Walter w impert Art

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work. In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative. The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end. One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look. All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white. Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure. Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

French School, Late 18th Century Alexander the Great in the House of Darius Oil on canvas H. 42 cm; W. 53.5 cm without frame Apocryphal signature lower right "Verhag..." This painti...

Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...

Fine 19the century landscape by member of the renowned Williams family of artists, George Augustus (1814-1901). George Augustus was the son of Edward Williams (1781-1855), whose wife...

Eugène Modeste LE POITTEVIN (Paris, 1806 - Paris, 1870) Diana Resting Original oil on canvas (E. Picart, 16 rue du Bac) H. 33 cm; W. 40.5 cm Unsigned Red wax seal from the posthumous...

Contemporary figurative oil on canvas painting by Polish artist Rafal Gadowski. Painting in pop art style depicting colourful flamingos. The colours and composition are vibrant. Main...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Gingko Leaf Explosion + Year: 2024 + Edition Size: 100 + Stamped and Certificate of Authenticity provid...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº1 + Year: 2021 + Edition Size: 20 + St...

"Autumn Magnolia No. 1" Abstract still life photograph of deep plum Magnolia petals and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused ...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) The Trailer Ferry at Neuville-sur-Ain Oil on canvas H. 54 cm; W. 81 cm Sale stamp lower left. Provenance: 1885, Studio Sale, No. 18 Ponthus-Cinier belongs to what could be defined as the third (and, so to speak, last) generation of neoclassical or historical landscape artists, born in the 1810s and 1820s, such as Félix Lanoüe, Achille Bénouville, Paul Flandrin, Eugène Ferdinand Buttura, and Alfred de Curzon. More specifically, he is considered the leading and most popular representative of the Lyon School of landscape artists around the mid-19th century. A generous, honest, and pleasant companion, Ponthus-Cinier came from a family of merchants on his mother's side and magistrates on his father's. Destined for commerce by his parents, he preferred the artistic path, and after enrolling at the École des Beaux-Arts in Lyon in 1829 and training in Paris with Paul Delaroche, he exhibited his first works at the Lyon Salon of 1839, before participating in the Paris Salon in 1841. That same year, he received the second Prix de Rome for historical landscapes (won by Buttura in 1837, and Bénouville in 1845), beaten by the Versailles artist Lanoüe. To perfect his skills, Ponthus-Cinier then decided to travel to Italy, alone and at his own expense, for a single stay between 1842 and 1844; He discovered the Ligurian coast, Tuscany, Naples, and, of course, Rome and its surroundings, and executed a considerable number of studies (painted sketches or pen and ink sketches) that he used to compose views of Italy throughout his career. Ponthus-Cinier's main qualities probably lie in "the art of illuminating a canvas," as A. Jouve wrote in the 19th century, and in his sense of perspective, sometimes truly extraordinary; however, he seems, most of the time, a little less brilliant in his figures and in the transcription of details. This unsigned canvas...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº2 + Year: 2022 + Edition Size: 24 + Stamped and...