William Henry Chandler Wall Decorations

Great painting of a figure in an abstract landscape By Yorkshire artist A. C. Taylor. In the style of Keith Vaughan. Wonderful green colors ...

This serene impressionist landscape painting of a rural scene is created in soft pastel. The lush surface perfectly compliments the golden hues in the sky and the velvety earth and t...

Italian antique Oil pastel painting of a landscape, 1932 Oil pastel painting representing a natural landscape: two trees in the foreground and mountains in the background. In a finely worked dark wood guillochè frame. 1932. Signed and dated lower right. Very good conditions, it has light marks on the frame. Measurements in cm 42 x 5 x 33 H This fantastic painting...

Central European School early 20th century. A Vanitas still life with a skull, watercolor on paper laid on card. Measures: 5 1/4 x 5 1/4 in....

Edward Morton Campbell (1858-1911) - "Untitled" - American Impressionist fine art landscape oil painting on prepared heavy pressed paper panel - signed lower right - contained in an ...

Signed Southwestern painting of the Aragon Region in Spain. Dated 1931. Oil on board, gilt solid wooden antique frame.

A 1920s floral still life impressionist oil painting on canvas on board by important New Orleans artist Alberta Kinsey (b. 1875–1952). Densely arranged berry-hued bouquet with white clusters and yellow accents explodes out of a silver pitcher. Arrangement accompanied by a small cobalt blue vase to the side, and set upon a salmon and white floral tablecloth...

Continental school (Late 19th century) Forest landscape with figure Oil on canvas Dimensions: 15 3/4 x 19 3/4 inches.

An exceptionally fine quality example of a pair of framed Still Life of fruits Oil Paintings on Artists board by well documented English Artist William Hughes, third quarter of the Nineteenth Century. Complete with good giltwood frames, one is signed lower left W. Hughes and dated 1863  Both paintings with similar views depicting Still Life of fruits to include Apples, Pears and Black Grapes  Condition: Good condition recently professionally cleaned and ready to hang. Old trade label CHAS H WEST Framemakers in Primrose Hill, London.  Height: (entire including frame) 13.75" (35cm). Width: (entire including frame) 17.5” (44.5cm).   Location: Dublin City, Ireland.  Affordable fixed charge Worldwide Store to door shipping offered.  Provenance: Burling Paintings Art Gallery, Burlington Gardens, Mayfair, London.   William Hughes (1842-1901) was a still life painter, father of Sir Herbert Hughes-Stanton. He was a pupil of George Lance and W.H. Hunt.  Hughes exhibited at the Royal Academy between 1866 and 1901 as well as at the British Institute, Suffolk Street and the Grosvenor Gallery.   Titles at the R.A. include “The Baron’s Dessert” and “For the Feast of the Tournament”. A major work, a set of large bird paintings...

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...

19th Century coastal landscape water colour, monogram lower right. Delightful picture capturing the softness light and colours of the English coast on an overcast day Wide compo...

Framed pastel painting by American artist, Linda Jacobson, c.1980. The landscape artwork portrays trees, water and green rolling hills. The mood of Jacobson's work is often peaceful ...