Unknown Prints and Multiples

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/2 x 5 inches (240 x 125 mm). Sheet size: 12 1...

No Kids – Come Into My House, 2008 Autographed by Alex Katz in 2013 Vinyl, Album, LP Tomlab – tom 108 lp The artwork depicted on this album cover is “Ives Field I”, an oil on linen ...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 3/8 x 4 5/8 inches (238 x 122 mm). Sheet size: ...

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

GSY curated this unique set of three authentic Shin-hanga Woodblock Prints by the workshop of Hasegawa Sadanobu III, the Uchida Publishing House, a well-known Kyoto publisher; they h...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

In 1995, American sculptor Donald Lipski was commissioned to design the official poster for the French Open at Roland Garros. Known for his innovative installations and large-scale p...

Felix the Cat is a funny-animal cartoon character created in the silent film era. The anthropomorphic black cat with his black body, white eyes, and giant grin, coupled with the surr...

This striking work from Jean Yves’s Urban Prints series exemplifies the artist’s distinctive approach to layered imagery and contemporary urban expression. Drawing from photographic ...

'Clematis' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

'Euphorbiaceen' (Euphorbia) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

This striking photograph of Grazia by Gunter Blum exemplifies the artist’s renowned ability to capture the female form in all its unabashed beauty and power. Grazia is depicted tilti...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Medium: lithograph (after the poster). The artist is most likely Ralph Meriman. Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 1/4 x...

'Ubersichtskarte Des Mondes' (Overview Map of the Moon) German chromolithograph, circa 1895. 245mm by 305mm (sheet). Central vertical fold as issued.

Striking exhibition poster featuring the vibrant, abstract work of American modernist Morton Livingston Schamberg. Originally produced for a show at Salander-O’Reilly Galleries in Ne...

The Jacobite Tartan Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

First edition advertising poster published by the French Tourism Office for the city of Angers. The story of the Tapisserie de l'Apocalypse in Angers, France, is one of artistic mast...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 3/4 x 7 3/8 inches (248 x 185 mm). Sheet size: ...

Original Vintage 1933 French Automobile Poster – Roby Ranty Marot Art Deco Calendar Art Print Classic Car Advertisement. Archival linen backed in...

This impressive 1897 original poster was issued as a special presentation with The Times newspaper to commemorate Queen Victoria’s Diamond Jubilee, marking sixty years on the British...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Vintage Montmousseau Methode Champenoise original poster — Linen-backed and ready to frame. Condition B+, but presents extremely well. No paper loss. Why did I give the poster a B+...

This striking early 20th-century poster promotes the transatlantic routes of the Cunard Line, one of the most prestigious maritime companies of its time. Advertising travel between Liverpool, New York, and Boston via Queenstown (now Cobh, Ireland), the image captures both the grandeur of ocean liners and the emotional intensity of departure in the age of steam. At the center of the composition is a colossal ocean liner, viewed from a low angle that magnifies its scale and presence. The ship’s dark hull stretches across the frame, punctuated by rows of illuminated portholes, while four towering smokestacks release clouds into the sky. This perspective transforms the vessel into a symbol of industrial power and technological achievement—an embodiment of modern progress at the dawn of the 20th century. In the foreground, a dense crowd gathers along the dock, rendered as a mass of small, indistinct figures. Their presence introduces a human dimension to the scene, evoking the emotions tied to transatlantic travel: farewells, hope, anticipation, and uncertainty. The contrast between the monumental ship and the anonymous crowd reinforces the idea of migration and movement on a grand scale. The poster’s composition is carefully structured to guide the viewer’s eye. The diagonal line of the ship’s hull creates a sense of motion, as if the liner is about to depart. The typography at the bottom—bold and clearly legible—anchors the image, emphasizing the Cunard name while listing the key destinations. This combination of visual drama and informational clarity reflects the effectiveness of early travel advertising. The color palette is rich yet restrained, dominated by deep blues, blacks, and warm industrial tones. These hues contribute to the atmospheric quality of the scene, suggesting early morning or evening light at the harbor. Subtle details, such as the reflections in the water and the architectural elements of the port, enhance the realism and immerse the viewer in the setting. During this period, transatlantic travel was not only a practical necessity but also a powerful cultural experience. Shipping lines competed to present themselves as reliable, modern, and prestigious. Posters like this one played a crucial role in shaping public perception, turning ocean liners into icons of opportunity and connection between continents. Ultimately, this Cunard Line poster...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Beautiful wooden frames! Thanksgiving ‘Farmers Pride’ two prints in solid wood frames, these are perfect for fall decor. As the cornucopia, horn of plenty, these are prints of fruits...

Greek Sculpture is an artwork realized in 19th century. Lithograph on paper.

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 10 3/8 x 5 inches (263 x 125 mm). Sheet size: 11 ...

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

This vibrant mid-century travel poster advertising Aeroflot, the official Soviet airline, offers a cheerful invitation to visit Moscow, the beating heart of the USSR. Created around 1970, the composition reflects the optimism and modernism of Soviet graphic design during the Cold War era, when air travel was increasingly used as a symbol of national pride and progress. At the center of the poster is a stylized female figure in traditional Russian dress...

A remarkable eighteenth-century crayon manner engraving by Gilles Antoine Demarteau (1722-1776) after a drawing by Jean-Joseph Taillasson (1745-1809) depicting Saint John of the Cros...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 x 9 inches (304 x 228 mm). Signed in the plate...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

This striking 1966 Soviet poster, proclaiming “Шлях до Місяця прокладено” (“The path to the Moon is traced”), is a bold visual statement from the height of the Space Race. Created at...

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

Black Mythological Scene with Figures, ca 1970's. Etching on wove paper, plate measures 17.5 x 21.5 inches on a sheet 22 x 28 inches. Unsigned and unattributed. This is an examp...

Ohh Baby ! - Oversize Signed limited edition - Pop Art - Kate Moss by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches / 152 x 101 ...

Michel Rauscher's "Morning Ritual" is an offset lithograph created in 2007, measuring 27.5 x 27.5 inches. The artwork portrays three figures standing before colorful houses, capturin...

Flowers and bugs is a  phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right corner The artist use the stylized trai...

Star Trek: The Motion Picture 1979 Original Vintage Poster measures 27×41" inches / 68 x 104 cm Star Trek: The Motion Picture is a 1979 American science fiction film directed by Robert Wise and based on the television series Star Trek created by Gene Roddenberry, who also served as its producer. It is the first installment in the Star Trek film series, and stars the cast of the original television series. In the film, set in the 2270s, a mysterious and immensely powerful alien cloud known as V'Ger approaches Earth, destroying everything in its path. Admiral James T. Kirk (William Shatner) assumes command of the recently refitted Starship USS Enterprise...

'1. Streptosolon Jamesoni 2. Leschenaultia Biloba Major' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Linen backed original of the official event spectacles of Paris, promoting Moulin Rouge, Salome, Musee Grevin, Sarah-Rita, Madame Butterfly, Carmen, La Vie de Boheme. Orignial in ex...

Persian Cloth in 19th Century is a Hand-colored lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

"Sandwich Tern' Antique Hand Colored Lithograph Delicately rendered naturalist drawing of a sandwich tern from the 1903 edition of "A History of British Birds" by F.O. Morris. This...

Paper Size: 10.25 x 39.5 inches ( 26.035 x 100.33 cm ) Image Size: 6 x 35.5 inches ( 15.24 x 90.17 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.

Woodcut Engraving of an extract of William Blake's "Milton" "And did those feet in ancient time...." with two landscape woodcut images, one signed in the impression print, the other ...

'Paris' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Paris, France. Central vertical fold. Printed street index on the reverse o...

Nice tourist poster about the city of Boston. Boston is the capital and largest city of the state of Massachusetts and the New England region in the nor...

Royal Palace of Naples is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Decorative motifs of the French Renaissance is a vintage chromolithograph realized by an anonymous artist of the early 20th Century. Good conditions. The artwork represents Decorat...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

1970s Pair of black and white important numbered and signed etching. Japan 1973. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by S...

'Zierpilanzen II' (Ornamental Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 30...

Heron Bihoreau - Black Crowned Night Heron French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrati...

Star Wars 1977 Original Vintage Lobby Card 1 Size: 28 cm x 36 cm (11 in x 14 in) An original ’11 x 14′ lobby card from 1977 for “Star Wars” now known ...

This atmospheric early 20th-century street scene presents a refined vision of urban life in Denmark, most likely set in central Copenhagen (Indre By), the historic heart of the city....

Rare, large format poster for the 2011, Toyota Grand Prix of Long Beach, California. This very rare racing poster is for the 2011 race. The event poster, such as this image was not available to the public for purchase. The artist name may be hidden inside the design, but we believe the artwork to be done by Jeff Foster. The image was printed to give an antique feel with old edges and distress marks, but the poster is in mint condition. It features a driver looking through his helmet as he is racing, with a reflection of a palm tree and the starting flag reflection back on the face shield. The poster has no defects. The Long Beach Grand Prix is the longest-running major street race held in North America. It started in 1975 as a Formula 5000 race and became a Formula One event in 1976. For Grand Prix poster...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 1/4 inches (230 x 310 mm). Not signed. Co...