Werner Philipp Paintings

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

Nathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...

Colin Scott Provincetown Harbor Signed lower right Oil on board 15 x 20 inches

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

This evocative oil painting by Richard Sigafoos presents a solitary coastal rock formation rising against a softly illuminated seascape. Rendered with confident, expressive brushwork...

Evocative oil painting of pioneers traveling by wagon train across the vast western plains by California artist Harry Roerade (American 1908-1987), circa 1...

Original circa-1930 watercolor landscape by Colorado modernist Charles Ragland Bunnell (1897–1968), depicting Cameron's Cone near Colorado Springs. Cr...

John F. Carlson Forest Landscape, circa 1925 Signed lower right Watercolor on paper Sight 21 x 24 1/2 inches The native Swede John Fabian Carlson became a household name in New Yor...

Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

Mystery Artist Untitled (Farmhouse), c. Early 20th Century Oil on board 8 1/2 x 17 in. Framed: 14 7/8 x 23 3/8 x 3/4 in.

Jane Peterson Stone Wharf, Brittany, circa 1910 Signed lower right Oil on canvas 18 x 24 inches Provenance Private Collection, New York Born Jennie Christine in Elgin, Illinois, s...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...