Violet Oakley Paintings

This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...

Title: Ballet Dancers Theatre Stage Study Charcoal Drawing Mid Century Figurative Medium: charcoal and white chalk on toned paper unframed image size: 8.75 x 11.75 inches (height x w...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Landes at Pessac, near Bordeaux - Gironde Oil on canvas H. 126 cm; W. 201 cm Signed lower left Louis Cabié, a renowned a...

Marianne Loir (Paris 1705 – Paris 1783) Presumed Portrait of Jean-Jacques-Blaise Baloin de Belvèse, Baron de Vennac (?-1781) Oil on oval canvas H. 54.5 cm; W. 46 cm Unsigned Grandda...

Eiler Carl SORENSEN (Benløse 1869 - 1953) Interior with Staircase Oil on canvas H. 61 cm; W. 55 cm Signed lower right Circa 1930 Exhibition: 1969, Bordeaux, Exposition des Amis des ...

Jean François Marie Bellier (Paris 1745 – Paris 1836) Portrait of a Man Oil on oval canvas laid flat H. 45 cm; W. 55 cm Signed on the left Circa 1790 Jean François Marie Bellier occ...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

This piece, titled "The Meeting 20" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, an...

Antoine Louis MANCEAUX (Calvi, 1862 - Beauvais, 1939) The sculptor Jean-Paul Aubé working on the plaster cast of a statue of Shakespeare Oil on canvas, formerly mounted on cardboard ...

Ferraù Fenzoni (Faenza 1562–1645) – St John the Baptist: Oil Painting and Preparatory Drawing A rare ensemble: this listing comprises Ferraù Fenzoni's painting of St John the Baptis...

Studio of Rosa Bonheur (Bordeaux 1822 – Thomery 1899) Ploughing in the Nivernais Oil on canvas H. 62 cm; W. 120 cm (97 x 154 cm including frame) Unsigned Ploughing in the Nivernais ...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...