Vivienne Foley Vases
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Creator: Vivienne Foley
Butter Trio, set of three soft white / cream porcelain vases by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Butter Trio’ is a unique collection of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image:
Butter Bi-Squared Rim Vase H 22 cm W ...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain
Yellow Duo, pastel yellow pair of hand thrown porcelain vases by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Yellow Duo’ is a unique pair of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image;
Strong Yellow Gourd...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Clay, Porcelain
Blue Grey Trio, set of three hand thrown porcelain vases by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Blue Grey Trio’ is a unique collection of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image:
Blue Grey Petal Rim Vase H 21 cm W...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain
Black Classic Vase II, Unique Black / Ebony Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Black classic vase II’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal arch...
Category
Early 2000s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Pink Trio, group of soft pink porcelain hand thrown vases by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Pink Trio’ is a unique collection of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image;
Pink Thistle Bottle H 23cm W 11.5 cm D ...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Clay, Porcelain
Vase with Foliate Rim II, Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Foliate Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Dish Mouth Vase III, a Unique Black / Ebony Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Dish mouth vase III’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks.
Vivienne F...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Cobalt Trio, still life of three soft purple porcelain vases by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Cobalt Trio’ is a unique collection of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image:
Cobalt Trilobed Funnel Neck Vase H 26...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain
Cactus Trio, still life of three green thrown porcelain vases by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Cactus Trio’ is a unique collection of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image:
Apple Green Bobbin Cactus H 25 cm W 1...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain
Black Classic Vase III, a unique black / ebony porcelain vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Black Classic Vase III' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal arc...
Category
Early 2000s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Pale Blue Flower with Foliate Rim, a Celadon Porcelain Vase by Vivienne Fole
By Vivienne Foley
Located in London, GB
‘Pale Blue Flower with Foliate Rim’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces ex...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain
Dish Mouth Vase II, a unique black / ebony porcelain vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Dish Mouth Vase II’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks.
Vivienne Fole...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Green Seed Pod, Unique Celadon Hand Thrown Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Green Seed Pod’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic scu...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain
Vase with Star Rim, a Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Star Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Celadon Trio, still life of three hand thrown porcelain vases by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Celadon Trio’ is a unique collection of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image:
Celadon Foliate Rim Vase H 20.5 cm W...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain
Blue Trio, soft celadon group of hand thrown porcelain vessels by Vivienne Foley
By Vivienne Foley
Located in London, GB
'Blue Trio’ is a unique collection of porcelain sculptural vessels by the British artist, Vivienne Foley.
Left to right in the first image;
Blue Daisy Rim II H 18.5 cm W 12.5 cm D...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Clay, Porcelain
Tall Lily Vase, a Black / Ebony Sculptural Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Tall Lily Vase’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson of Ireland • Prime Minister Charles Haughey of Ireland • President Hertzog of Israel • Prime Minister Keating of Australia • Prince Faisal of Saudi Arabia • US President Bill Clinton and Hilary Rodham Clinton • Royal Household, Sweden • Nancy Soderberg • President Jacques Chirac of France • Irish Embassy, Berlin • Sandy Lane Hotel, Barbados • Ford UK, London • Four Seasons Hotel, Amman, Jordan • Rolex...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Art Glass
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Vase with Tri Lobed Rim I, a Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Tri Lobed Rim I' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
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2010s British Organic Modern Vivienne Foley Vases
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Ceramic, Porcelain
Vase with Foliate Rim I, a Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Foliate Rim I' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
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2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Vase with Three Petal Rim, a Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Three Petal Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Vase with Double Flower Form, a Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Double Flower Form' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
Category
2010s British Organic Modern Vivienne Foley Vases
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Vase with Tri Lobed Rim II, a Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Tri Lobed Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Porcelain, Ceramic
H 8.67 in W 5.52 in D 5.12 in
Vase with Petal Rim, a Unique White Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Vase with Petal Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Black Classic Vase I, a unique black / ebony porcelain vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Black Classic Vase I’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Dish Mouth Vase I, Unique Black / Ebony Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Dish mouth vase I’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of ...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Black Bird, a Unique Ebony Sculptural Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Black Bird’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpt...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Boat Necked Vase II, black / ebony sculptural porcelain vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Boat Necked Vase II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite cerami...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
H 8.67 in W 6.89 in D 5.12 in
Black Classic Vase, a Unique Black / Ebony Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Black classic vase’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...
Category
2010s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Balluster Vase, a unique black / ebony porcelain vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Balluster vase’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley.
Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials.
Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature.
In her own words:
“As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps!
I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious.
Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms.
I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration.
My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections”
Foley has a global following and is represented in private and public collections world wide.
Public Collections and Acquisitions
National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson of Ireland • Prime Minister Charles Haughey of Ireland • President Hertzog of Israel • Prime Minister Keating of Australia • Prince Faisal of Saudi Arabia • US President Bill Clinton and Hilary Rodham Clinton • Royal Household, Sweden • Nancy Soderberg • President Jacques Chirac of France • Irish Embassy, Berlin • Sandy Lane Hotel, Barbados • Ford UK, London • Four Seasons Hotel, Amman, Jordan • Rolex...
Category
Early 2000s British Organic Modern Vivienne Foley Vases
Materials
Ceramic, Porcelain
Vivienne Foley vases for sale on 1stDibs.
Vivienne Foley vases are available for sale on 1stDibs. These distinctive items are frequently made of ceramic and are designed with extraordinary care. There are many options to choose from in our collection of Vivienne Foley vases, although black editions of this piece are particularly popular. If you’re looking for additional options, many customers also consider vases by and Bethany Wood. Prices for Vivienne Foley vases can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $1,593 and can go as high as $3,200, while a piece like these, on average, fetch $2,227.