Waylande Desantis Gregory Pottery

Very sophisticated ceramic jug designed and made by Klaas Mobach for ‘Mobach Utrecht’ in the 1940s with black and blue reduced fired glaze. Execution Mo...

Mid Century Free Form Ceramic Bowl by Flora Eckert Hammat, Turquoise Art Pottery Stunning naturalistic pottery bowl by an American ceramics artist, Flora Eckert Hammat of Tulsa, Oklahoma. Vivid colors, original organic form. Signed Hammat original...

Large French Mid Century Ceramic Bowl or Centerpiece, Signed Stunning ceramic or mixed earths piece was made by combining clay slips of light and dark bro...

Vase made by hand in glazed ceramic with traditional motifs from southern Italy. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special...

A mid 20th century hand turned clay lidded jar with a lava glazed finish. Signature marked on the bottom of the jar. This jar is of a slightly egg-like shape. Majority of the body ...

Waylande Gregory Art Deco ceramic rooster sculpture, glazed, 1940s, USA Literature: Folk, Thomas, Waylande Gregory: Art Deco Ceramics and th...

Vintage hand-made French Provincial yellow terracotta glazed confit pottery jar with handles. Per the last photo we have a few of these in various size...

Great detail in this signed ceramic vase with a glazed white ceramic and detailed with cut and formed ceramic ornamentation around upper portion. Well executed.

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

Vintage artistic Danish pottery bowl with a beautiful abstract design Signed on the base but artist unknown No cracks or chips.

Vintage hand-made French Provincial yellow terracotta glazed confit pottery jar with handles. Per the last photo we have a few of these in various sizes...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...