Virginia Woolf Furniture

Hardcover, 620 pages, 41.1 x 30 cm (16.2 x 11.8 in.) in clamshell box. With portfolio of 5 cel setups, 37.6 x 30 cm (14.8 x 11.8 in.) and 30 x 36.3 cm (11.8 x 14.3 in.), and 64-page facsimile of 'The Sorcerer's Apprentice' storyboard from Fantasia, 30 x 37 cm (11.8 x 14.6 in.). This Taschen Collector’s edition presents the first volume of one of the most expansive illustrated publications on Disney animation. In it, some 1,500 images as well as top essays by eminent Disney experts take us to the beating heart of the studio’s “Golden Age of Animation,” tracing Disney’s complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and the pioneering artistic experiment Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967). The book brings focus to each of the major animated features made during Walt’s lifetime, including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, Lady and the Tramp, and 101 Dalmatians, without forgetting the experimental short films of the Silly Symphonies series, underappreciated episodic musical films such as Make Mine Music and Melody Time, and many unfinished projects, such as proposed sequels to Fantasia or a homage to Davy Crockett by painter Thomas Hart Benton. With extensive research conducted through the collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation masterpieces came to life. These original artworks are accompanied by cel setups of famous film scenes, rare pictures from Disney photographers, and fascinating excerpts from story conferences between Walt and his staff. Throughout, contributions from leading Disney specialists detail the evolution of each film and honour the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Carl Barks, Mary Blair, Sylvia Holland, Tyrus Wong...

A truly spectacular and important piece of historical American film art. A group of Dwarf Masks from the 1937 Theater Land on stage revue of the new movie "Snow White and the Seven D...

Original French poster for the Exposition International in Paris, 1937. This award-winning Art Deco design was created by Eugene Beaudoin (1898-1983) and Marcel Lods...

by Tina Jorstian & Poul Erik Munk Nielson Light Years Ahead depicts Poul Henningsen's role in the evolution of light fittings. From the very outset h...

Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile/azulejo The tile painted in cobalt blue over white in typ...

Americana Toy This is a tin, lithographed, windup Ham and Sam “The Minstrel Team” manufactured by the Ferdinand Strauss Company/Strauss Mfg. Co. of New York ...

A retrospective monograph of portraits by the photographer Francesco Scavullo, (1921-2004). Scavullo is renowned for his photographs of celebrities...

Shelley, Mary. Frankenstein; or The Modern Prometheus. New York: Grosset & Dunlap, [1931]. 8vo. Rebound in red 1/.4 leather and black cloth boards, with raised bands, gilt stamps, and gilt titles to spine. New matching archival slipcase. Presented is a photoplay edition of Mary Shelley’s masterpiece of horror, Frankenstein; or The Modern Prometheus. This printing was published by Grosset & Dunlap, in New York, in 1931. One of the most collectible Grosset & Dunlap photoplay editions, this book was published to accompany the 1931 Universal Pictures James Whale horror film starring Boris Karlof, Colin Clive, Mae Clarke, John Boless, and Dwight Frye. It is illustrated throughout with scenes from that production. The book has been beautifully rebound in striking ¼ red leather and black cloth boards, with raised bands and gilt stamps and tiles to the spine, and a matching black archival slipcase. Mary Shelley was just nineteen when she wrote her classic novel. The circumstances of its composition are by now well known. In 1816, Mary was in Switzerland with Percy Shelley, Byron, and Byron’s physician John Polidori when the evening’s discussion turned to one of Shelley’s favorite topics, the supernatural. Byron proposed that all members of the party write a romance or tale on the subject. The resulting efforts were Polidori’s The Vampyre, Byron’s unfinished narrative about a vampire, and Mary Shelley’s Frankenstein. The first edition of Frankenstein was published anonymously in London, 1818, and is exceedingly rare. An 1831 edition was published in London, for which Shelley wrote an introduction describing the circumstances surrounding the creation of the work. The first American edition was published in 1833. Frankenstein has been named “the most famous English horror novel… a defining model of the Gothic mode of fiction, and… the first genuine science fiction novel, the first significant rendering of the relations between mankind and science through an image of mankind’s dual nature appropriate to an age of science” (Clute and Nicholls, Encyclopedia of Science Fiction, 1099). Alexander Grosset and George T...

An exceptional, fine and impressive antique George V sterling silver and erotica enamel cigarette case; an addition to our diverse range of continental silverware This exceptional antique sterling silver cigarette case has a plain rectangular form with rounded corners. This antique cigarette...

A small Cancer Crab that serves as a decorative item or for use as an ashtray or 420 tray. The brass is patinated but can be shined to a brilliant gold. ...

Mid-1970s Aipa wave crest Hawaii "Sting" surfboard. Features a single redwood stringer design with bright green tint and glassed on single fin. Features the iconic "sting" shape which was a revolutionary surfboard design attributed to renowned Hawaiian surfboard craftsman, Ben Aipa...

Mitchell, Margaret, Gone with the Wind. New York: The Macmillan Company, 1937. First edition, thirty-third printing. Octavo. Handsomely rebound in full navy Moroccan leather with gi...