Virginia Conroy Art

Paris: A Wartime Study of Figures Relaxing in Springtime by Henri Miloch (1898-1979) Unsigned watercolour, graphite and gouache painting on artist's paper, unframed Sheet: 12.25 x 9...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...

This large Bemelans features a small image of Madeline in the smoke behind the chef's face. It was most likely preliminary work for an illustration with Madeline and The Chef that ap...

Portrait of a man at Flanders in 1918 by Eduard Dollerschell (German b. 1887 d. 1946.) Beautiful and delicately rendered portrait of a man done in gouache, pencil, and conte crayon....

Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...

Wallpaper Sketch by Josine Vignon (French 1922-2022) pastel/watercolor paper, unframed painting: 19 x 25 inches good condition provenance: from the...

Boleslaw Cybis (1895-1957). Unnamed Horses (Wild Horses), ca. 1930's. Conte on paper, sheet measures 20 x 23 inches. Signed by the artist some years after its creation in blue ink...

Jean-Gabriel Domergue (1889–1962) was a renowned French painter and engraver, celebrated especially for his portraits of elegant women or, more precisely, a feminine figure in a styl...

Artist: Thomas Strickland Title: Couple at Table (Self-Portrait) Year: circa 1970 Medium: Pastel on Paper, signed u.l. Size: 19.75 in. x 25.5 in. (50.17 cm x 64.77 cm)

Portrait de Renoir by Georges Manzana Pissarro (1871-1961) Graphite on paper 18.5 x 16 cm (7 ¹/₄ x 6 ¹/₄ inches) Signed lower right, manzana-Pissarro This work is accompanied by a c...

Title: Mid Century Modern Interior Design Presentation Gouache Meuble Mural Medium: Gouache ink and pencil on paper, unframed Size: 25.5 x 19.75 inches (height x width) Provenance: private collection Condition: Fair vintage condition. Noticeable creasing, edge wear and handling marks. Light foxing and surface dirt visible. Lower right corner slightly worn. Paper shows age toning throughout. Structurally sound but clearly a working design sheet. Description: A striking mid century French interior design presentation drawing titled Meuble Mural, depicting a modernist living room concept centred around a bold red wall unit. Executed in gouache, ink and pencil on artists paper, the composition presents a fully realised architectural perspective alongside a secondary floor plan study below, typical of professional design proposals from the 1950s or 1960s. The main perspective showcases a dramatic modern interior with clean architectural lines, floor to ceiling glazing, and a sculptural arrangement of low lounge chairs gathered around a circular table. The vibrant red wall unit forms the focal point of the composition, contrasted against muted grey walls and deep green flooring. The integrated shelving system, or meuble mural, reflects the era’s emphasis on built in storage and minimalist design. Stylised human silhouettes provide scale and reinforce the presentation quality of the work. Below, a monochrome floor plan reveals the spatial arrangement of the seating area and architectural elements, further confirming this as a professional design study rather than a purely decorative artwork. The careful use of colour blocking, perspective drawing and graphic typography aligns closely with mid century modern interior architecture, French modernist design and post war European decorative arts. This piece would strongly appeal to collectors of mid century modern design drawings, architectural presentation artworks, and interiors inspired by 1950s and 1960s French modernism. The presence of the French title Meuble Mural significantly enhances search visibility for collectors seeking original interior design concept art and vintage architectural renderings...