Walter Hahn Art

View of a Port "59" French Modernist School Oil on canvas Illegibly signed. l.r., dated "59" 28 3/4 x 23 3/4 (30 x 25 frame) inches A positively brilliant, Modernist view of a French port...

"Florentine Expressions: A Portrait Series XII", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor from the Istituto di Arte di Porta Romana, Florence, Italy. The professor released works of artists whom he mentored over the years. We are unsure who painted the series we acquired as several are just signed, 'Giacomo', or, left completely unsigned, yet many are clearly by the same artist. This one is in good overall condition and has been newly framed with a French-style linen slip. The canvas is textural like one of the vintage maps...

Antique American modernist landscape painting. Oil on canvas, circa 1930. Signed. Housed in period frame. Image size 45L x 32H.

Huguette Ginet-Lasnier (French 1927-2020), signed lower front inscribed verso oil painting on canvas 24 x 19.5 inches. All the paintings we have for sale by this artist have come fr...

Agostino Morandin Morago Italian, born 1947 Opera No. 23 Oil on canvas 31 ⅝ by 31 ⅝ in, w/ frame 32 ½ by 32 ½ in Dated 1994 verso Inventory Number: 01865 Agostino Morandin Morago ...

Abstract Composition French, dated 1992 indistinctly signed oil on canvas, framed inscribed verso framed: 29 x 24 inches canvas: 28.75 x 23.75 inches provenance: private collection, ...

Vintage American modernist landscape oil painting by Frank Barry. Oil on board. Signed. Framed. Measuring 27 by 31 inches overall and 18 by 22 painting alone. Nicely framed in a wood...

Autumn Provence by Andre Guillou (French 1925-2017) signed and dated 2002 oil on canvas, unframed canvas: 25.5 x 21 inches provenance: private collection...

French artist, last quarter 20th century signed Billant oil on canvas, unframed canvas: 38 x 51 inches provenance: private collection, Paris The painting is in very good and present...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Vintage American modernist sunset cloudscape oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 19 by 25 inches overall. Handsomely framed ...

St Tropez French Modernist artist, indistinctly signed circa 1970 oil on canvas, framed framed: 13 x 37 inches canvas: 12 x 36 inches provenance: private collection, France conditio...