Aurelien Gendras

Yellow/brown glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 6.3’ x 3.9’ inches.

Green and blue glazed ceramic bowl with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 4.3’ x 6.7’ inches.

Green and red glazed ceramic cup by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 2.9’ x 8.3’ inches.

Glazed ceramic bowl with pearly white interior by Gisèle Buthod Garçon. Raku fired. Artist monogram et signature under the base. Circa 1980-1990. H : 4.3’ x 7.5’ inches.

Large black glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram and signature under the base. Circa 1980-1990. Unique piece. H : 12.6’ x 12.6’ inches.

A ceramic table lamp with white glaze by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

LARGE LOUIS XIV STYLE MIRROR Unique piece Sophie Gallardo & Georges Cassan Height : 140,5 cm Length: 114 cm Birch bark marquetry and mineral inlays Sophie Gallardo s...

A porcelain sculpture with green glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

Black and mustard glazed ceramic stool or coffee table by Mia Jensen. Artist signature under the base. 2023. H : 16.1’ x 19.7’ inches.

Pair of black glazed stoneware bedside tables by Clémentine Dupré. Artist signature under the base. 2021- 2022. Each piece is in two parts. H : 34 x 45 cm / 13’4 x 17'7 inches.

Black glazed stoneware bedside tables by Clémentine Dupré. Artist signature under the base. 2021. This piece is in two parts. H : 34 x 45 cm / 13’4 x 17'7 inches. A pair is avai...

Black glazed stoneware bedside tables by Clémentine Dupré. Artist signature under the base. 2021. This piece is in two parts. H : 34 x 45 cm / 13’4 x 17'7 inches. A pair is avai...

IMPORTANT 1925 DRESSER WITH BIRCHBARK AND INLAID WITH MINERALS Unique piece Sophie Gallardo & Georges Cassan Height: 93 cm Length: 137 cm Width: 56 cm Birch bark marquetry and min...

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

WOODEN CHEST CARVED WITH TWO CRENELLATED TOWERS ORIGIN: SOUTH WEST OF FRANCE PERIOD: 16th CENTURY Height: 64,5 cm Length: 124 cm Depth: 53 cm Chestnut wood Good condi...

Sculpture in glazed stoneware and engobed by Jean-Pierre Bonardot. Artist signature under the base « JP Bonardot 99 ». Unique piece. 1999. H : 7.08’ x 21.6’ x 13.8’ inches.

Sculpture in glazed stoneware and engobed by Jean-Pierre Bonardot. Artist signature under the base « JP Bonardot ». Unique piece. Circa 2000-2010. H : 18.9’ x 16.9’ x 9.05’ inches.

Sculpture in black glazed stoneware by Jean-Pierre Bonardot. Artist signature under the base « JP Bonnardot ». Unique piece. Circa 1990-2000. H : 13.8’ x 18.5’ x 10.6’ inches.

Large tubular vase « Bambou » in black glazed stoneware by Jean-Pierre Bonardot. Artist monogram under the base. Unique piece. Circa 1990. H : 30.3’ X 6.3’ X 5.1’ inches.

Large tubular vase « Bambou » in black glazed stoneware by Jean-Pierre Bonardot. Artist monogram under the base. Unique piece, circa 1990. H : 25.2’ x 3.9’ x 5.1’ inches.

Porcelain sculpture entitled "Solstice" . Unique piece. Signed under the base. 2022.

Porcelain sculpture entitled "Solstice". Unique piece. Signed under the base. 2022.

Porcelain sculpture entitled "Solstice" . Unique piece. Signed under the base. 2022.

« Nocta _07» floor lamp in beige grog stoneware by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

A ceramic table lamp by Denis Castaing. Sold with a new European electrical system. 2022.

A ceramic table lamp with black glaze decoration by Denis Castaing. Sold with a new European electrical system. 2022.

« Nocta_05 » table lamp in beige grog stoneware by Denis Castaing. Sold with a new European electrical system. 2020.

« Nocta_03 » table lamp in white glazed stoneware by Denis Castaing. Sold with a new European electrical system. 2020.

« Vesprée » table lamp in raw stoneware, partially glazed in white by Denis Castaing. Sold with a new European electrical system. 2023.

« Vesprée » table lamp in raw stoneware, partially glazed in dark green by Denis Castaing. Sold with a new European electrical system. 2023.

« Nocta_03 » table lamp in dark green glazed stoneware by Denis Castaing. Sold with a new European electrical system. 2020.

Ceramic sculpture entitled « La Citadelle » by Pierre Martinon. Perfect original conditions. Signed and dated at the base "Pierre Martinon 2000". Unique piece. Far from...

Ceramic sculpture entitled « Rocher posé » by Pierre Martinon. Perfect original conditions. Signed and dated at the base "Pierre Martinon 1985". Unique piece. Far from ...

Ceramic sculpture entitled « Symphonie minérale » by Pierre Martinon. Perfect original conditions. Signed and dated at the base "Pierre Martinon 1987". Unique piece. Fa...

Ceramic sculpture entitled « Entre-deux » by Pierre Martinon. Perfect original conditions. Signed and dated at the base "Pierre Martinon 1991". Unique piece. Far from t...

« Kambi » table in raw stoneware with white glazed top by Denis Castaing. Perfect original conditions. Signed. 2023.

« Kambi » table in white glazed stoneware by Denis Castaing. Perfect original conditions. Signed. 2023.

Torsade 2, 2023 by Laurent Dufour Glazed stoneware. Unique piece. Signed at the base. This piece can be put indoor and outdoor.

Bronze glazed ceramic mirror by Mia Jensen. Unique piece. Signed under the base. circa 2023.

Black and blue glazed ceramic mirror by Mia Jensen. Unique piece. Signed under the base. circa 2023.

Orange glazed ceramic mirror by Mia Jensen. Unique piece. Signed under the base. circa 2023.

Blue glazed ceramic mirror by Mia Jensen. Unique piece. Signed under the base. circa 2023.

Brown grey and black glazed ceramic mirror by Mia Jensen. Unique piece. Signed under the base. circa 2023.

Blue glazed ceramic mirror by Mia Jensen. Unique piece. Signed under the base. circa 2023.

Blue and white glazed ceramic mirror by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic covered jar by Jean and Jacqueline Lerat to La Borne. Perfect original conditions. Signed under the base " JJ LERAT LA BORNE ". Circa...

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic mirror with glazes decoration by Mia Jensen. Unique piece. Signed under the base. circa 2023.

A ceramic stool or table with glazes decoration by Mia Jensen. Unique piece. Signed under the base. Circa 2022.

A ceramic stool or table with glazes decoration by Mia Jensen. Unique piece. Signed under the base. Circa 2022.

A pair of ceramic vases by Charles-Henri Guieba with geometrical decoration. Wood firing. Perfect original conditions. Each piece is signed under the base. Unique piece. 2022.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2018. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...