William Lee Hankey Landscape Paintings

ABOUT THE ARTWORK “Pleasure Garden” is a canvas brimming with the splendor of life and nature, where each flower and leaf pulsates with vitality under the artist’s confident brushstr...

Eleanor Woolley Poppies Near Naunton 2 Original Painting Oil Paint on Canvas Canvas Size: H 61cm x W 61cm x D 3.7cm Signed Sold Unframed Ready to Hang (Please note that in situ image...

Beautiful Brittany, France coastal landscape depicting a cottage and a lone farmer by A. Henry (French, 20th Century),circa 1920. Signed "A. Henry" lower right. Unframed. Image, 16"H...

Wonderful Spanish landscape of a humble farm in Rota, Cadiz, Spain with horses, a cow with two herons, one of which is on cow's back by San Francisco artist John Sackas (American, 1910-2004), circa 1950s. Signed lower Left "Sackas" and verso Rota Farm House Cadiz" "John Sackas" . Verso has location, attribution and full artist's biography. Presented in gilt-toned carved wood frame. Image size: 14"H x 18"W. Born in New Jersey on May 22, 1910. John Sackas studied at the San Francisco Art Institute (1934), Chouinard Art School in Los Angeles, Corcoran Gallery of Art, and California School of Fine Arts, Jerry...

Dreamy figurative seascape of two ladies on the beach wading in shallow waters, depicted in a beautiful tonal palette of soft cyan and lavender hues, by Alan David Cours (American, b. 1950). The subtle reflections of the women in the water add a touch of detail to the almost abstracted blend of colors that makes up the water and sky, and tiny sails dot the horizon line to imply space. Cours' background as an abstract artist is apparent in this scene, which is grounded in reality only by use of the most important details. The artist allows the mood of the colors to come to the forefront, and any unnecessary details, like the faces of the women or delineation of successive waves in the water, to fall away. Signed "A. Cours" in the lower right corner. Unframed. Image size: 24"H x 30"W. Cours, Alan David (American, b. 1950) was born in Ohio in 1950. He remained there until 1972, when he graduated from Kenyon College with Highest Honors in art. In 1974, Cours moved to New York to accept a grant from the Whitney Museum of American Art. He subsequently obtained an M.F.A. in painting from Hunter College in New York. Originally trained as an abstract artist, Cours became interested in American Impressionism after viewing the work of A. Gisson. He became an informal apprenticeship with Gisson which lasted over ten years. Today, Cours’ style bears evidence of Gisson’s influence but has a delicate touch which is uniquely suited to his vision of our world. He is deeply interested in exploring the power of color to evoke light and mood. His subjects are landscapes, beach scenes, florals, architectural scenes, nudes, and still life. The work of A. David Cours has been exhibited throughout most of the United States. He has become a very successful artist and his work is in both large and small collections in the United States and abroad. “A. David Cours is an exceptionally gifted artist. He has studied with me informally for over ten years. He is far and away the leading proponent of the “Gisson” school of American Impressionism. I most enthusiastically recommend his work” -Anders Gisson

"Bridge Over the Neckar, Town of Heidelberg" - Original Oil Painting on Canvas A beautiful German landscape, by American painter, Betty Brenner (1922-2016), captures the Karl Theodor Bridge and its reflection. Commonly known as the Old Bridge (Alte Brücke), it is an arch bridge in Heidelberg that crosses the Neckar river. It connects the Old City with the eastern part of the Neuenheim district of the city on the opposite bank. The current bridge, made of Neckar sandstone and the ninth built on the site, was constructed in 1788 by Elector Charles Theodore, and is one of the best-known landmarks and tourist destinations in Heidelberg. Brenner, Betty (American, 1922-2016) - Raised in Washington, Brenner attended Cornish School...

ADOLF ARTHUR DEHN (American, 1895-1969) San Francisco Bay Area street scene, with Trolley, Streetcar, Cable Car with bay and Alcatraz Island in background. Hand signed LRC. Sight 19" x 15", overall 23" x 19". Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles. Adolph Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images. Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest. In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...

The Young Family by Benedikt Paul Kögl (German, 1892-1973) signed oil on canvas, framed Framed: 16 x 18.5 inches Canvas: 10 x 12 inches Provenance: private collection, UK Condition: ...

Wonderful mid century oil painting of a lone fisherman on the levee at Coyote Point in San Mateo, California by Ruth Garber Hulstede (American, 1892-1981). Signed "R. Hulstede '58" l...

Artist: Vahe Yeremyan Title: Trees Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 11.5" x 21.5" x 0.8" inch (29 x 55 x 2cm) Presentation: Unframed, Gallery Wrapped ...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...