William Oliver Art

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Enrico Vizzotto Alberti (Oderzo 1880 - Padua 1976) - The 7th regiment of Milan lancers. 25.5 x 35 cm without frame, 51.5 x 57 cm with frame. Ancient...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

“Quebec City, 1853” by Edmund C. Coates (American, 1816-1871). A luminous 19th-century view of Quebec City by the American painter Edmund C. Coates, known for his detailed Hudson Ri...

Margaret Longstreith Baugh Woman with Violets, circa 1901 Signed lower right Oil on canvas 26 3/4 x 13 3/4 inches Provenance Walker-Cunningham Fine Art, St. Louis, Missouri, 2007 Pr...

Exquisite Quality French Art Nouveau oil on canvas painting of an elegant lady and pup, titled "The Little Prince" / "Le Dauphin no. 51" (on exhibition labe...

A fantastic example of George Armfield’s renowned portraits of dogs. This work depicts a Manchester Terrier excitedly standing outside a rabbit hole on the edge of a forest. The ter...

Known for his evocative, snow-covered landscapes, Koeniger brings this subject to life with his bold, confident brushwork and keen eye for natural light. The composition centers arou...

Beautiful Italian Art Nouveau style portrait of two women by Adriano Goby. Signed low-right.

CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...