyd Clymer ( 1893-1982...

Emerald Coral Reef Painting Underwater Art Palette Knife Original Oil Painting 🎨 Materials: Oil, Rolled Canvas, Palette Knife. 🎨 Shipping: gallery standards packaging, rolled in ...

Above Ground Below Skies by Sedef Gali 2026 Oil and Acrylic on Canvas 53" × 70" Sedef's artistic practice is deeply influenced by her upbringing in cities characterized by divers...