William Walcot, R.E., Hon.R.I.B.A. Mixed Media

Winter Field on Overcast Farmland in the English Countryside by British Artist, Michael Morris (1938-2010) Art measures 30 x 20 inches Unframed This painting, with its soft, atmosp...

Soft watercolor accents add to the beauty of this cyanotype and watercolor of the Venice Canal by Cheryl Trotter (American, 20th century). Cheryl Trotter, a Pacific Grove artist and ...

In 2020, amidst the lockdown's intensity, my art journey ignited professionally. With ample time to delve deep, I explored figurative painting and abstract drawings until early 2022. I created a different series of paintings, one standout series, "Black, Bold, and Beautiful," celebrated the radiant essence of black women through six vibrant portraits clad in Ankara suits. While one found a home with a collector in Tel Aviv, the rest lingered in my studio. Two years on, a spark ignites within me to revisit this series, infusing it with the evolved narrative that aligns and fits into the conversation my works now engage in as a Contemporary Gospeller. The notions of “Restoration and restitution” weigh heavily in my heart, reflecting on personal and global scales. While global discourse focuses on returning stolen artefacts from Africa back to their origins, my perspective delves deeper into the restoration of lost time and purpose. My point of view on Restoration and Restitution is from this notion that man can lose years of his life in futility, and when the time of profit comes, it occurs mostly at the brink of life. A profound scripture, "I'll restore the years that the locust has eaten," resonates deeply, offering a beacon of hope amidst perceived futility. When I read this verse, it distinctly jumped out at me. Wow! Years can be restored! There is hope! To make this revisiting more contextual, I look out for material which can be regarded as “used-up”, “less-value”, or “wasted” - then it appears to me that Jute sack fits into this context! The Jute sack stands for the lost years of glory, having exchanged hands from one country to another before ending up in my studio to take a new life, different from what it has been used for. Thus, the series finds renewal through the symbolism of jute bags...

Gustaf Tenggren (1896-1970) The Horn (1919) signed Tenggren. Ink, watercolor and gouache on cardboard unframed 29.5 x 30 cm (11 ⅝ x 11 ¾ in) framed 41.5 x 42 cm (16 ⅜ x 16 ½ in) h...

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In t...

Black Rock Creek by Leo E. Osborne Abstract Nature Wall Relief, Unique Carved Mixed Media (primarily wood) 20x36x6" nuthatch on wood carved to appear like g...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

John Button View: Arcade, 1975 Gouache on Paper (Framed with prestigious Fischbach and Kornblee Gallery Labels) 20 1/2 × 24 1/2 inches Signed and dated on the front This is a unique painting Frame included: held in the original 1970s artist's period frame with prestigious labels This 1970s John Button gouache bears labels from renowned Jill Kornblee as well as Fischbach Galleries...

The Cowboy Horse Race is an original watercolor pencil and ink work by American Western artist Buckeye Blake. Renowned for capturing the raw energy and authenticity of traditional bu...

Dreaming – Limelight by Artist RenateVogel-Stelling Expressive Realism: Lying Male Nude. Vogel-Stelling: "I let my hand go, and where the brush becomes heavy, I push." A beautiful ...

Among the Stones by Leo E. Osborne Abstract Nature Wall Relief, best suited for interior placement Carved Canada Goose and Rocks - Unique Carved Mixed...

WELCOME by Artist RenateVogel-Stelling Expressive Realism: Etablissement Scene. Vogel-Stelling: "I let my hand go, and where the brush becomes heavy, I push." A beautiful artwork t...

COCQ Suzanne 'La tartine au fromage blanc' ('The slice with cottage cheese') Gouache. Signed and dated 1929. Suzanne Cocq (1894–1979) Suzanne Cocq was a Belgian painter, watercolori...

"To Whom It Is Deserved," an evocative artwork by Eyitayo Alagbe, depicts a powerful narrative of recognition and support. In this piece, two young men take center stage, with one we...