Umberto Mastroianni Art

This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró I Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: I...

David Roth (b. 1942) Untitled 1, 1979 Silkscreen in colors on wove paper Edition 11/150 Each signed, numbered, and dated in pencil along lower edge Image 22 3/4in H x 22 3/4 in L In...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Nue - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Numbered in pencil, edition of 64/150 AUGUSTE HERBIN (188...

"Subway Textures" is a one-of-a-kind piece created from Eustace Mamba, as part of his ongoing series of sewn mixed media cityscapes. This wall-hanging sculpture is made from sewing a...

Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...

Large, scarce limited edition color aquatint by Alexander Calder, from a limited edition of 90. Signed by Calder and numbered in pencil. Printed and published by 2RC Edizioni d'Art...

Kornfeld 56. 50 published with the book Expressionismus Die Kunstwende, 1918, in addition to 54 earlier impressions. Signed and titled in pencil in bottom margin under image.

Artist: Gene Davis (1920-1985) Title: Lilac Year: 1980 Medium: Silkscreen on Arches paper Edition: 247/250, plus proofs Size: 22.5 x 28.5 inches Condition: Good Inscription: Signed a...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró VIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In...

Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...