William Henry Chandler Furniture

➡️The River from Rousseau⬅️ "Il est tombé par terre, C'est la faute à Voltaire, Le nez dans le ruisseau, C'est la faute à Rousseau" - He fell to the ground, It's Voltaire's fault, H...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

French neoclassical Architectural landscape, oil on canvas In the manner of the Grand Tour, exceptionnal, glowing painting. Beautiful size, scale and quality of the subject an...

(1860 - 1939). Oil on canvas; 22 1/2" x 33 1/2". Ex. Joseph Edward trust, San Francisco, CA. Painter, muralist, photographer, Gremke grew up in San Francisco and began art studies at the School of Design under Raymond Yelland. He specialized in watercolors and oil of the Sierra Nevada and highly detailed floral still life. He also painted murals in the stations of the Santa Fe and Southern Pacific...

This is a beautiful English antique oil on canvas painting "Near Llantwest, North Wales" by William Langley (English, 1852-1922), signed lower left and inscribed to verso. The decor...

A French Empire period floral pastel and gouache painting from the early 19th century, in giltwood frame. This French painting features an exquisite depiction of a bouquet of flowers set inside a metal vase, adorned in its upper section with what could be waterleaves. It is the exuberant bouquet that attracts all of our attention, with its variety of flowers and abundance of colors. The pastel technique...

HENRY MAIDMENT English. fl. 1889-1914 Pastoral Landscape with Shepherd and Flock Oil on canvas signed with artist's monogram lower right (intertwined HM / 1900) 29 1/8" W x 17 1/...

A colorful tonalist landscape and the end of the day by contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on to become well known as a ...

Dennis Sheehan Autumn Landscape, circa 2025 Signed lower left Oil on canvas laid on foam 11 1/2 x 20 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Ba...

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

Painting by An Buskens, Belgium, 1965. Dimensions without the frame of the painting: Height 59 cm. Width 50 cm.

This is a pair of original oil on canvas paintings from Denmark painted by renowned artist William Henriksen (1880-1964). William Henriksen was an apprentice of famous painter H.O. ...