William Lionel Wyllie, R.A., R.I., R.E. Art

Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...

Dynamic seascape along rocky Big Sur beach with surf by Willard Little (American, 20th century), circa 1940. Aqua blue water, both shallow and deep, reflects the golden sunlight. Are...

Serene countryside morning with wildflowers, rustic fence & soft, misty light by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 22 x 18 inches Frame measures 28...

Bright winter landscape of an old mill in the snow by E. Harrison (American, 20th Century). Signed "E. H." lower left. Unframed. Image, 16"H x 20"L.

"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

‘Piazza San Marco from the Palazzo’ by Edward Pritchett RWS (1807-1876). The painting – which depicts St. Mark’s Square and the Campanile seen from the Porto della Carta entrance to...

Samuel Phillips Jackson R.W.S. (British, 1830-1904) Untitled Landscape, 18th century Watercolor on Paper Sight size: 8 1/4 x 12 3/4 in. Framed: 17 1/2 x 22 in. Signed lower left: S.P. Jackson R.W.S. Samuel Phillips Jackson was born in the city of Bristol in September 1830, the son of the equally eminent watercolourist Samuel Jackson...

A superb impression of Martin Lewis's consummate image of Japan. Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...

A wonderful view of St Peter's, Rome encompassing the elegant landscaped gardens with rolling campagna in the background. Attributed to Thomas Hartley Cromek...

A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...

Sea Battle - John Stevens Italia 2007 - Oil on canvas cm.50x130. In this precious oil painting Stevens is inspired by the naval battles of the English painter Derek George Montague Gardner who, after a career as a civil engineer...